Connect with us

Censorship Industrial Complex

Julian Assange laments growing censorship, suppression of truth in the West upon release

Published

7 minute read

Julian Assange, founder of Wikileaks, attends the European council on October 1, 2024, in Strasbourg, France

From LifeSiteNews

By Frank Wright

Speaking after 12 years of confinement, Julian Assange warned of the erosion of free speech in the West, linking his own prosecution to global censorship, political corruption, and attacks on honest journalism.

On October 1, Julian Assange made his first major speech since his release. In it, he delivered a verdict on how we are governed which is as damning as it is revealing.

“I am not free today because the system worked,” Assange said, “I am free today because after years of incarceration I pled guilty to journalism.”

Julian Assange was convicted under the U.S. Espionage Act and spent 12 years in confinement, first taking refuge in the Ecuadorian embassy in London in 2012, followed by five years in Britain’s maximum-security prison in Belmarsh.

Had his plea not been accepted he faced a sentence of 175 years in prison. He was speaking in Strasbourg, France, at a hearing convened by the Parliamentary Assembly of the European Council – which recognized Assange as a “political prisoner.”

Saying how “incarceration has taken its toll,” Assange noted how the world he had rejoined had changed – for the worse:

I regret how much ground has been lost during that time period. How expressing the truth has been undermined, attacked, weakened, and diminished.

Assange gave a chilling account of the state of the Western world today, saying he now sees “more impunity, more secrecy, more retaliation for telling the truth, and more self-censorship.”

He believes that his own treatment was a turning point for the suppression of freedom of speech in the West:

It is hard not to draw a line from the U.S. government’s prosecution of me – its crossing the Rubicon by internationally criminalizing journalism – to the chill climate for freedom of expression that exists now.

During his speech, Assange alleged that former CIA director Mike Pompeo devised a plan to kill him, following Wikileaks’ revelation in 2017 of CIA operations in Europe.

Citing the testimony of “more than 30 former and current U.S. intelligence officials,” Assange said that “it is a matter of public record that under Pompeo’s explicit direction the CIA drew up plans to kidnap and to assassinate me” while he was in the Ecuadorian embassy in London.

Assange was originally pursued for having publicized U.S. actions in Guantanamo Bay, and alleged war crimes in Iraq, which he explains intensified following Wikileaks’ CIA revelations.

Cracks in our system

Assange’s case and his extraordinary testimony reveals one of many fault lines in the Western world.

“Today, the free world is no longer free.” said Salvadorean President Nayib Bukele, describing also how the West is becoming “more pessimistic,” adding that, “[t]ragically, we can see more evidence of this decline every day.” Speaking at the United Nations on September 30, he said:

When the Free World became free it was due to freedom of expression, freedom before the law. But once a nation abandons the principles that make it free it’s only a question of time before it completely loses its freedom.

His observations are echoed by statements from across the political divide in the U.S.

The former Democrat Tulsi Gabbard warned on October 5 that the party she left now seeks to undermine the First Amendment. She said on X, “People like Hillary Clinton and Kamala Harris do not believe in the First Amendment because they see it as an obstacle to achieving their real goal: ‘total control.’”

Her remarks followed those made by Hillary Clinton in a recent video interview, in which Clinton said “whether it’s Facebook or Twitter/X or Instagram or TikTok … if they don’t moderate and monitor the content, we lose total control.”

Clinton’s remarks about losing “total control” come after Sen. John Kerry spoke at the World Economic Forum on September 25, saying “our First Amendment stands as a major block to the ability to be able to just hammer [disinformation] out of existence.”

Kerry argued that opposition to the polices of the WEF was fueled by “disinformation” when critics in fact simply dislike its policies. Populism generally is described as a threat to democracy in the West, when it is also simply the preference for popular policies, against the unpopular ones of the current ruling elite.

“Disinformation,” and “misinformation” are terms invented and used by the language and ideological police to hide their malicious intent.

It appears that unpopular policies such as those of permanent war, Net Zero, deindustrialization, and denationalization can only be pursued with “total control” of the information seen by the public.

