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Millions now available for Edmonton TV show, film and game producers

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City councillors, film industry, game & mobile app development experts were all present while Edmonton’s Mayor Don Iveson talked on stage. Left and right of our mayor, 3D video projection mapping on the walls, and behind, a large projection screen was running some of Edmonton’s most creative motion content. Iveson said the city realized there was a need for a rebooted film commission to jumpstart the industry in Edmonton, now branded ESIO.

The Edmonton Screen Industries Office (ESIO) is here to represent creators in our city with funding, education, networking opportunities, and intellectual property protection. Great news as Edmonton looks to diversify its economy in Alberta. The Edmonton Screen Industries Office’s goal is to act as a catalyst, a cultivator, a stimulator for the screen media industries in the Edmonton Metropolitan Region.

“Now we’ve got the Screen Industries office, they’ve got funding available, they’ve got programs and are bringing together people in the industry.” said Iveson, and commented via Facebook “…announced yesterday is not “new funding.” The money was from an earlier film and TV program that had been discontinued, and had been held in reserve for several years.”

The Edmonton Screen Industries Office (ESIO) was founded in 2017 to replace the existing film commission, which had “fallen by the wayside.” At the head of this commission, veteran filmmaker Josh Miller. Edmonton-born Miller won its board over with his encourage-local vision and resume, which includes degrees in English and drama, film production, and a fellowship at the American Film Institute. This led to writing for TV in Hollywood, being director of development at Super Channel.

The fund is currently supplied almost wholly by the city and could be even more critical after the announcement of the provincial budget, and easier to access for Edmontonians, not only to directly support screen industry projects, but stir a buzz, and conversations around the arts from the private sector as well.

“I think having a holistic approach to supporting the growth of screen industries here in our city is important, regardless of what the tax policies are at the provincial level. That’s beyond our control at City Hall. What we can control is support for the sector, and that’s what we’re launching here today,” said Iveson.

“We saw real growth in the interactive digital media side of things in Edmonton, in gaming specifically, and the elimination of that tax credit is a concern,” said Carman McNary, chair of ESIO. “But it’s not going to kill the industries.”

McNary believes now that funding from the city is in place, they will be able to convince other levels of government this is an effective way to support the industry through measuring the growth of the projects EISO funds and supports.

“We were told consistently that one of the barriers to success by local enterprises was a lack of capital. We know that there is private capital available and willing to invest in this sector, and we think we can be a catalyst to allow that to happen,” said McNary. “This is a multi-billion dollar industry, $4 million is not going to change the map materially today, but $4 million rotated and levered could make a real difference to our sector in Edmonton.”

Looking towards alternative industries to boost our economy rather than relying on one that is struggling itself is an exciting direction by the city. Arts and entertainment have typically gained less support than other industries in Alberta. Attendees of the launch event and people on social media expressed that it’s great that the film, television, and video game industry are given a fighting chance, while others are expressing concerns about spending.

There are a lot of passionate and hardworking Edmontonians who work here as creatives, filmmakers, electricians, grips, riggers, which can now get jobs on larger, locally produced entertainment projects.
Until now, creatives may have had a difficult time in Alberta. And many others have made a move to provinces where there’s support for artists in the screen industry.

I love Edmonton’s dedication to the arts and entertainment industry. It’s the creative minds that warm us up in the long -30 winters.

To apply for funding, you can visit EdmontonScreen.com

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Minority Government passes Bill C10 on internet freedom. Opponents pleading with Senate to block it.

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Bill C 10 which is expected to fundamentally affect how Canadians experience the internet, has been hammered through the House of Commons.  At 1:30 AM Ottawa time, the minority Liberal Government with help from the BQ and the NDP were able to pass the bill.  In opposition were the federal Conservatives and lone Independent MP Jody Wilson-Raybould.   The urgency to pass C 10 before an election call expected later this summer resulted in the Liberals actually shutting down debate at the committee level.  That’s only happened twice in the history of the country before now!  The Liberals also attempted to pass secret amendments which were caught by the Conservatives and ruled “out of order” by the House Speaker.

