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Lamar leads Grammy noms, where women make a comeback

NEW YORK — The music of “Black Panther,” with Kendrick Lamar in its starring role, officially owns the 2019 Grammy Awards, where women are heavily represented in the major four categories following a year where their presence was barely felt.
The Recording Academy announced Friday that Lamar is the top contender with eight nominations, including seven for his musical companion to the Marvel Studios juggernaut starring Chadwick Boseman and Michael B. Jordan. “Black Panther: The Album, Music From and Inspired By” is up for album of the year, a category where women make up five of the eight nominees. Cardi B, Kacey Musgraves, Janelle Monae, H.E.R. and Brandi Carlile also are up for the top prize, along with Drake and Post Malone.
The upcoming Grammys is the first where the academy extended its top four categories from five nominees to eight.
The “Panther” nomination would give Lamar a chance to win album of the year after losing three times. His most recently loss was in February when his critically acclaimed “DAMN” fell short to Bruno Mars’ “24K Magic,” though Lamar’s project would go on to win a Pulitzer Prize for music two months later, making him the first non-classical or jazz artist to win the prestigious
Lamar’s Top 10 hit, the SZA-assisted “All the Stars,” is nominated for both record and song of the year (a songwriter’s award). Five other songs scored nominations in both categories, including Lady Gaga and Bradley Cooper’s “Shallow” from “A Star Is Born”; Childish Gambino’s “This Is America”; Drake’s “God’s Plan”; Zedd, Maren Morris and Grey’s “The Middle”; and Carlile’s “The Joke.”
Ella Mai’s “Boo’d Up” and Shawn Mendes’ “In My Blood” earned song of the year nods, while Post Malone’s “Rockstar” and Cardi B’s “I Like It,” featuring Bad Bunny and J Balvin, round out the nominees for record of the year.
Following Lamar, Drake — the year’s most successful artist — earned seven nominations. Though nominated for album of the year, he was surprisingly shut out of best rap album, where his rival Pusha T earned a nomination.
Drake’s frequent collaborator, producer Boi-1Da, earned six nods, as did Carlile, who also scored nominations in the American Roots category.
Cardi B, Gaga, H.E.R., Morris, Gambino, producer Sounwave and engineer Mike Bozzi scored five nominations each.
The nominees for the 2019 Grammys mark a departure from this year’s show, where women were underrepresented in the top four categories. Of the eight best new artist nominees, six are women, including H.E.R., Chloe x Halle, Dua Lipa, Margo Price, Bebe Rexha and Jorja Smith. Rock band Greta Van Fleet and country singer Luke Combs also earned nominations.
Recording Academy CEO Neil Portnow was criticized earlier this year at the Grammys when he said women need to “step up” when asked about the lack of women in the top categories, which he later acknowledged was a “poor choice of words.” It forced the academy to launch a new task force focused on inclusion and diversity; Portnow also announced he would be leaving the academy in 2019.
“In any given year there could be more folks from one area or one gender or one genre or one ethnicity that are making recordings and being successful with them than in another year. So, in many ways we’re just a reflection of that,” Portnow said in an interview with The Associated Press. “This year clearly there were many women not only making music but making great music and making music that resonates with our peer voters in terms of excellence, and so that certainly is at the forefront.”
Another milestone for women is in the non-classical producer of the year category, where songwriting extraordinaire Linda Perry earned a nomination. She’s just the seventh woman ever nominated for prize and first since 2004.
“Linda represents what we hope becomes the norm, which is the elimination of gender bias in producing and engineering in our industry,” Portnow said.
Perry will compete with Pharrell Williams, Boi-1Da, Larry Klein and Kanye West, the only nomination he earned.
Taylor Swift, a two-time album of the year winner, also only earned one nomination — her “reputation” album is up best pop vocal album. Justin Timberlake, whose “Man of the Woods” albums flopped earlier this year, picked up a nod for “Say Something,” his collaboration with Chris Stapleton.
Beyonce and Jay-Z, billed as The Carters, as well Ariana Grande, didn’t earn any of the big nominations. The Carters earned two nods in the R&B category along with best music video, while Grande picked up two nods in pop.