The meaningful political debate is not about left and right. It is about the meaning of what is right, and the outrage at what is obviously wrong. Assange says “it is uncertain what we can do” about the “impunity” of our leadership, which as yet has faced no meaningful consequences for its pursuit of deeply unpopular policies at the expense of widespread corruption and defended by censorship.

Todayville is a digital media and technology company. We profile unique stories and events in our community. Register and promote your community event for free.

Follow Author

Censorship Industrial Complex

A Democracy That Can’t Take A Joke Won’t Tolerate Dissent

Published on

From the Frontier Centre for Public Policy

By Collin May

Targeting comedians is a sign of political insecurity

A democracy that fears its comedians is a democracy in trouble. That truth landed hard when Graham Linehan, the Irish writer behind Father Ted and The IT Crowd, stepped off a plane at Heathrow on Sept. 1, 2025, and was met by five London Metropolitan Police officers ready to arrest him for three posts on X.

Returning to the UK from Arizona, he was taken into custody on the charge of “suspicion of inciting violence”, an allegation levelled with increasing ease in an age wary of offence. His actual “crime” amounted to three posts, the most contentious being a joke about trans-identified men in exclusively female spaces and a suggestion that violated women respond with a swift blow to a very sensitive part of the male’s not-yet-physically-transitioned anatomy.

The reaction to Linehan’s arrest, from J.K. Rowling to a wide array of commentators, was unqualified condemnation. Many wondered whether free speech had become a museum piece in the UK. Asked about the incident, British Prime Minister Keir Starmer defended his country’s reputation for free expression but declined to address the arrest itself.

Canada has faced its own pressures on comedic expression. In 2022, comedian Mike Ward saw a 12-year legal saga end when the Supreme Court of Canada ruled five-to-four that the Quebec Human Rights Commission had no jurisdiction to hear a complaint about comments Ward made regarding a disabled Quebec boy. The ruling confirmed that human rights bodies cannot police artistic expression when no discrimination in services or employment has occurred. In that case, comic licence survived narrowly.

These cases reveal a broader trend. Governments and institutions increasingly frame comedy as a risk rather than a social pressure valve. In an environment fixated on avoiding perceived harm, humour becomes an easy and symbolic target. Linehan’s arrest underscores the fragility of free speech, especially in comedic form, in countries that claim to value democratic openness.

Comedy has long occupied an unusual place in public life. One of its earliest literary appearances is in Homer’s Iliad. A common soldier, Thersites, is ugly, sharp-tongued and irreverent. He speaks with a freedom others will not risk, mocking Agamemnon and voicing the frustrations of rank-and-file soldiers. He represents the instinct to puncture pretension. In this sense, comedy and philosophy share a willingness to speak uncomfortable truths that power prefers to avoid.

Aristotle, in his Poetics, noted that tragedy imitates noble actions and depicts people who are to be taken seriously. Comedy, by contrast, imitates those who appear inferior. Yet this lowly status is precisely what gives comedy its political usefulness. It allows performers to say what respectable voices cannot, revealing hypocrisies that formal discourse leaves untouched.

In the Iliad, Thersites does not escape punishment. Odysseus, striving to restore order, strikes him with Agamemnon’s staff, and the soldiers laugh as Thersites is silenced. The scene captures a familiar dynamic. Comedy can expose authority’s flaws, but authority often responds by asserting its dominance. The details shift across history, but the pattern endures.

Modern democracies are showing similar impatience. Comedy provides a way to question conventions without inviting formal conflict. When governments treat jokes as misconduct, they are not protecting the public from harm. They are signalling discomfort with scrutiny. Confident systems do not fear irreverence; insecure ones do.

The growing targeting of comedians matters because it reflects a shift toward institutions that view dissent, even in comedic form, as a liability. Such an approach narrows the space for open dialogue and misunderstands comedy’s role in democratic life. A society confident in itself tolerates mockery because it trusts its citizens to distinguish humour from harm.

In October, the British Crown Prosecution Service announced it would not pursue charges against Linehan. The London Metropolitan Police Service also said it would stop recording “non-crime hate incidents”, a controversial category used to document allegations of hateful behaviour even when no law has been broken. These reversals are welcome, but they do not erase the deeper unease that allowed the arrest to happen.

