Censorship Industrial Complex
New documentary exposes climate agenda as ‘scam’ to increase globalist power and profit
From LifeSiteNews
By Frank Wright
Martin Durkin’s new film ‘Climate: The Movie (The Cold Truth)’ shows how the livelihoods of climate scientists and a host of green advocates rely on keeping their alarmist narrative alive – despite the facts.
Martin Durkin’s new film Climate: The Movie (The Cold Truth) opens a hot topic with some very spicy takes.
“This is the story of how an eccentric environmental scare grew into a powerful global industry” – so says Durkin’s voice-over, following a reprise of Greta Thunberg’s infamous “How dare you!” speech. The imagery of those deathly pale women in their blood-red costumes cat-walking doom for the cameras fades into whirling wind farms, followed by some striking claims.
One, from the co-founder of Greenpeace, sets the tone: “There’s no such thing as a climate emergency on this planet.”
Climate scam: Global control?
The film directly challenges the claim that CO2 levels from human activity are causing runaway climate change and shows how the livelihoods of climate scientists and a host of green advocates rely on keeping this narrative alive – despite the facts. Professor Steven Koonin of NYU asks on behalf of the climate science industry: “If CO2 is not having this impact – how are we going to stay in business?”
Precisely what that business is, and how it is maintained, is also the subject of a film whose central premise is that the world is in fact entering a period of cooling. Patrick Moore, the co-founder of environmental campaign group Greenpeace, says the presence of the polar ice caps shows that “this is an ice age. We’re at the tail end of a 50-million-year cooling period, and they’re saying it’s too hot.”
READ: Texas pulls $8.5 billion from BlackRock over DEI rules, left-wing climate agenda
It is an opinion shared by noted scientists featured in the film, such as Professor Koonin.
This is an inconvenient truth, Durkin argues, which explains the rising alarmism from the green lobby.
“The climate alarm is nonsense. It’s a hoax” – so says William Happer, emeritus professor of physics at Princeton. “I think ‘scam’ is a better word – but I am willing to live with ‘hoax.’”
So why is it being pursued? According to Happer, “it’s a wonderful way to increase government power. If there’s an existential threat out there that’s worldwide. Well, you need a powerful worldwide government.”
Alongside other claims in the film that “activists are calling for the criminalization of climate skepticism,” Happer observes that “we see all these kinds of authoritarian measures being adopted, in the name of saving the planet. You’ve suddenly got the population under control all over the world.”
Yet power is not the only motive – there is also profit – for some. Professor John Clauser, who won the Nobel Prize for Physics in 2022, warns of how “there are not only billions but trillions of dollars at stake.”
Fear, power, and profit
Durkin is no stranger to climate controversy, with his 2007 film The Great Global Warming Swindle being praised in the British Parliament for showing how “anyone not agreeing with the orthodoxy of how climate change levy comes about sees their public funding drying up.”
The motion, supported by seven Conservative MPs, also noted “that one of the contributors [to the film] received a death threat.”
The climate of fear looks set to intensify, with Durkin’s new film showing how the science we are told to follow is made by an inhuman agenda of mandated poverty, food shortages, and depopulation – as this 2023 piece from Spiked makes clear.
READ: Trudeau gov’t paid WEF nearly $500k for report justifying its climate agenda, documents show
Man-made climate of opinion
Yet the tide outside the climate skeptical movement may also be turning.
Durkin gave a pre-release interview on March 14 to the UK’s Daily Telegraph. He told the hosts that the climate science we are told to follow is another example of a locked-down discourse presented as a debate.
“We have such an enormously powerful, publicly funded establishment that is able to control, directly or indirectly, what we hear, what we read, what we’re taught, what is okay to think, and what’s not okay to think,” he said.
The exclusion of dissent has manufactured the scientific “consensus” for the climate agenda.
“The frustrating thing for scientists in this area is you’re not really allowed to point to scientific data or observations published in mainstream journals carried out by scientists from very respected universities and so on, even cited by the IPCC [Intergovernmental Panel on Climate Change, a UN body] … if it doesn’t fit the narrative,” Durkin said.
“And the pressure on them to shut up is extreme.”
This is the man-made climate of opinion in which fear has become the latest currency of choice.
