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National Entertainment

‘Spider-Verse’ swings to the top; ‘Mortal Engines’ tanks

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LOS ANGELES — “Spider-Man: Into the Spider-Verse” swung to the top of the domestic box office in its first weekend in theatres, proving that there is widespread audience interest in big screen animated versions of Marvel’s marquee superheroes.

The film led a host of newcomers that debuted to varying success on this pre-Christmas holiday weekend, including Clint Eastwood’s drug smuggling drama “The Mule” and the Peter Jackson-produced epic “Mortal Engines” which bombed in North American theatres.

“Into the Spider-Verse” earned an estimated $35.4 million from 3,813 theatres against a $90 million production budget according to Sony Pictures on Sunday, which is a record for animated movies in December (although the hybrid “Alvin and the Chipmunks” movies were higher). The film features an innovative animation style — both CGI and hand-drawn — and focuses on the Miles Morales character as he learns to become the famed web-slinger. It’s another financial win for the studio’s latest “expanded Spider-Man universe” strategy following “Venom” and “Spider-Man: Homecoming.”

And “Spider-Verse” has been very well-received among critics, and audiences in exit surveys gave it a rare A+ CinemaScore — a first for a Spider-Man film. It’s also been nominated for a Golden Globe award for best animated feature and picked up a few honours from critics’ groups as well, including the New York Film Critics Circle.

“We are playing to both families and fanboys. We’re an all-audience film,” said Adrian Smith, Sony’s president of domestic distribution.

They also have an eight-day runway until the big Christmas release start packing the multiplexes.

The Clint Eastwood-directed drug smuggling drama “The Mule” debuted in second place with an estimated $17.2 million. It’s a solid debut for R-rated film that cost $50 million to produce. The Warner Bros. film drew an audience that was mostly older (78 per cent over 35-years-old) and male (54 per cent).

“Clint Eastwood has such a big following as a director and a star,” said Jeff Goldstein, Warner Bros. president of domestic distribution.

It’s Eastwood’s first major role in a film since 2012, and the studio is optimistic about the film’s longevity into the holiday.

Not all the new films were so lucky, however. Coming in fifth behind holdovers “Dr. Seuss’ The Grinch” and “Ralph Breaks the Internet,” was the Peter Jackson-produced epic “Mortal Engines,” which bombed in North American theatres, taking in only $7.5 million in ticket sales against a reported $100 million production budget. MRC and Universal Pictures produced the post-apocalyptic steampunk film based on the popular Philip Reeve book, which is the first of four in a series.

Neither critics nor audiences responded favourably to the Christian Rivers-directed film, however, which has a deathly 28 per cent on Rotten Tomatoes.

This weekend also saw the release of the PG-13 rated version of “Deadpool 2,” ”Once Upon A Deadpool,” in 1,566 locations. It earned an estimated $2.6 million, which is being added to “Deadpool 2’s” box office totals.

In limited release, Barry Jenkins’ James Baldwin adaptation “If Beale Street Could Talk” opened in four theatres to a very strong $219,173. Jenkins’ follow-up to “Moonlight” is expected to be a big player throughout awards season and expands nationwide in the coming weeks.

Historically, this mid-December, pre-Christmas weekend has not been a big one for movie openings, save for the exception of last year when “Star Wars: The Last Jedi” opened to $220 million, which is why the weekend overall is down some 61 per cent from last year and why the year-to-date advantage has fallen slightly to 8.5 per cent.

But the industry is still on track for a record year at the box office and has several late-game blockbusters on the way including “Aquaman,” ”Bumblebee” and “Mary Poppins Returns.”

“Aquaman” doesn’t hit North American theatres until Friday but the big budget DC superhero movie is already a blockbuster internationally. In its second weekend in theatres abroad, the film has already earned $261.3 million.

“It’s the happiest time of the year for Hollywood. This is when you get that big burst at the end, a lot of people catching up on movies,” said Paul Dergarabedian, the senior media analyst for Comscore. “It’s about momentum and this momentum should carry into next year.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

1.”Spider-Man: Into the Spider-Verse,” $35.4 million ($21 million international).

2.”The Mule,” $17.2 million.

3.”Dr. Seuss’ The Grinch,” $11.6 million ($23.3 million international).

4.”Ralph Breaks the Internet,” $9.6 million ($7.9 million international).

