Entertainment
Pedro Pascal launches attack on J.K. Rowling over biological sex views

MxM News
Quick Hit:
Pedro Pascal, star of HBO’s The Last of Us, ignited backlash this week after publicly hurling an expletive-laced insult at author J.K. Rowling in response to her support for a landmark UK ruling that upheld the legal definition of sex as biological. Rowling celebrated the decision, which affirms the rights of women to single-sex spaces—a view shared by many who advocate for the safety and integrity of women’s rights. Pascal, a vocal progressive and LGBTQ+ activist, labeled Rowling a “heinous loser,” aligning himself with calls to boycott HBO’s upcoming Harry Potter reboot.
Pedro Pascal calls J.K. Rowling a “heinous loser” after she celebrated the Supreme Court’s ruling regarding trans women’s legal identities. pic.twitter.com/LEGMD79PjQ
— Pop Base (@PopBase) April 24, 2025
Key Details:
-
Pedro Pascal responded on Instagram to Rowling’s post celebrating a UK court ruling that legally defined “sex” as biological.
-
Pascal echoed an activist’s call for a fan-led boycott of the Harry Potter reboot, saying Rowling’s stance was “heinous LOSER behavior.”
-
HBO has downplayed concerns of a boycott, citing the blockbuster success of Hogwarts Legacy despite similar activist campaigns.
Diving Deeper:
The latest clash in the culture war surrounding Harry Potter author J.K. Rowling and the trans activist movement reached a new level of hostility this week when actor Pedro Pascal, a key face of HBO’s entertainment slate, stooped to name-calling on social media. His remarks came in response to Rowling’s defense of the United Kingdom’s recent court decision, which reaffirmed that sex, under British law, means biological sex—a ruling many women’s rights advocates hailed as a long-overdue step toward protecting vulnerable female spaces such as shelters, hospital wards, and sports.
Rowling, whose views on the importance of distinguishing biological sex from gender identity have made her a target of trans activists for years, posted a pointed but unapologetic reaction: “I love it when a plan comes together.” She added, “I get the same royalties whether you read [my books] or burn them. Enjoy your marshmallows!”
In the comments of a post by activist Tariq Ra’ouf—who had attacked Rowling and promoted a boycott of HBO’s Harry Potter reboot—Pascal added his own vulgar commentary: “Awful disgusting SHIT is exactly right. Heinous LOSER behavior.” While Pascal did not explicitly mention Harry Potter, the post he endorsed included calls to tank all future franchise content, including theme parks and merchandise.
Pascal’s involvement with HBO places the network in a difficult position. As the Emmy-nominated co-lead of The Last of Us, one of HBO’s crown jewels, Pascal’s comments are being widely interpreted as an implicit endorsement of the boycott. While HBO has attempted to downplay the activist push, the tension is palpable. Casey Bloys, HBO’s chief content officer, previously noted that the 2023 video game Hogwarts Legacy, which also faced calls for boycotts due to Rowling’s views, still became the year’s top-selling game.
Pascal’s activism is personal as well as political. His sister, Lux Pascal, publicly transitioned in 2021, and he has frequently signaled support for trans activism. At the UK premiere of Marvel’s Thunderbolts, Pascal wore a shirt that read “Protect the Dolls,” a slogan popularized in trans activist circles.
Rather than “heinous,” Rowling’s remarks represent a reasoned defense of biological reality and a pushback against an increasingly aggressive ideology that demands conformity and punishes dissent. Her critics, like Pascal, resort to vulgarity and character attacks instead of engaging with the substance of her argument. But Rowling has stood firm in supporting women’s rights and advocating for clarity in laws that impact everything from sports to safety in single-sex spaces—positions grounded in truth, not hate.
Business
California planning to double film tax credits amid industry decline