Within days of the release of the film, German physicist and science vlogger Sabine Hossenfelder asked her YouTube audience whether “we should be terrified of climate change.” Her answer?
“I am indeed terrified, terrified that scientists support manipulating people.”
She cites several recent sources in mainstream and academic media which advocate “evoking fear” to “spur climate action.”
Instead of fearmongering, she suggests we might best look at what can reasonably done to help preserve natural habitats for wild animals. This seems a reasonable position, and she cites a lack of clarity arising from climate modeling which may conflate natural fluctuations in climate with man-made changes.
Fact-checked
The film is intended to reveal that man-made climate change is a fraudulent operation which can only succeed by censorship and propaganda. It claims this vastly profitable industry – which one Swiss bank estimates will require $270 trillion to realist its goals – reduces to a campaign to enforce global authoritarian control by manufacturing an emergency that is not supported by the evidence.
These are bold claims, and we have heard them before. In this case, however, we can check the record for ourselves with ease.
One climate skeptic has taken the trouble to produce a detailed fact-check of the claims made in the film.
Describing his efforts as an “annotated bibliography.” retired petrophysicist Andy May has supplied information supporting “70 key statements” made in the movie, ranging from natural climate variation through unreliable models to data manipulation – and the existence of a multi-trillion dollar climate lobby which ensures that “skepticism is career suicide.”
May has published four books – most recently The Frozen Climate Views of the IPCC, which “documents biases and errors in the International Panel for Climate Change assessment.”
May’s book challenges the fearmongering such as that of the UN head Antonio Guterres that “we are on the road to climate hell,” saying instead that the IPCC “seeks to rewrite climate history” to frame a narrative of doom unsupported by the facts.
“The strategy of the IPCC seems to be to hide any good news about climate change,” says the summary for his book, available via May’s website.
Fact-checker responds
May had this to say about the film whose facts he checked: “From the very beginning of this very well edited and produced movie we learn about the man-made climate change hoax or scam.”
He argues that this agenda is secured by the familiar tactic of demonizing and deplatforming skeptics.
“We learn that anyone skeptical that humans are causing dangerous climate change are to be shunned, or censored, or worse!” he says.
Finally, he shows the method in this madness. The alarmism is all about control.
“We also discover the ugly truth that all this government insistence that we are about to die due to global climate change is not true, and is all about money and power,” he explains. “The logic is that if it is truly a global problem, then it requires a global government, and all nations must submit to global domination by those who know what is good for us.”
Criminalizing dissent?
In one note, not included in the film, May cites evidence of “the U.S. Senate attempting to legislate scientific research outcomes,” saying “it doesn’t get worse than this.”
He directs readers to page 202 of a 2021 book by S.E. Koonin, which documents the attempt led by Senator Chuck Schumer in 2019 to pass bill S.729, which aimed “to prohibit the use of funds to Federal agencies to establish a panel, task force, advisory committee, or other effort to challenge the scientific consensus on climate change, and for other purposes.”
As May notes, “Fortunately, the bill failed to pass, but the political pressure to find humans caused recent climate changes is overwhelming.”
This is an agenda which holds much of government, media, business, and even the scientific community captive. With trillions of dollars and the lives and liberty of humanity at stake, it is a welcome development that Durkin’s film, and the facts behind it, are now reaching a global audience.
You can see Climate: The Movie (The Cold Truth) here for free.
Censorship Industrial Complex
UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’
From LifeSiteNews
UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.
UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.
Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”
And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:
The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets
“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.
To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:
- 68 percent were nano-influencers – those with 1,000 to 10,000 followers
- 25 percent were micro-influencers – those with 10,000 to 100,000 followers
- 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
- 6 percent were mega-influencers – those with over 1,000,000 followers
Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).
Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.
In addition to the survey and the online course called “Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”
This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.
Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024
How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?
This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.
And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.
Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.
Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.
The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:
The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”
When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:
One of the biggest ethical questions is knowing from where content creators derive their income.
At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.
In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.
Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:
Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.
In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.
Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”
Reprinted with permission from The Sociable.
Business
TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally
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TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.
In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”
Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons. TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however. Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done. In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.” And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates. More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus. This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada. And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites. Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.” |
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