Comedy survives, but its environment is shifting. In an era where leaders are quick to adopt moral language while avoiding meaningful accountability, humour becomes more necessary, not less. It remains one of the few public tools capable of exposing the distance between political rhetoric and reality.

The danger is that in places where Agamemnon’s folly, leadership driven by pride and insecurity, takes root, those who speak uncomfortable truths may find themselves facing not symbolic correction but formal sanctions. A democracy that begins by targeting its jesters rarely stops there.

Collin May is a Senior Fellow with the Frontier Centre for Public Policy, a lawyer, and Adjunct Lecturer in Community Health Sciences at the University of Calgary, with degrees in law (Dalhousie University), a Masters in Theological Studies (Harvard) and a Diplome d’etudes approfondies (Ecole des hautes etudes, Paris).

Continue Reading

Censorship Industrial Complex

UK Government “Resist” Program Monitors Citizens’ Online Posts

Published on

logo
Let’s begin with a simple question. What do you get when you cross a bloated PR department with a clipboard-wielding surveillance unit?
The answer, apparently, is the British Government Communications Service (GCS). Once a benign squad of slogan-crafting, policy-promoting clipboard enthusiasts, they’ve now evolved (or perhaps mutated) into what can only be described as a cross between MI5 and a neighborhood Reddit moderator with delusions of grandeur.
Yes, your friendly local bureaucrat is now scrolling through Facebook groups, lurking in comment sections, and watching your aunt’s status update about the “new hotel down the road filling up with strangers” like it’s a scene from Homeland. All in the name of “societal cohesion,” of course.
Once upon a time, the GCS churned out posters with perky slogans like Stay Alert or Get Boosted Now, like a government-powered BuzzFeed.
But now, under the updated “Resist” framework (yes, it’s actually called that), the GCS has been reprogrammed to patrol the internet for what they’re calling “high-risk narratives.”
Not terrorism. Not hacking. No, according to The Telegraph, the new public enemy is your neighbor questioning things like whether the council’s sudden housing development has anything to do with the 200 migrants housed in the local hotel.
It’s all in the manual: if your neighbor posts that “certain communities are getting priority housing while local families wait years,” this, apparently, is a red flag. An ideological IED. The sort of thing that could “deepen community divisions” and “create new tensions.”
This isn’t surveillance, we’re told. It’s “risk assessment.” Just a casual read-through of what that lady from your yoga class posted about a planning application. The framework warns of “local parental associations” and “concerned citizens” forming forums.
And why the sudden urgency? The new guidance came hot on the heels of a real incident, protests outside hotels housing asylum seekers, following the sexual assault of a 14-year-old girl by Hadush Kebatu, an Ethiopian migrant.
Now, instead of looking at how that tragedy happened or what policies allowed it, the government’s solution is to scan the reaction to it.
What we are witnessing is the rhetorical equivalent of chucking all dissent into a bin labelled “disinformation” and slamming the lid shut.
The original Resist framework was cooked up in 2019 as a European-funded toolkit to fight actual lies. Now, it equates perfectly rational community concerns about planning, safety, and who gets housed where with Russian bots and deepfakes. If you squint hard enough, everyone starts to look like a threat.
Local councils have even been drafted into the charade. New guidance urges them to follow online chatter about asylum seekers in hotels or the sudden closure of local businesses.
One case study even panics over a town hall meeting where residents clapped. That’s right. Four hundred people clapped in support of someone they hadn’t properly Googled first. This, we’re told, is dangerous.
So now councils are setting up “cohesion forums” and “prebunking” schemes to manage public anger. Prebunking. Like bunking, but done in advance, before you’ve even heard the thing you’re not meant to believe.
It’s the equivalent of a teacher telling you not to laugh before the joke’s even landed.
Naturally, this is all being wrapped in the cosy language of protecting democracy. A government spokesman insisted, with a straight face: “We are committed to protecting people online while upholding freedom of expression.”
Because let’s be real, this isn’t about illegal content or safeguarding children. It’s about managing perception. When you start labeling ordinary gripes and suspicions as “narratives” that need “countering,” what you’re really saying is: we don’t trust the public to think for themselves.
Continue Reading

Trending

X