5.”Mortal Engines,” $7.5 million ($11.5 million international).

6.”Creed II,” $5.4 million ($2.3 million international).

7.”Bohemian Rhapsody,” $4.1 million ($20 million international).

8.”Instant Family,” $3.7 million ($738,000 international).

9.”Fantastic Beasts: Crimes of Grindelwald,” $3.7 million ($11.8 million international).

10.”Green Book,” $2.8 million.

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Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to comScore:

1. “Aquaman,” $126.4 million.

2. “Dr. Seuss’ The Grinch,” $23.3 million.

3. “Spider-Man: Into The Spider-Verse,” $21 million.

4. “Mortal Engines,” $20 million.

5. “My Neighbour Totoro,” $13 million.

6. “Fantastic Beasts: Crimes of Grindelwald,” $11.8 million.

7. “Mortal Engines,” $11.5 million.

8. “Dragon Ball Z Super: Broly,” $8.7 million.

9. “Ralph Breaks the Internet,” $7.9 million.

10. “The Nutcracker and the Four Realms,” $4.8 million.

Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

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Follow AP Film Writer Lindsey Bahr on Twitter at: http://twitter.com/ldbahr

Lindsey Bahr, The Associated Press



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Alberta

Province adds $335 million over three years to attract more investment from Hollywood

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Action! for Alberta’s film and television industry

Alberta’s screen-based sector has momentum, and Alberta’s government is helping to make the province a magnet for the job-creating film and television industry.

In 2020, Alberta’s government launched the Film and Television Tax Credit, causing the province’s film and television industry to grow in size and reputation. Since then, Alberta has attracted 129 productions with a total production value of $1.7 billion. This growth has resulted in approximately 9,000 direct and indirect jobs for Albertans.

To keep this momentum going, Alberta’s government continues to make changes to the program and increase investment in it. One year after the tax credit was launched, the cap was raised, resulting in a doubling of the province’s film and television sector. Now, Alberta’s government is increasing its investment to a total of $335 million over three years to continue attracting the attention and investment dollars of Hollywood.

“Alberta is experiencing exponential growth in our film and television sector, and we are well on our way to becoming a top Canadian jurisdiction for producers from around the world. Since the introduction of the Film and Television Tax Credit, the film and television sector in Alberta has doubled. Productions reach every part of Alberta – big cities, small towns and rural locations – and use local resources, businesses, accommodations and contractors, supporting thousands of jobs.”

Brian Jean, Minister of Jobs, Economy and Northern Development

As the province’s film and television industry grows, so does the quality and number of Alberta-made productions. To help grow and promote local talent and productions, Alberta’s government is also doubling the funding to the Alberta Made Screen Industries Program. This funding will support local producers and attract productions from around the world to set up shop in Alberta.

“Alberta-made film and television productions showcase Alberta’s unique culture, breathtaking landscapes and stories to audiences across the globe. We are increasing our support to smaller productions because they provide a unique Alberta-made training ground for emerging talent and create local, highly skilled workers in the sector.”

Jason Luan, Minister of Culture

The Film and Television Tax Credit and Alberta Made Screen Industries Program work together to showcase the beauty and diversity of Alberta, create jobs, diversify the economy and support hospitality, service and tourism in the province. These targeted incentives to the film and television industries are helping to ensure Alberta remains the economic engine of Canada for years to come and the next film and television hub.

“The tax credit is central to the success of the industry. This is a competitive industry globally, and here in Alberta we’re fortunate we had the cap removed. Now we can see productions with budgets from $100,000 to well over $100 million. Now that we have a robust production environment, there are more opportunities for people to have well-paying creative jobs.”

Damian Petti, president, I.A.T.S.E. Local 212 Calgary

“The Alberta government has provided supports for the film and television industry that provide certainty. It gives us more flexibility in how we’re moving forward in our film and television work and the way that we’re running our businesses.”

Janet Morhart, COO/co-executive producer, Prairie Dog Film and Television

“Seeing the increase to the Alberta Made Production Grant in the last budget has been fantastic. It will help grow the local industry, which means so much to local performers because that’s where they build their resumés. It allows them to be a working performer, and not take side jobs or a day job somewhere else, and really focus on their craft.”

