Alberta
Lieutenant Governor of Alberta celebrates ten emerging artists for 2020
Lieutenant Governor of Alberta celebrates ten emerging artists for 2020
Alberta’s 2020 Emerging Artists named
Edmonton (June 4, 2020)
The Lieutenant Governor of Alberta Arts Awards Foundation today announced awards totaling $100,000 to the 10 recipients of its 2020 Emerging Artist Award. More than 60 invited guests joined the Zoom awards show, which is now public, and available on the Youtube link above.
“We are pleased to be able to invest in advancing the careers of these outstanding artists at the early stages of their professional development” says Foundation Chair, Arlene Strom. “When economic times are tough, our artists are particularly vulnerable. And in the midst of societal change and upheaval, ensuring our artist voices and perspectives are heard is critical.”
Here are this year’s awardees:
- Kablusiak, visual, multidisciplinary artist, Calgary
- Amy LeBlanc, writer, Calgary
- Luc Tellier, theatre, Edmonton
- Carlos Foggin, music, classical, Calgary
- Lauren Crazybull, visual, Edmonton
- Evan Pearce, multi-media, music, new technology, Edmonton
- Molly Wreakes, music, French Horn, Edmonton
- Bruce Cinnamon, writer, Edmonton
- Tamara Lee-Anne Cardinal, visual, multimedia, Calgary
- Griffin Cork, theatre and film, Calgary
Her Honour, the Honourable Lois E. Mitchell, CM, AOE, LLD, Lieutenant Governor of Alberta congratulated the awardees on a Zoom meeting June 4, 2020. Each awardee receives a $10,000 cash award, a handcrafted medal and 2020 Emerging Artist certificate.
The 10 recipients were selected from 160 applications in a two-tiered adjudication process overseen by The Banff Centre. The adjudication panel included: Denise Clarke, associate artist, One Yellow Rabbit, 2007 Distinguished Artist awardee; Adam Fox, Director of Programs, National Music Centre; Lindsey Sharman, curator, Art Gallery of Alberta; Alice Major; writer, poet, 2017 Distinguished Artist awardee.
Here is some background the each of the artists:
Kablusiak (they/them) is an Inuvialuk artist based in Mohkinstsis/Calgary and holds a BFA in Drawing from the Alberta University of the Arts. Recognition for Kablusiak includes the Alberta Foundation for the Arts Young Artist Prize (2017) and the Primary Colours Emerging Artist Award (2018), and short-list nominee for the Sobey Art Awards (2019). A multi-disciplinary artist, they imbue a variety of mediums with their trademark ironic humour to address cultural displacement.
Amy LeBlanc is the author of three books: her debut poetry collection, I know something you don’t know, was published with Gordon Hill Press
in March 2020. Her novella, Unlocking, will be published by the UCalgary Press in 2021. Pedlar Press will publish her short story collection, Homebodies, in 2022. Her very timely master’s thesis is a work of fiction examining pandemics and chronic illness.
Luc Tellier is a theatre actor, director, and educator from Amiskwaciy Waskahikan, colonially known as Edmonton. He’s been seen in over twenty-five professional productions since graduating from MacEwan University’s Theatre Arts Program in 2014. As an arts educator and through his own freelance workshops, he mentors hundreds of students every year – sharing his belief that the arts are for everyone!
Carlos Foggin is driven by his passion to share live orchestral music with as many Albertans as possible! In 2016, he founded the Rocky Mountain Symphony Orchestra which has since performed to more than 30,000 Albertans in over 50 concerts in small southern communities. He is a celebrated pianist, organist and improviser and has performed internationally on some of the world’s greatest organs.
Lauren Crazybull is a Blackfoot Dene artist living in Edmonton. In 2019, Lauren was selected as Alberta’s inaugural artist in residence and was long listed for the Kingston Portrait Prize. Through her art, Lauren is asking poignant questions about how Indigenous identities can be represented, experienced, celebrated and understood through portraiture.
Evan Pearce began his career by editing music videos using found footage for local bands, but he’s now on the leading edge of two new emerging technology art forms: VJ-ing and New Media – working at the intersection of music, video, and leading-edge technology. Evan is fascinated with incorporating XR (Extended Reality) and AI (Artificial Intelligence) in a live performance setting while VJing – and beyond.
Molly Wreakes is a classical french horn player originally from Edmonton, who has performed internationally as both a chamber and orchestral musician. Molly served as the academist with the Royal Stockholm Philharmonic Orchestra In 2018/19 – performing with the orchestra and training with their horn section and orchestra members. Molly is also an avid chamber musician who is inspired to explore community outreach opportunities through music and musical creativity.