From The Center Square
By
California legislators have unveiled a bill to follow through with the governor’s plan of more than doubling the state’s film and TV production tax credits to $750 million.
The state’s own analysis warns it’s likely the refundable production credits generate only 20 to 50 cents of state revenue for every dollar the state spends, and the increase could stoke a “race to the bottom” among the 38 states that now have such programs.
Industry insiders say the state’s high production costs are to blame for much of the exodus, and experts say the cost of housing is responsible for a significant share of the higher costs.
The bill creates a special carve-out for shooting in Los Angeles, where productions would be able to claim refundable credits for 35% of the cost of production.
California Gov. Gavin Newsom announced his proposal last year and highlighted his goal of expanding the program at an industry event last week.
“California is the entertainment capital of the world – and we’re committed to ensuring we stay that way,” said Newsom. “Fashion and film go hand in hand, helping to express characters, capture eras in time and reflect cultural movements.”
With most states now offering production credits, economic analysis suggests these programs now produce state revenue well below the cost of the credits themselves.
“A recent study from the Los Angeles County Economic Development Corporation found that each $1 of Program 2.0 credit results in $1.07 in new state and local government revenue. This finding, however, is significantly overstated due to the study’s use of implausible assumptions,” wrote the state’s analysts in a 2023 report. “Most importantly, the study assumes that no productions receiving tax credits would have filmed here in the absence of the credit.”
“This is out of line with economic research discussed above which suggests tax credits influence location decisions of only a portion of recipients,” continued the state analysis. “Two studies that better reflect this research finding suggest that each $1 of film credit results in $0.20 to $0.50 of state revenues.”
“Parks and Recreation” stars Rob Lowe and Adam Scott recently shared on Lowe’s podcast how costs are so high their show likely would have been shot in Europe instead.
“It’s cheaper to bring 100 American people to Ireland than to walk across the lot at Fox past the sound stages and do it and do it there,” said Lowe.
“Do you think if we shot ‘Parks’ right now, we would be in Budapest?” asked Scott, who now stars in “Severance.”
“100%,” replied Lowe. “All those other places are offering 40% — forty percent — and then on top of that there’s other stuff that they do, and then that’s not even talking about the union stuff. That’s just tax economics of it all.”
“It’s criminal what California and LA have let happen. It’s criminal,” continued Lowe. “Everybody should be fired.”
According to the Public Policy Institute of California, housing is the single largest expense for California households.
“Across the income spectrum, 35–44% of household expenditures go to covering rent, mortgages, utilities and home maintenance,” wrote PPIC.
The cost of housing due to supply constraints now makes it nearly impossible for creatives to get their start in LA, said M. Nolan Gray, legislative director at housing regulatory reform organization California YIMBY.
“Hollywood depends on Los Angeles being the place where anybody can show up, take a big risk, and pursue their dreams, and that only works if you have a lot of affordable apartments,” said Gray to The Center Square. “We’ve built a Los Angeles where you have to be fabulously wealthy to have stable and decent housing, and as a result a lot of folks either are not coming, or those who are coming need to paid quite a bit higher to make it worth it, and it’s destroying one of California’s most important industries.”
“Anybody who arrived in Hollywood before the 2010s, their story is always, ‘Yeah, I showed up in LA, and I lived in a really, really dirt-cheap apartment with like $10 in my pocket.’ That just doesn’t exist anymore,” continued Gray. “Does the Walt Disney of 2025 not take the train from Kansas City to LA? Almost certainly not. If he goes anywhere, he goes to Atlanta.”
Business
Disney cancels series four years into development, as it moves away from DEI agenda

MxM News
Quick Hit:
Disney’s decision to cancel its planned ‘Tiana’ streaming series follows the entertainment giant’s move away from diversity, equity, and inclusion (DEI) policies. The company, once deeply committed to political activism, is now struggling to recover from years of financially disastrous content choices.
Key Details:
-
Disney announced the end of DEI-based management decisions and the winding down of its “Reimagining Tomorrow” initiative earlier this year.
-
The Hollywood Reporter revealed that the cancellation of ‘Tiana’ was part of Disney’s broader retreat from “original longform content for streaming.”
-
Analyst Ian Miller notes that Disney’s prior focus on political messaging rather than quality content led to repeated box office failures.
Diving Deeper:
Disney has spent the past several years prioritizing political activism over storytelling, leading to a sharp decline in the company’s financial performance and audience engagement. According to Ian Miller of OutKick, “Disney assumed that any content that represented ‘diverse’ audiences or featured ‘diverse’ characters would be successful.” That assumption, he argues, proved costly.
The decision to cancel ‘Tiana’ comes at a time when Disney is reeling from multiple box office disappointments, including the expected failure of ‘Snow White’ and the ongoing struggles of both Marvel and Lucasfilm properties. Miller highlights the alarming trend, stating, “Marvel’s ‘Captain America: Brave New World’ may actually lose money, with a disastrous $342 million worldwide gross through the first three and a half weeks.”
The ‘Tiana’ series was first announced in December 2020, a time when Disney was fully embracing its progressive agenda. The Hollywood Reporter noted that the show struggled to find its creative direction despite being in development for over four years. Miller suggests that, in the past, Disney would have continued with such a project regardless of its quality, out of fear of backlash from the left. “Under its prior operating mandate, Disney would have pushed forward anyway, believing that canceling a show based on a black character would be unacceptable to left-wing critics,” Miller writes.
However, the company’s recent shift suggests an overdue recognition that audiences ultimately demand quality over ideology. As Miller points out, “Parents want to take their kids to the movies, or give them family-friendly content to watch at home when they need a distraction. For decades, that meant Disney. Until the company prioritized targeting demographics instead of quality.”
While Disney appears to be learning from its missteps, the road to recovery will be long. As Miller emphasizes, the key to regaining audience trust isn’t to abandon diverse characters but to “get it right instead of doing it to check a box.”
-
2025 Federal Election14 hours ago
Study links B.C.’s drug policies to more overdoses, but researchers urge caution
-
2025 Federal Election2 days ago
Mark Carney Wants You to Forget He Clearly Opposes the Development and Export of Canada’s Natural Resources
-
2025 Federal Election2 days ago
Police Associations Endorse Conservatives. Poilievre Will Shut Down Tent Cities
-
Alberta2 days ago
Red Deer Justice Centre Grand Opening: Building access to justice for Albertans
-
Business2 days ago
Trump: China’s tariffs to “come down substantially” after negotiations with Xi
-
conflict1 day ago
Marco Rubio says US could soon ‘move on’ from Ukraine conflict: ‘This is not our war’
-
Business1 day ago
Chinese firm unveils palm-based biometric ID payments, sparking fresh privacy concerns
-
2025 Federal Election1 day ago
Former WEF insider accuses Mark Carney of using fear tactics to usher globalism into Canada