Censorship Industrial Complex
Margaret Atwood compares Trudeau’s proposed Online Harms Act to Orwell’s ‘1984’
From LifeSiteNews
According to the proposed legislation, the bill would not only punish those who committed a “hate crime” but also those suspected of committing one in the future.
Liberal Attorney General and Justice Minister Arif Virani defended the Online Harms bill after Canadian author Margaret Atwood compared it to George Orwell’s dystopian novel Nineteen Eighty-Four.
On March 12, Virani claimed Atwood, famous for writing The Handmaid’s Tale, misunderstood the Online Harms Act, after the left-leaning author warned it would punish Canadians for “thoughtcrime,” comparing the legislation to laws introduced by totalitarian regimes such as the corrupt French aristocracy and the Soviet Union.
“If this account of the bill is true, it’s Lettres de Cachet all over again,” Atwood wrote on X, formerly known as Twitter, referring to secret letters sent by the King of France authorizing citizens to be imprisoned without a trial.
“The possibilities for revenge false accusations + thoughtcrime stuff are sooo inviting!” she added sarcastically. “Trudeau’s Orwellian online harms bill.”
If this account of the bill is true, it’s Lettres de Cachet all over again. The possibilities for revenge false accusations + thoughtcrime stuff are sooo inviting! Trudeau’s Orwellian online harms bill https://t.co/GziivgfNGt
— Margaret E Atwood (@MargaretAtwood) March 9, 2024
Atwood’s comment came in response to an article by The Spectator which warned the bill could lead to “thought police” regulating Canadians similar to those in George Orwell’s dystopian novel Nineteen Eighty-Four.
The often-referenced book is a cautionary novel about a totalitarian socialist society which punished its citizens if they disagreed their government’s agenda even in their thoughts.
While Atwood is known to be left-leaning, this is not the first time she called out Prime Minister Justin Trudeau for restricting freedom of speech. In April 2023, Atwood cautioned against Trudeau’s internet censorship legislation Bill C-11, comparing it to censorship in the Soviet Union.
Following Atwood’s comments online, Virani quickly attempted to reassure Canadians that she had just misunderstood the legislation, explaining that the bill’s definition of “hate speech” does not include what is “awful but lawful.”
“It includes expressions of detestation and vilification. It does not include insults, offensive comments, or jokes that are not very polite,” said Virani at a press conference in Toronto.
“The idea that someone on their smartphone on an afternoon while they’re watching a football game, if they insult anyone … could be condemned in a court or caught by a peace bond is ridiculous, in my opinion,” he added.
However, Virani conveniently neglected to say what would be considered “hate speech,” especially considering the bill regulates “posting hate speech online” that is deemed “discriminatory” against a wide range of “protected” categories, notably gender, race and sexuality.
Bill C-63, introduced last week, will create the Online Harms Act and modify existing laws, amending the Criminal Code as well as the Canadian Human Rights Act, in what the Liberals claim will target certain cases of internet content removal, notably those involving child sexual abuse and pornography.
However, the bill also seeks to punish “hate speech” and increase punishments for existing hate propaganda offenses in a substantial manner.
Penalties for violations of the proposed law include $20,000 fines and jail time, including life in prison for what it deems the most serious offenses.
According to the proposed legislation, the bill would not only punish those who committed a “hate crime” but also those suspected of committing one in the future.
“A person may, with the Attorney General’s consent, lay an information before a provincial court judge if the person fears on reasonable grounds that another person will commit; (a)an offence under section 318 or any of subsections 319(1) to (2.1); or (b) an offence under section 320.1001,” the text of the bill reads.
Atwood is not alone in her concerns over the legislation. Increasingly, prominent Canadians and even Americans have begun commenting on Trudeau’s authoritarian rule over Canada, particularly his restricting of internet speech.
Earlier this week, tech mogul Elon Musk called the proposed legislation “insane” as the new law would “allow judges to hand down life sentences for ‘speech crimes.’”
In late February, prominent Canadian anti-woke psychologist Jordan Peterson warned the new bill would undoubtedly lead to his criminalization.
Similarly, a top constitutional lawyer warned LifeSiteNews that the legislation will allow a yet-to-be-formed digital safety commission to conduct “secret commission hearings” against those found to have violated the law, raising “serious concerns for the freedom of expression” of Canadians online.
Additionally, Campaign Life Coalition recently warned that Bill C-63 will stifle free speech and crush pro-life activism.
Censorship Industrial Complex
UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’
From LifeSiteNews
UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.
UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.
Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”
And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:
The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets
“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.
To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:
- 68 percent were nano-influencers – those with 1,000 to 10,000 followers
- 25 percent were micro-influencers – those with 10,000 to 100,000 followers
- 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
- 6 percent were mega-influencers – those with over 1,000,000 followers
Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).
Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.
In addition to the survey and the online course called “Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”
This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.
Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024
How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?
This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.
And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.
Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.
Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.
The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:
The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”
When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:
One of the biggest ethical questions is knowing from where content creators derive their income.
At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.
In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.
Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:
Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.
In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.
Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”
Reprinted with permission from The Sociable.
Business
TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally
If you’re tired of censorship and surveillance, subscribe to Reclaim The Net.
TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.
In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”
Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons. TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however. Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done. In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.” And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates. More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus. This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada. And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites. Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.” |
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