Bruce Cinnamon is a writer whose creative work thrives in the radiant sunshine of the gigantic Alberta sky, twisting and bending the familiar prairie landscape into carnivalesque fantasies. Bruce won the 2015 Alberta Views short story contest; his first novel, The Melting Queen, was published by NeWest Press in 2019. He is currently working on his second novel, a fantasy story about a small Alberta town which suddenly vanishes when it is torn into a parallel universe by a predatory City.
Tamara Lee-Anne Cardinal is a multi-media artist, community activist, and perpetual learner. She is a recipient of the National BMO 1st Art! Competition Award, and of the 2017 Alberta Foundation for the Arts Young Artist Award. Cardinal has been an active member in the urban Indigenous community in Treaty 7 Territory. Her work reflects the teachings she receives along her journey – and invites others to become a part of the process, to partake in its making.
Griffin Cork is a Calgary-born actor and producer in the film and theatre industries. He is co-founder and Artistic Producer of Hoodlum Theatre, a small collective dedicated to creating disruptive and unabashed work. His company Numera Films took home an AMPIA Rosie Award for Best Web Series – Fiction in 2019 for Abracadaver. Griffin is committed to telling engaging, Albertan stories and strives to merge the mediums of film and theatre.
Backgrounder: About the awards
The late Fil Fraser, the late Tommy Banks, the late John Poole and Jenny Belzberg (Calgary) established the Lieutenant Governor of Alberta Arts Awards Foundation in 2003 to celebrate and promote excellence in the arts. The endowments they established were created with philanthropic dollars and gifts from the Province of Alberta and Government of Canada.
Since its inception in 2003, the Foundation has awarded $1,230,000 to 20 Distinguished Artists and 63 Emerging Artists, all Alberta affiliated.
The Foundation administers two awards programs:
- The Emerging Artist Awardsprogram, established in 2008, gives up to 10 awards of $10,000 each to support and encourage promising artists early in their professional careers. Emerging Artist Awards are given out in even years.
- The Distinguished Artist Awardsprogram, begun in 2005, gives up to three awards of $30,000 each in recognition of outstanding achievement in, or contribution to, the arts in Alberta. Distinguished Artist Awards are given in odd years. The 2019 Distinguished Artist Awards celebration will be in Maskwacis, Battle River region in September 21, 2019.
Todayville’s President Lloyd Lewis is a Board Director of the Foundation and was the Master of Ceremonies for this year’s online awards show.
Read more on Todayville.
From the Canadian Energy Centre
‘Today’s youth have the opportunity to lead us into the future with innovative solutions for environmental challenges’
After a 24-year career in oil sands land reclamation, author Tanya Richens is sharing her knowledge with young minds.
Her new book, From the Earth to Us: Discovering the Origins of Everyday Things, explores the relationship between natural resources and the things we use in everyday life, from computers and water bottles to batteries and solar panels.
“There is a gap in society’s understanding of where things come from. We are a society driven by consumerism and immediate gratification. We order something online, and it arrives on our doorstep the next day. We don’t stop to think about where it really came from or how it was made,” Richens says.
“There’s an ever-increasing societal position that mining is bad, and oil is even worse… But there’s a simple hypocrisy in those beliefs, since so many things in our lives are made from the raw materials that come from mining and oil and natural gas,” she says.
The book, illustrated by reclamation artist Shannon Carla King, follows young Hennessy Rose and her Cavalier King Charles Spaniel Riley on a trip to a children’s summer camp.
Hennessy’s mom is a guest speaker on the origin of everyday items and the relationship between humans and the earth. Through detailed explanations of items surrounding her, Hennessy’s mom teaches the kids how rocks, minerals, oil and gas from the earth are used to power and aid our lives, creating items such as building supplies, food and hair products, camping and sports equipment, and cell phones.
Author Tanya Richens poses with her two books for children about natural resources. Photo for Canadian Energy Centre
“I thought a simple and fun book explaining the raw materials needed to make everyday items would be valuable for all ages,” Richens says.
“When people feel personally connected to natural resources, they are more likely to promote sustainable practices. Today’s youth will have the opportunity to lead us into the future with innovative solutions for environmental challenges.”
Richens‘ career began with Alberta Environment, where she was a coordinator of reclamation approvals in the oil sands. She oversaw technical reviews of oil sands reclamation applications, communicated with statement of concern filers, coordinated public hearings and provided support for legislative changes.
She moved from government to Suncor Energy, ensuring the company’s compliance on reclamation projects and led initiatives to obtain reclamation certificates. She now works as an independent consultant.
Drawing on her wealth of experience in the field, Richens’ first book, Adventures in Land Reclamation: Exploring Jobs for a Greener Future, seeks to excite kids aged 9-12 years about jobs related to the environment and land reclamation.