Artists who were completely snubbed include Carrie Underwood, Sam Smith, Migos, Kane Brown, Nicki Minaj, XXXTentacion and Juice WRLD, whose “Lucid Dreams” was one of the year’s biggest hits.
Some acts scored their first nominations ever, including Florida Georgia Line, whose megahit “Meant to Be” with Rexha is up best country duo/group performance. Camila Cabello, Malone, Mendes, Dan + Shay and DJ Mustard are also first-time nominees.
Gaga, who earned acting and music Golden Globe nominations Thursday, picked up four Grammy nominations for “Shallow,” while “Joanne” is up for best pop solo performance. The soundtrack for “A Star Is Born” was released after Grammy eligibility, though “Shallow” was released in time and also earned Cooper two nominations.
Other famous faces outside of music to earn nominations include Tiffany Haddish and former U.S. president Jimmy Carter, both up for best spoken word album. Dave Chappelle, Chris Rock, Fred Armisen, Jim Gaffigan and Patton Oswalt are up for best comedy album.
Mac Miller, who died in September, earned a nomination for best rap album with “Swimming.” Chris Cornell, who died last year, is up for best rock performance with “When Bad Does Good.”
Demi Lovato, who relapsed after six years of sobriety and was hospitalized for an overdose in July, earned a nomination for best pop duo/group performance for “Fall In Line,” her duet with Christina Aguilera.
Those who earned four nominations are Musgraves, Malone, PJ Morton, Dave Cobb, Ludwig Goransson, Noah Shebib and SZA, who earned a Golden Globe nomination alongside Lamar for “All the Stars” on Thursday.
Lamar has won 12 Grammys throughout his career. Though seven of his eight nominations come from “Black Panther,” he also earned a nod for co-writing Jay Rock’s “Win,” up for best rap song.
The 2019 Grammys will hand out awards in its 84 categories live from the Staples Center in Los Angeles on Feb. 10, 2019.
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Online:
http://www.grammy.com
Mesfin Fekadu, The Associated Press
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Poilievre on 2025 Election Interference – Carney sill hasn’t fired Liberal MP in Chinese election interference scandal

From Conservative Party Communications
“Yes. He must be disqualified. I find it incredible that Mark Carney would allow someone to run for his party that called for a Canadian citizen to be handed over to a foreign government on a bounty, a foreign government that would almost certainly execute that Canadian citizen.
“Think about that for a second. We have a Liberal MP saying that a Canadian citizen should be handed over to a foreign dictatorship to get a bounty so that that citizen could be murdered. And Mark Carney says he should stay on as a candidate. What does that say about whether Mark Carney would protect Canadians?
“Mark Carney is deeply conflicted. Just in November, he went to Beijing and secured a quarter-billion-dollar loan for his company from a state-owned Chinese bank. He’s deeply compromised, and he will never stand up for Canada against any foreign regime. It is another reason why Mr. Carney must show us all his assets, all the money he owes, all the money that his companies owe to foreign hostile regimes. And this story might not be entirely the story of the bounty, and a Liberal MP calling for a Canadian to be handed over for execution to a foreign government might not be something that the everyday Canadian can relate to because it’s so outrageous. But I ask you this, if Mark Carney would allow his Liberal MP to make a comment like this, when would he ever protect Canada or Canadians against foreign hostility?
“He has never put Canada first, and that’s why we cannot have a fourth Liberal term. After the Lost Liberal Decade, our country is a playground for foreign interference. Our economy is weaker than ever before. Our people more divided. We need a change to put Canada first with a new government that will stand up for the security and economy of our citizens and take back control of our destiny. Let’s bring it home.”
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Canada Needs A Real Plan To Compete Globally

From the Frontier Centre for Public Policy
Ottawa’s ideological policies have left Canada vulnerable. Strategic action is needed now
As Canada navigates an increasingly complex geopolitical landscape, the next federal government must move beyond reflexive anti—Americanism regardless of its political leanings. Instead, Canada should prioritize national interests while avoiding unnecessary conflict and subservience.
The notion that Canada can stand alone is as misguided as the idea that it is only an economic appendage of the United States. Both perspectives have influenced policy in Ottawa at different times, leading to mistakes.