Why the rush?  Opponents are concerned the Liberals, BQ, and NDP are far more concerned with regulating social media use, than they are with boosting individual Canadians creating new content.  It appears the urgency has to do with giving themselves the ability to guide internet content, just in time for the federal election campaign.

OpenMedia.org, a group striving to keep the internet “open, affordable, and surveillance-free” calls the government’s bill “outrageously flawed”.  The group published an article called “What’s wrong with Bill C 10?”  which asks and answers 8 key questions surrounding C 10.  The article provides excellent background knowledge for Canadians concerned about the future of the internet.

OpenMedia says the goal of the bill is to expand “Canada’s Broadcasting Act to apply to all streaming audio or video content on the Internet, including Netflix, Spotify, Youtube, and other popular streaming services.”  Streaming services will be forced to make higher payments to the Canada Media Fund which would mean higher rates paid for Canadian users.  According to OpenMedia streaming services will charge higher Canadian specific fees, and may even avoid Canada altogether.

OpenMedia calls C 10 a “cash-grab for traditional broadcast industries” which actually does nothing to serve the new wave of content creators who could really use a boost on the international stage.  As a last ditch attempt to stop the bill, OpenMedia.org is urging Canadians to email the Senate right now to ask for a REAL democratic examination of Bill C-10.

Conservative critic Pierre Poilievre is especially concerned with the federal government giving itself the power to block unapproved ideas from popular content creators like himself, just in time for the next federal election. Surprisingly, and maybe most concerning of all, both OpenMedia and Pierre Poilievre point out the bill ‘DOESN’T ADDRESS WHAT CANADIAN CONTENT IS’.  The current definition of “Canadian Content” was last updated in 1984, more than a decade before the internet changed everything.

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Alberta

Alberta’s Distinguished Artist Award Recipients Announced

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June 16, 2021

Alberta’s Distinguished Artist Award Recipients Announced

(Calgary, AB) The Lieutenant Governor of Alberta Arts Awards Foundation is pleased to announce that artist Faye HeavyShield (Blood Reserve, Kainaiwa Nation, AB), writer and filmmaker Cheryl Foggo (Calgary, AB), and dance choreographer Vicki Adams Willis (Calgary, AB), have been selected to receive the 2021 Lieutenant Governor of Alberta Distinguished Artist Award.

Arlene Strom, chair of the Lieutenant Governor of Alberta Arts Awards Foundation said, “Albertans can be proud of these three whose contributions have pushed the boundaries of art to reflect Indigenous identity and expression; present a more inclusive and diverse view of Alberta’s history; and define the province as a beacon for jazz dance artists. Each has contributed immeasurably to the development of the province’s artists, arts communities and expanding art disciplines.”

Faye HeavyShield, Visual Arts

Faye Heavyshield

Over the past 30 years, Faye HeavyShield has been one of Canada’s pre- eminent artists within Alberta and the Blackfoot Confederacy. Currently living on the Blood Reserve in southwestern Alberta, Faye studied at Alberta University for the Arts in Calgary.

Honouring her Kainaiwa (Blood) Nation, the striking landscape they dwell within and the Blackfoot language which she speaks, Faye HeavyShield’s legacy of three-dimensional art and sculpture including recent installations incorporating photography and delicately constructed paper figures make her a senior figure in the artistic and cultural renaissance of Indigenous nations in the country.

“…My art is a reflection of my environment and personal history as lived in the physical geography of southern Alberta with its prairie grass, river coulees, and wind and an upbringing in the Kainaiwa community. I would say the environment is an extension of myself because it’s always been there, from the time I was a child. It was one of the first things that I saw and smelled. I consider it a part of me. The landscape is an extension of the body because we’re dependent on it, and to flip that, the landscape is dependent on us…” Faye Heavyshield

Beyond her personal practice, Faye is actively involved with her community by working with youth through art programming and creating cultural connections for children in care.

Cheryl Foggo, Playwright, screenwriter, film maker, author

Cheryl Foggo

Creating a more inclusive and diverse view of Alberta’s history through her plays, films, books, articles and multi-media presentations has been Cheryl Foggo’s life work. Profiled in Who’s Who in Black Canada and the recipient of the 2008 national Harry Jerome Award for The Arts, Foggo has applied her talent as a researcher and writer to uncovering the compelling but overlooked stories of Alberta’s Black settlers and

cowboys. Most recently, the award winning National Film Board feature- length documentary, John Ware Reclaimed (2020), highlighted an earlier thriving Black community in the province often left out of the history books.