Hoping to get From the Earth to Us into the hands of teachers, Richens is heading to the Edmonton Teachers Convention in late February. She says the book supports multiple learning outcomes in Alberta’s new science curriculum for grades 3, 4, 5 and 6.
“Ultimately, I’d like people to understand and acknowledge their individual part in the need for mining and oil and natural gas development. Until the naivety and hypocrisy in the world is addressed, I’m not sure that real environmental change is possible.”
Richens’ books can be purchased on her website at tcrenvironmental.com.
Canada’s wealth is based on its success as a trading nation. Canada is blessed with immense resources spread across a vast country. It has succeeded as a small, open economy with an enviable standard of living that has been able to provide what the world needs.
Canada has been stuck in a situation where it cannot complete nation‑building projects like the Canadian Pacific Railway that was completed in 1885, or the Trans Canada Highway that was completed in the 1960s. With the uncertainty of U.S. tariffs looming over our country and province, Canada needs to take bold action to revitalize the productivity and competitiveness of its economy – going east to west and not always relying on north-south trade. There’s no better time than right now to politically de-risk these projects.
A lack of leadership from the federal government has led to the following:
- Inadequate federal funding for trade infrastructure.
- A lack of investment is stifling the infrastructure capacity we need to diversify our exports. This is despite federally commissioned reports like the 2022 report by the National Supply Chain Task Force indicating the investment need will be trillions over the next 50 years.
- Federal red tape, like the Impact Assessment Act.
- Burdensome regulation has added major costs and significant delays to projects, like the Roberts Bank Terminal 2 project, a proposed container facility at Vancouver, which spent more than a decade under federal review.
- Opaque funding programs, like the National Trade Corridors Fund (NTCF).
- Which offers a pattern of unclear criteria for decisions and lack of response. This program has not funded any provincial highway projects in Alberta, despite the many applications put forward by the Government of Alberta. In fact, we’ve gone nearly 3 years without decisions on some project applications.
- Ineffective policies that limit economic activity.
- Measures that pit environmental and economic objectives in stark opposition to one another instead of seeking innovative win-win solutions hinder Canada’s overall productivity and investment climate. One example is the moratorium on shipping crude through northern B.C. waters, which effectively ended Enbridge’s Northern Gateway proposal and has limited Alberta’s ability to ship its oil to Asian markets.
In a federal leadership vacuum, Alberta has worked to advance economic corridors across Canada. In April 2023, Alberta, Saskatchewan and Manitoba signed an agreement to collaborate on joint infrastructure networks meant to boost trade and economic growth across the Prairies. Alberta also signed a similar economic corridor agreement with the Northwest Territories in July 2024. Additionally, Alberta would like to see an agreement among all 7 western provinces and territories, and eventually the entire country, to collaborate on economic corridors.
Through our collaboration with neighbouring jurisdictions, we will spur the development of economic corridors by reducing regulatory delays and attracting investment. We recognize the importance of working with Indigenous communities on the development of major infrastructure projects, which will be key to our success in these endeavours.
However, provinces and territories cannot do this alone. The federal government must play its part to advance our country’s economic corridors that we need from coast to coast to coast to support our economic future. It is time for immediate action.
Alberta recommends the federal government take the following steps to strengthen Canada’s economic corridors and supply chains by:
- Creating an Economic Corridor Agency to identify and maintain economic corridors across provincial boundaries, with meaningful consultation with both Indigenous groups and industry.
- Increasing federal funding for trade-enabling infrastructure, such as roads, rail, ports, in-land ports, airports and more.
- Streamlining regulations regarding trade-related infrastructure and interprovincial trade, especially within economic corridors. This would include repealing or amending the Impact Assessment Act and other legislation to remove the uncertainty and ensure regulatory provisions are proportionate to the specific risk of the project.
- Adjusting the policy levers that that support productivity and competitiveness. This would include revisiting how the federal government supports airports, especially in the less-populated regions of Canada.
To move forward expeditiously on the items above, I propose the establishment of a federal/provincial/territorial working group. This working group would be tasked with creating a common position on addressing the economic threats facing Canada, and the need for mitigating trade and trade-enabling infrastructure. The group should identify appropriate governance to ensure these items are presented in a timely fashion by relative priority and urgency.
Alberta will continue to be proactive and tackle trade issues within its own jurisdiction. From collaborative memorandums of understanding with the Prairies and the North, to reducing interprovincial trade barriers, to fostering innovative partnerships with Indigenous groups, Alberta is working within its jurisdiction, much like its provincial and territorial colleagues.
We ask the federal government to join us in a new approach to infrastructure development that ensures Canada is productive and competitive for generations to come and generates the wealth that ensures our quality of life is second to none.
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Devin Dreeshen
Devin Dreeshen was sworn in as Minister of Transportation and Economic Corridors on October 24, 2022.
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