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Censorship Industrial Complex

“Minority Report”: The Sequel. A warning to the Canadian Church

Published

9 months ago

6 minute read

From the Frontier Centre for Pubic Policy

By Pierre Gilbert 

In the 2002 futuristic movie, “Minority Report,” viewers are introduced to a ground-breaking technology that allows law enforcement to preview a crime before it is committed. Then this determination becomes the basis for the arrest and the sentencing of the “pre-crime” perpetrator.

In a case of life imitating art, on February 26, the Canadian government tabled legislation containing provisions that are eerily like the plot imagined in Tom Cruise’s blockbuster.

The proposed legislation should be of great concern to churches and pastors who may face unprecedented legal exposure if it is passed.

Bill C-63, the Online Harms Act, seeks to “promote online safety.” The Act endeavours, in part, to protect children from online sexual exploitation and requires the mandatory reporting of online child pornography by internet providers. So far, so good.

But the proverbial devil is lurking in the details of the provisions pertaining to online hate speech, which are simply breathtaking.

The Act represents what many consider to be the most dangerous assault on free speech this country has ever seen, prompting Canadian novelist, Margaret Atwood, to refer to the proposed legislation as “Orwellian.”

This bill would not only have a glacial effect on free speech, but it would also trigger an open season on religious organizations that do not align with mainstream dogma.

Here are some of the reasons behind this apocalyptic assessment of this piece of legislation.

The bill defines hate speech as speech that “is likely to foment detestation or vilification of an individual or group of individuals on the basis of a prohibited ground of discrimination.”

This definition is so vague, ambiguous, and far reaching that it could apply to any opinion that diverges from the government-sanctioned media narrative.

The responsibility of judging complaints would be lodged with the Human Rights Commission. This fact alone is deeply worrisome, as the threshold for deciding guilt is much lower in the Human Rights Tribunal than in a criminal court, where a person must be found guilty beyond a reasonable doubt.

Plaintiffs could file their complaints anonymously without incurring any legal costs. Defendants, on the other hand, would be bound to retain legal counsel at considerable expense to them.

Should they win their case, the plaintiffs stand to be awarded up to $20,000. The defendants could be imposed an additional fine of up to $50,000. Should a legal violation be considered to have been motivated by hate, the defendants could also face life imprisonment!

The incontrovertible proof that Bill C-63 is not about protecting children but strangling free speech resides in what is now ironically referred to as the “Minority Report” provision.

As unhinged as it sounds, the legislation states that if a member of the public has grounds to believe that someone is likely to engage in hateful speech, that person can appeal to a provincial judge who may then subject the defendant to house arrest and other restrictions.

Human nature being what it is, there is no telling the number of people who will be incentivized to file complaints knowing they have much to gain and nothing to lose.

Conservative churches would become instant targets in the tsunami of human rights violation initiatives that the proposed legislation would trigger.

In response, churches may decide to play it safe by restricting their services to in-person participation or by self-censuring.

While either choice would no doubt be welcome by a government that wants to silence those who hold “unacceptable views,” to quote Prime Minister Justin Trudeau, such restrictions would no doubt prove to be detrimental to the churches and the common good.

The proposed legislation is not about protecting children. It’s about unleashing the mob against those who would oppose an agenda that is already proving to be an existential threat to liberal society.

Bill C-63 is currently at the nexus of the fight to preserve our most fundamental freedoms, Canadian democracy, and the well-being of future generations.

Churches have a window of opportunity to voice their opposition to this appalling piece of legislation.

What can be done?

First, be informed. Videos posted by the Canadian Constitution Foundation are a great place to start.

Second, promote congregational awareness. Church leaders can no longer pretend that such issues are beyond the scope of their pulpit. To denounce injustice is indeed part and parcel of the church’s prophetic mandate.

Third, church members should contact their member of parliament to express their opposition to Bill C-63.

Canadian churches have historically chosen to remain on the far edges of the culture war currently raging in the Western world. But if Bill C-63 receives royal assent, these same churches may soon unwittingly find themselves in the middle of the very battlefield they so vigorously sought to avoid.

Pierre Gilbert is Associate Professor Emeritus at Canadian Mennonite University.

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Censorship Industrial Complex

UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’

Published on December 13, 2024

By

From LifeSiteNews

By Tim Hinchliffe

UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.

UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.

Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”

And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:

The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets

“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.

To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:

  • 68 percent were nano-influencers – those with 1,000 to 10,000 followers
  • 25 percent were micro-influencers – those with 10,000 to 100,000 followers
  • 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
  • 6 percent were mega-influencers – those with over 1,000,000 followers

Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).

Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.

In addition to the survey and the online course called “Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”

This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.

 

Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024

How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?

This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.

And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.

Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.

Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.

The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:

The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”

When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:

One of the biggest ethical questions is knowing from where content creators derive their income.

 

At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.

In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.

Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:

Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.

In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.

Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”

Reprinted with permission from The Sociable.

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Business

TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally

Published on December 11, 2024

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If you’re tired of censorship and surveillance, subscribe to Reclaim The Net.

By Didi Rankovic

TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.

In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”

Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons.

TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however.

Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done.

In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.”

And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates.

More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus.

This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada.

And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites.

Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.”
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