Uncategorized
Thank U, Next: Grammy snubs and other interesting facts
NEW YORK — Fourteen things worth noting about Friday’s nominations for the 2019 Grammy Awards, from snubs to first-time nominees:
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THANK U, NEXT
It’s another year at the Grammys, and another snub for Ed Sheeran.
Though this singer won two pop
Sheeran had one of the year’s biggest hits with “Perfect” — both the solo version and duet version with Beyonce. But the song didn’t earn any Grammy nods.
Carrie Underwood is in a similar position: She launched the first album where she co-wrote and co-produced each song this year, but the seven-time Grammy winner didn’t pick up a single nomination for the project. Kane Brown, one of the most successful new artists of the year and a dominator on the country charts, was also snubbed.
Young rappers who heavily dominated on streaming services this year were also left out, including the late XXXTentacion, Juice WRLD, Tekashi 6ix9ine, Lil Pump, Lil Baby, Gunna and others.
Seasoned acts who have won Grammys or scored multiple nominations in the past were also dissed, including Lil Wayne, Sam Smith, Nicki Minaj, Migos and Chris Brown.
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NOMINATED BUT STILL SNUBBED
Billboard reported this week that Taylor Swift’s “reputation” was the year’s biggest album, but the Grammys don’t agree.
The album surprisingly only earned Swift one single nomination — for best pop vocal album — and was snubbed in the album of the year category. Her hit song, “Delicate,” was shut out of record and song of the year, and even best pop solo performance. At the Grammys earlier this year, her song “Look What You Made Me Do” qualified for awards but didn’t garner any nominations.
Could it be Taylor fatigue?
Kanye West, whose years focused more on politics than music, has a similar problem: He only received one nomination, too. He’s up for producer of the year, despite releasing an album and producing a number of projects.
Ariana Grande received nominations for best pop solo performance and best pop vocal album, but many felt she should have earn nods for album, song or record of the year.
Maroon 5 had one of the year’s biggest hits with “Girls Like You,” featuring Cardi B, but only earned a nod for best pop duo/group performance.
Luke Combs had the year’s most streamed country album, but he didn’t get any country nods. He’s up for best new artist though.
And Eminem released two albums but only earned one nomination — for best rap song.
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J. COLD
With hip-hop dominating the pop charts and streaming services this year, many wondered who would earn Grammy nominations in the rap categories because of all the competition.
J. Cole seemed like a shoo-in.
He earned two nominations for his collaborations with others, but his impressive and acclaimed “KOD” album was left out of best rap album and album of the year. The album’s songs also didn’t earn nods like best rap song or best rap performance.
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TOTAL REQUEST LIVE
The best pop/duo group performance is looking like MTV’s “TRL” in the late 90’s and early 2000s.
Christina Aguilera, Backstreet Boys and Justin Timberlake are nominated in the category, which has seven nominees.
Aguilera is up for “Fall In Line,” her duet with Demi Lovato; Timberlake and Chris Stapleton are nominated for “Say Something”; and Backstreets Boys’ latest single, “Don’t Go Breaking My Heart,” earned them nomination, their first since the 2002 Grammys.
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LONG LIVE THE DEAD
Mac Miller died in September, a month after releasing the album “Swimming.” Now, it’s competing for best rap album, where he will compete with Cardi B, Travis Scott, Pusha T and Nipsey Hussle.
Chris Cornell died last year and was a posthumous at the 2018 Grammys in best rock performance. He’s nominated in the category again with “When Bad Does Good.”
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BEYONCE VS. HER MENTEES
Has the student become the master? The soulful duo Chloe x Halle, mentored by Beyonce, will compete with Queen Bey at the Grammys.
Chloe x Halle’s full-length debut, “The Kids are Alright,” is nominated for best urban contemporary album, where Beyonce and Jay-Z’s “Everything Is Love” is also a nominee.
The sister duo, co-stars of the “black-ish” spinoff series “grown-ish,” also picked up a nomination for best new artist.
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HOLLLYWOOD’S HOTTEST
While Bradley Cooper earned Golden Globe nominations and is a likely Oscar contender, the Grammys are also part of his awards season.
The actor scored two nominations for his duet with Lady Gaga, “Shallow,” including record of the year and best pop duo/group performance.
Tiffany Haddish, a recent Emmy winner, has a reason to wear the famous white dress she’s sported everywhere one more time: She’s nominated for best spoken word album.
Famous faces also make up the nominees for best comedy album, including Dave Chappelle, Chris Rock, Fred Armisen, Jim Gaffigan and Patton Oswalt.
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WHAT THE…?
The Grammys just gave Pusha T major bragging rights.