Her seminal, autobiographical book, Pourin’ Down Rain: A Black Woman Claims Her Place In The Canadian West, is a powerful narrative of Foggo’s ancestors’ journey from enslavement in the United States to Western Canada. The book, first published in 1990, received the distinction of a special 30th anniversary reprint in 2020. Her books for young people: Dear Baobab, I Have Been in Danger and One Thing That’s True have garnered many commendations between them, including One Thing That’s True being short-listed for the Governor General’s Award. In addition to her books, Cheryl Foggo has published prose in more than 40 journals and anthologies.

Two new productions of Foggo‘s plays are scheduled in 2021 with the Citadel Theatre in Edmonton and the Urgency Collective in Calgary, and her short play The Sender is currently available through Toronto’s Obsidian Company’s 21 Black Futures Project. As a cultural activist, mentor and volunteer she advocates for writers and Black artists.

Vicki Adams Willis Performing Arts: Dance

Vicki Adams Willis

Vicki Adams Willis has changed the face of jazz dance in Alberta and Canada. A co-founder nearly 40 years ago of Decidedly Jazz Danceworks (DJD), she is foremost a teacher and choreographer of more than 35 original productions. She is recognized as a true leader in the world of jazz; an acclaimed ground-breaking choreographer who created one of the most unique jazz dance companies in the world, and the key person to ensure Calgary, Alberta as a viable dance centre for serious jazz artists. She has helped to change the very course of the jazz dance art form by influencing students, dancers, musicians and audiences with her strongly researched and brilliantly creative work.

Jazz dance is a misunderstood art form. Born of African parents and of the Black American experience, Vicki Adams Willis acknowledges herself as a guest in this form and has demonstrated her deep understanding of, and utter respect for, the authentic roots and history of jazz through her research, teaching and choreography. The company she co-created in 1984 – Decidedly Jazz Danceworks (DJD) has gained international recognition. It has been referenced in articles, dissertations, anthologies and, most recently, in an award-winning international film: Uprooted–The Journey of Jazz Dance, which had its Canadian premiere at the 2021 Toronto Black Film Festival.

“..These three ground-breaking women have offered important contributions to the arts in Canada. Their creativity has brought new light to their respective disciplines and created countless opportunities for us all to learn, grow and explore fresh ideas. Artists like this are essential to the vibrancy of our communities and we are truly fortunate to have them as cultural leaders in our province and country as a whole…”

Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta

The laureates will each receive a handcrafted medal, a $30,000 award and a two-week residency at the Banff Centre’s Leighton Artist Studios. The awards patron, the Honourable Salma Lakhani Lieutenant Governor of Alberta, will present the awards at a celebration hosted by the Community of Lac La Biche and Portage College, Lac La Biche campus, at an awards event June 10 and 11, 2022.

The awards are funded through an endowment established with private donations and gifts from the Province of Alberta and Government of Canada. The Lieutenant Governor of Alberta serves as honorary patron of the awards. Since its inception, 23 Distinguished Artists and 63 Emerging Artists have been recognized across Alberta with this significant honour. See details at artsawards.ca

The 2021 Distinguished Artists were chosen from nominations received and reviewed by a jury of experts overseen by the Banff Centre for Arts and Creativity. Jurors for the 2021 Distinguished Artist Awards were Mary-Beth Laviolette, visual arts curator and author; John Estacio, 2017 Distinguished Artist and JUNO nominated composer; Seika Boye, scholar, writer, artist and Assistant Professor, University of Toronto, Centre for Drama, Theatre & Performance Studies; Jordan Abel, Nisga’a writer from Vancouver and Assistant Professor in the Department of English and Film Studies at the University of Alberta teaching Indigenous Literatures and Creative Writing.

Click to learn more about the Lieutenant Governor of Alberta Arts Awards Foundation.

Read more on Todayville.com.

 

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