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Censorship Industrial Complex

Quebec court greenlights class action suit against YouTube’s COVID-related content censorship

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From LifeSiteNews

By Didi Rankovic

The lawsuit, led by video blogger Éloïse Boies, argues YouTube violated freedom of expression under the Charter of Human Rights and Freedoms by censoring COVID-related content.

A class action lawsuit against YouTube’s censorship of COVID-era speech on the platform has been allowed to proceed in Canada.

The primary plaintiff in the case which has now been greenlit by the Quebec Superior Court is YouTuber Éloïse Boies, while the filing accuses the Google video platform of censoring information about vaccines, the pandemic, and the virus itself.

A copy of the order can be found HERE.

READ: Elon Musk skewers Trudeau gov’t Online Harms bill as ‘insane’ for targeting speech retroactively

Boies, who runs the “Élo Wants to Know” channel, states in the lawsuit that three of her videos got removed by YouTube (one of the censored videos was about… censorship) for allegedly violating the website’s policies around medical disinformation and contradicting World Health Organization and local health authorities’ COVID narratives of the time.

However, the content creator claims that the decisions represented unlawful and intentional suppression of free expression. In February, Boies revealed that in addition to having videos deleted, the censorship also branded her an “antivaxxer” and a “conspiracy theorist,” causing her to lose contracts.

The filing cites the Charter of Human Rights and Freedoms as the document YouTube violated, while the class-action status of the lawsuit stems from it including any individual or legal entity in Quebec whose videos dealing with COVID got censored, or who were prevented from watching such videos, starting in mid-March 2020 and onward.

Google, on the other hand, argues that it is under no obligation to respect the Charter of Human Rights and Freedoms, and can therefore not be held accountable for decisions to censor content it doesn’t approve of – or as the giant phrased it, provide space for videos “regardless of their content.”

But when Superior Court Judge Lukasz Granosik announced his decision, he noted that freedom of expression “does not only mean freedom of speech, but also freedom of publication and freedom of creation.”

Google was ordered to stop censoring content because it contradicts health authorities, WHO, or governments, pay $1,000 in compensation, and $1,000 in punitive damages to each of the lawsuit’s plaintiffs, as well as “additional compensation provided for by law since the filing of the request for authorization to take collective action, as per the court’s decision.”

As for those who were prevented from accessing content, the decision on damages will be the subject of a future hearing.

Reprinted with permission from Reclaim The Net.

Censorship Industrial Complex

UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’

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From LifeSiteNews

By Tim Hinchliffe

UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.

UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.

Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”

And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:

The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets

“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.

To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:

  • 68 percent were nano-influencers – those with 1,000 to 10,000 followers
  • 25 percent were micro-influencers – those with 10,000 to 100,000 followers
  • 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
  • 6 percent were mega-influencers – those with over 1,000,000 followers

Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).

Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.

In addition to the survey and the online course called Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”

This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.

 

Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024

How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?

This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.

And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.

Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.

Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.

The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:

The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”

When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:

One of the biggest ethical questions is knowing from where content creators derive their income.

 

At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.

In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.

Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:

Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.

In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.

Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”

Reprinted with permission from The Sociable.

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TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally

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TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.

In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”

Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons.

TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however.

Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done.

In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.”

And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates.

More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus.

This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada.

And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites.

Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.”

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