Tina Alford, branch representative, Alliance of Canadian Cinema, Television and Radio Arts (ACTRA) Alberta

Quick facts

  • According to Statistics Canada data:
    • Every $1 million of production activity in the screen-based production sector creates about 13 Alberta jobs.
    • Every $1 million of government investment under the Film and Television Tax Credit program is expected to support about 85 Alberta jobs.
  • The film and television industry is experiencing significant growth nationally and globally.
  • Every year, Alberta graduates more than 3,000 creative industry professionals from its post-secondary institutions.
  • The production workforce has grown 71 per cent from 2017, or by about 4,000 workers across all positions.
  • Alberta’s Film and Television Tax Credit supports medium- and large-scale productions with costs over $499,999 through a refundable tax credit on eligible Alberta production and labour costs to corporations that produce films, television series and other eligible screen-based productions.
  • The Alberta Made Production Grant supports productions with a budget of up to $499,999.
  • The Alberta Made Screen Industries Program, through the Alberta Made Production Grant, supports smaller productions that do not qualify for the tax credit, covering 25 per cent of eligible Alberta production costs to a maximum of $125,000.
  • Every $1 investment in the Alberta Made Production Grant program generates an additional $4 in economic return.

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Alberta

Edmonton to host “Road to the JUNOS Concert Series” leading up to Juno Awards week

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From Explore Edmonton 

Road to The JUNOS Concert Series Builds Excitement to JUNO Week.

Access and Diversity Key for Fans and Artists.

The JUNOS 2023 Host Committee is excited to announce an Edmonton-based concert series, titled Road to The JUNOS, as a lead-up to The 52nd Annual JUNO Awards Broadcast and JUNO Week from March 9-13.

The concert series will be set in small, intimate venues around Edmonton and feature local and regional artists who one day may end up on the JUNOS stage. Road to The JUNOS is a collaboration between the JUNOS 2023 Edmonton Host Committee, CBC Music and Explore Edmonton. It aims to provide excitement and create momentum leading into Canada’s biggest celebration of music.

The 10-show concert series will run from Monday, February 6 through Tuesday, February 28 at local venues in Edmonton. Of note, the artists playing these events come from a wide variety of backgrounds and genres and offer an opportunity to see some of Canada’s newest and most exciting talent. Fans can be a part of an intimate JUNOS concert with an affordable advance ticket price of only $10.

Road to The JUNOS is possible thanks in part to federal funding through PrairiesCan’s Tourism Relief Fund. This Fund is positioning Canada as a destination of choice for domestic and international travel. PrairiesCan administers the Fund in Alberta.

“Edmonton is a vibrant and dynamic cultural hub and our government’s support for Road to The JUNOS will bring that experience to visitors from across Canada and around the globe. Through the Tourism Relief Fund and our partnership with organizations such as Explore Edmonton, communities across Canada will capitalize on the jobs and economic activity generated through Edmonton’s growing tourism industry.”

– The Honourable Dan Vandal, Minister for PrairiesCan

“Road to The JUNOS is an important step in positioning Edmonton as an all-season destination and celebrating our community’s business and arts districts. I’m proud to see our government supporting Edmonton to build on its leadership in arts and culture while strengthening local tourism activity that benefits businesses in our city.”

– The Honourable Randy Boissonnault, Minister of Tourism and Associate Minister of Finance

“Road to The JUNOS is an exciting opportunity to grow Alberta’s music industry, showcasing local talent to visitors from all parts of Canada. The Alberta government is proud to support this series of concerts that features Alberta’s talent on stage as well as the venues, promoters and other music professionals.”

– The Honourable Jason Luan, Alberta Minister of Culture

“Canada has a long history of producing exceptionally talented musicians. The Road to The JUNOS concert series hopes to help give a platform to some of our up-and-coming artists and audiences a chance to say ‘we saw them when’.”

– Aimée Hill, co-chair, 2023 Host Committee

“Explore Edmonton is proud to support The JUNO Awards in March and we are delighted to be a part of this grassroots concert series. Promoting our local music venues, supporting talented Canadian musicians, and giving Edmontonians quality music experiences at an affordable price is such an important piece to the whole JUNOS experience. And we get to show off a little for the rest of Canada!”

– Traci Bednard, CEO of Explore Edmonton

The JUNOS Experience starts here. For more information and to buy tickets, visit: https://edmonton.junoawards.ca/

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