His rival, Drake, may be up for album of the year, but he’s not nominated for best rap album, where Pusha T is nominated.
Janelle Monae also earned an album of the year nomination, but she’s not competing in any R&B categories.
Even the “Black Panther” soundtrack, an album of the year contender, does not appear in the best compilation soundtrack for visual media category, where nominees include “The Greatest Showman” and “Deadpool 2.”
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FINALLY!!!
Florida Georgia Line have launched multiple hits since they released their debut album in 2012, but they never received Grammy love.
Until now.
The country duo earned their first nomination ever this year, for best country duo/group performance for “Meant to Be,” which features Bebe Rexha and is the longest-running No. 1 song on Billboard’s country songs chart.
Shawn Mendes has been a star since he emerged on the music scene, but he’s finally competing for Grammy gold with his third album. He’s nominated for song of the year with “In My Blood” and best pop vocal album for his self-titled third album.
Camila Cabello didn’t earn any nominations when she was in the group Fifth Harmony, but her solo debut earned her two nominations this year.
The country duo Dan + Shay and DJ Mustard, who co-wrote Ella Mai’s hit “Boo’d Up,” are also first-time nominees.
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CHARLIE PUTH, THE ENGINEER, SHINES
Charlie Puth didn’t earn nods like song of the year or best pop vocal album, but his work as an engineer has given him a chance at winning a Grammy.
Puth is nominated for best engineered album (non-classical) for “Voicenotes,” his sophomore album. He’s listed as an engineer on the project and shares the nomination with Manny Marroquin and Dave Kutch.
Puth was previously nominated for three Grammys at the 2016 show for his hit, “See You Again.”
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LADIES’ NIGHT
Almost a year after Neil Portnow told women to “step up” — which he later corrected — female performers are dominating in the major categories at the Grammys.
Five of the eight album of the year nominees are women, including Janelle Monae, Kacey Musgraves, H.E.R., Brandi Carlile and Cardi B.
Six of the eight best new artist nominees are women, including H.E.R., Jorja Smith, Margo Price, Chloe x Halle, Bebe Rexha and Dua Lipa.
Women are also strongly represented in song and record of the year, too, where nominees include Lady Gaga, SZA, Cardi B, Maren Morris, Ella Mai and Carlile.
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WOMEN IN COUNTRY MUSIC
For years women have struggled on the country music charts and country radio, but at the Grammys, they shine brightly.
The country categories, like usual, includes more women nominees than men. Three of the five best country album nominees are women, including Kacey Musgraves, Kelsea Ballerini and Ashley McBryde.
Three of the five best country solo performance nominees are also women, including Musgraves, Loretta Lynn and Maren Morris.
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A SOLDIER’S SONG
Folk singer Mary Gauthier released an album this year exclusively featuring songs co-written with veterans and their family members from sessions with the
Now the album, “Rifles & Rosary Beads,” is nominated for best folk album at the Grammys.
The critically acclaimed 11-song project earned a nomination earlier this year for album of the year at the Americana Music Honors & Awards, but lost to Jason Isbell and the 400 Unit’s “The Nashville Sound.”
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MOVING GENRES
Tori Kelly, who burst on the music scene as a pop singer, released a gospel album this year and picked up two nods in the gospel category.
Sting, who released a collaborative album with Shaggy this year, earned a best reggae album nomination for the project.
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Online: https://www.grammy.com
Mesfin Fekadu, The Associated Press
From the Daily Caller News Foundation
As the Trump administration and Republican-controlled Congress move aggressively to roll back the climate alarm-driven energy policies of the Biden presidency, proponents of climate change theory have ramped up their scare tactics in hopes of shifting public opinion in their favor.
But CNN’s energetic polling analyst, the irrepressible Harry Enten, says those tactics aren’t working. Indeed, Enten points out the climate alarm messaging which has permeated every nook and cranny of American society for at least 25 years now has failed to move the public opinion needle even a smidgen since 2000.
Appearing on the cable channel’s “CNN News Central” program with host John Berman Thursday, Enten cited polling data showing that just 40% of U.S. citizens are “afraid” of climate change. That is the same percentage who gave a similar answer in 2000.
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Enten’s own report is an example of this fealty. Saying the findings “kind of boggles the mind,” Enten emphasized the fact that, despite all the media hysteria that takes place in the wake of any weather disaster or wildfire, an even lower percentage of Americans are concerned such events might impact them personally.
“In 2006, it was 38%,” Enten says of the percentage who are even “sometimes worried” about being hit by a natural disaster, and adds, “Look at where we are now in 2025. It’s 32%, 38% to 32%. The number’s actually gone down.”