Rather than engaging in futile name-calling or trade disputes, Canada must take strategic steps to reinforce its autonomy. This approach requires a pragmatic view rooted in Realpolitik—recognizing global realities, mitigating risks, governing for the whole country, and seizing opportunities while abandoning failed ideologies.
However, if Washington continues to pursue protectionist measures, Canada must find effective ways to counteract the weakened position Ottawa has placed the country in over the past decade.
One key strategy is diversifying trade relationships, notably by expanding economic ties with emerging markets such as India and Southeast Asia. This will require repairing Canada’s strained relationship with India and regaining political respect in China.
Unlike past Liberal trade missions, which often prioritized ideological talking points over substance, Canada must negotiate deals that protect domestic industries rather than turning summits into platforms for moral posturing.
A more effective approach would be strengthening partnerships with countries that value Canadian resources instead of vilifying them under misguided environmental policies. Expand LNG exports to Europe and Asia and leverage Canada’s critical minerals sector to establish reciprocal supply chains with non-Western economies, reducing economic reliance on the U.S.
Decades of complacency have left Canada vulnerable to American influence over its resource sector. Foreign-funded environmental groups have weakened domestic energy production, handing U.S. industries a strategic advantage. Ottawa must counter this by ensuring Canadian energy is developed at home rather than allowing suppressed domestic production to benefit foreign competitors.
Likewise, a robust industrial policy—prioritizing mining, manufacturing, and agricultural resilience—could reduce dependence on U.S. and Chinese imports. This does not mean adopting European-style subsidies but rather eliminating excessive regulations that make Canadian businesses uncompetitive, including costly domestic carbon tariffs.
Another key vulnerability is Canada’s growing military dependence on the U.S. through NORAD and NATO. While alliances are essential, decades of underfunding and neglect have turned the Canadian Armed Forces into little more than a symbolic force. Canada must learn self-reliance and commit to serious investment in defence.
Increasing defence spending—not to meet NATO targets but to build deterrence—is essential. Ottawa must reform its outdated procurement processes and develop a domestic defence manufacturing base, reducing reliance on foreign arms deals.
Canada’s vast Arctic is also at risk. Without continued investment in northern sovereignty, Ottawa may find itself locked out of its own backyard by more assertive global powers.
For too long, Canada has relied on an economic model that prioritizes federal redistribution over wealth creation and productivity. A competitive tax regime—one that attracts investment instead of punishing success—is essential.
A capital gains tax hike might satisfy activists in Toronto, but it does little to attract investments and encourage economic growth. Likewise, Ottawa must abandon ideological green policies that threaten agri-food production, whether by overregulating farmers or ranchers. At the same time, it must address inefficiencies in supply management once and for all. Canada must be able to feed a growing world without unnecessary bureaucratic obstacles.
Ottawa must also create an environment where businesses can innovate and grow without excessive regulatory burdens. This includes eliminating interprovincial trade barriers that stifle commerce.
Similarly, Canada’s tech sector, long hindered by predatory regulations, should be freed from excessive government interference. Instead of suffocating innovation with compliance mandates, Ottawa should focus on deregulation while implementing stronger security measures for foreign tech firms operating in Canada.
Perhaps Ottawa’s greatest mistake is its knee-jerk reactions to American policies, made without a coherent long-term strategy. Performative trade disputes with Washington and symbolic grandstanding in multilateral organizations do little to advance Canada’s interests.
Instead of reacting emotionally, Canada must take proactive steps to secure its economic, resource, and defence future. That is the role of a responsible government.
History’s best strategists understood that one should never fight an opponent’s war but instead dictate the terms of engagement. Canada’s future does not depend on reacting to Washington’s policies—these are calculated strategies, not whims. Instead, Canada’s success will be determined by its ability to act in the interests of citizens in all regions of the country, and seeing the world as it is rather than how ideological narratives wish it to be.
Marco Navarro-Génie is the vice president of research at the Frontier Centre for Public Policy. With Barry Cooper, he is co-author of Canada’s COVID: The Story of a Pandemic Moral Panic (2023).
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