In terms of all adults who worry that a major disaster might hit their own hometown, Enten notes that just 17% admit to such a concern. Even among Democrats, whose party has been the major proponent of climate alarm theory in the U.S., the percentage is a paltry 27%.
While Enten and Berman both appear to be shocked by these findings, they really aren’t surprising. Enten himself notes that climate concerns have never been a driving issue in electoral politics in his conclusion, when Berman points out, “People might think it’s an issue, but clearly not a driving issue when people go to the polls.”
“That’s exactly right,” Enten says, adding, “They may worry about in the abstract, but when it comes to their own lives, they don’t worry.”
This reality of public opinion is a major reason why President Donald Trump and his key cabinet officials have felt free to mount their aggressive push to end any remaining notion that a government-subsidized ‘energy transition’ from oil, gas, and coal to renewables and electric vehicles is happening in the U.S. It is also a big reason why congressional Republicans included language in the One Big Beautiful Bill Act to phase out subsidies for those alternative energy technologies.
It is key to understand that the administration’s reprioritization of energy and climate policies goes well beyond just rolling back the Biden policies. EPA Administrator Lee Zeldin is working on plans to revoke the 2010 endangerment finding related to greenhouse gases which served as the foundation for most of the Obama climate agenda as well.
If that plan can survive the inevitable court challenges, then Trump’s ambitions will only accelerate. Last year’s elimination of the Chevron Deference by the Supreme Court increases the chances of that happening. Ultimately, by the end of 2028, it will be almost as if the Obama and Biden presidencies never happened.
The reality here is that, with such a low percentage of voters expressing concerns about any of this, Trump and congressional Republicans will pay little or no political price for moving in this direction. Thus, unless the polls change radically, the policy direction will remain the same.
David Blackmon is an energy writer and consultant based in Texas. He spent 40 years in the oil and gas business, where he specialized in public policy and communications.
Energy security, resilience and affordability have long been protected by a continentally integrated energy sector.
The G7 summit in Kananaskis, Alberta, offers a key platform to reassert how North American energy cooperation has made the U.S. and Canada stronger, according to a joint statement from The Heritage Foundation, the foremost American conservative think tank, and MEI, a pan-Canadian research and educational policy organization.
“Energy cooperation between Canada, Mexico and the United States is vital for the Western World’s energy security,” says Diana Furchtgott-Roth, director of the Center for Energy, Climate and Environment and the Herbert and Joyce Morgan Fellow at the Heritage Foundation, and one of America’s most prominent energy experts. “Both President Trump and Prime Minister Carney share energy as a key priority for their respective administrations.
She added, “The G7 should embrace energy abundance by cooperating and committing to a rapid expansion of energy infrastructure. Members should commit to streamlined permitting, including a one-stop shop permitting and environmental review process, to unleash the capital investment necessary to make energy abundance a reality.”
North America’s energy industry is continentally integrated, benefitting from a blend of U.S. light crude oil and Mexican and Canadian heavy crude oil that keeps the continent’s refineries running smoothly.
Each day, Canada exports 2.8 million barrels of oil to the United States.
These get refined into gasoline, diesel and other higher value-added products that furnish the U.S. market with reliable and affordable energy, as well as exported to other countries, including some 780,000 barrels per day of finished products that get exported to Canada and 1.08 million barrels per day to Mexico.
A similar situation occurs with natural gas, where Canada ships 8.7 billion cubic feet of natural gas per day to the United States through a continental network of pipelines.
This gets consumed by U.S. households, as well as transformed into liquefied natural gas products, of which the United States exports 11.5 billion cubic feet per day, mostly from ports in Louisiana, Texas and Maryland.
“The abundance and complementarity of Canada and the United States’ energy resources have made both nations more prosperous and more secure in their supply,” says Daniel Dufort, president and CEO of the MEI. “Both countries stand to reduce dependence on Chinese and Russian energy by expanding their pipeline networks – the United States to the East and Canada to the West – to supply their European and Asian allies in an increasingly turbulent world.”
Under this scenario, Europe would buy more high-value light oil from the U.S., whose domestic needs would be back-stopped by lower-priced heavy oil imports from Canada, whereas Asia would consume more LNG from Canada, diminishing China and Russia’s economic and strategic leverage over it.
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The MEI is an independent public policy think tank with offices in Montreal, Ottawa, and Calgary. Through its publications, media appearances, and advisory services to policymakers, the MEI stimulates public policy debate and reforms based on sound economics and entrepreneurship.
As the nation’s largest, most broadly supported conservative research and educational institution, The Heritage Foundation has been leading the American conservative movement since our founding in 1973. The Heritage Foundation reaches more than 10 million members, advocates, and concerned Americans every day with information on critical issues facing America.
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