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History on the Block-Brother Can You Spare $400 million?

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History on the Auction Block…DC Comics 1934 to 2014

As a young comic book collector, I often dreamed of finding a comic book horde.

Not a small pile of books with a few 1940s and 50s books in it, but a real stash, one that movies are written about. A collection of books that as you look through the pile you see Action #1, #2, Detective Comics #27 and Worlds Finest #1, the Flash #1, and Wonder Woman #1. That is the kind of treasure I, along with every collector in North America, wanted to find.

I had an aunt once who did have those books, and she clearly remembered saving them until her parents threw them away. She did say she would have given them to me as I was her favorite nephew….

This week, amidst the Covid 19 panic, pandemonium pandemic, the impossible is about to happen.

Ian Levine, an internationally known comic book and music ephemera collector, is auctioning off EVERY DC Comic book published from 1934 to 2014! The total number of books exceeds 40,000! Now, all of these books are the best possible, they are the most rare, most sought after, most significant of all comics. And ONE person, institution or archive will become caretaker to history.

Many professionals, collectors and fans have spoken of the magnitude of this Sotheby Auction with awe.

Paul Levitz, in his Facebook post, spoke of assisting Levine with his quest:

So a story of a quiet day at DC…I think it was over the holiday break, before the company closed for those days. Happened on an ad in one of the comics trades, probably Comic Buyers’ Guide, from a guy who was trying to assemble an absolutely complete DC collection. He was down to hunting some pretty obscure stuff, odd issues of romance and war titles, and many of our ‘custom comics,’ the giveaways we’d produce for companies to promote their products (or for good causes like keeping kids from being blown up by landmines). There were quite a few of the listed customs that were basically valueless but hard-to-find things we had large stacks of to use as samples, so I spent a few minutes in the library and my files pulling a bunch together. Sent them to him with a note that said, “Buy 40,000, get 12 free.” The collector was Ian Levine, and he kindly let Taschen use the collection for the photos for 75 YEARS OF DC. He’s now auctioning off the whole collection at Sotheby’s. Hope it goes to someone who’ll love it, or an institution with a giant endowment and great taste.”

With the pound of the gavel, some billionaire (likely) will become protector of the collection of the century.

To steal and paraphrase a line from Marvel and Stan Lee, with such a great collecton comes great responsibility .May it be used wisely.

Click for a link to the amazing catalogue for the collection follows:

 

And Money Flowed in the Streets….

Business

Donald Trump appoints Mel Gibson, Sylvester Stallone as special ambassadors to Hollywood

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From LifeSiteNews

In a surprise post on Truth Social, Trump announced, ‘It is my honor to announce Jon Voight, Mel Gibson, and Sylvester Stallone, to be Special Ambassadors to a great but very troubled place, Hollywood, California.’

In an unexpected move, U.S. President-elect Donald Trump has selected Mel Gibson, along with Sylvester Stallone and Jon Voight, to be “special ambassadors” to Hollywood in his next administration.

“It is my honor to announce Jon Voight, Mel Gibson, and Sylvester Stallone, to be Special Ambassadors to a great but very troubled place, Hollywood, California,” Trump announced on his social media platform Truth Social on Thursday.

Elaborating on his decision, Trump continued:

They will serve as Special Envoys to me for the purpose of bringing Hollywood, which has lost much business over the last four years to Foreign Countries, BACK—BIGGER, BETTER, AND STRONGER THAN EVER BEFORE!

These three very talented people will be my eyes and ears, and I will get done what they suggest. It will again be, like The United States of America itself, The Golden Age of Hollywood!

All three of the Hollywood stars are baptized Catholics and have, to varying degrees, professed and defended their beliefs both in God and in conservative principles more generally.

The appointments come just days after Gibson, who is well-known as an outspoken Catholic actor and director, appeared on the popular Joe Rogan Experience podcast, making headlines for defending the resurrection of Christtalking about the post-Vatican II crisis in the Catholic Church, and speaking candidly about the important role his faith has played in his life. Gibson’s house was also one of many to have burned down in the fires ravaging Los Angeles, describing it as a form of “purification.”

Similarly, Stallone, who talked about his return to Christianity in the early 2000s after drifting away in his younger years, was also in the news recently for saying for the first time publicly that he is the survivor of abortion.

As for Voight, he was raised Catholic and attended the Catholic University of America, and is well-known for holding conservative views and talking openly about his belief in God. He is also the father of famous actress Angelina Jolie.

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Censorship Industrial Complex

UNESCO’s New Mission: Train Influencers About Combatting Online “Misinformation”

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The UN Educational, Scientific and Cultural Organization (UNESCO) is now incorporating teaching influencers how to “fact check” into its activities.
UNESCO claims that influencers have become “primary sources of news and cultural information” around the world – which prompted it to carry out a survey into how these online personalities verify the “news” they present.

Related: World Leaders Sign New Censorship Declaration at UN Event While Secretary-General António Guterres Pushed for Increased Online Censorship

Citizens in UN member-countries may or may not be happy that this is how their taxpayer money funding the world organization is being spent these days. But UNESCO is not only conducting surveys; it is also developing a training course for said influencers (which are also interchangeably referred to as content creators in press releases).

It’s meant to teach them not only to “report misinformation, disinformation and hate speech” but also to collaborate with legacy media and these outlets’ journalists, in order to “amplify fact-based information.”

The survey, “Behind the screens,” was done together with researchers from the US Bowling Green State University. 500 influencers from 45 countries took part, and the key findings, UNESCO said, are that 63 percent of them “lack rigorous and systematic fact-checking protocols” – but also, that 73% said they “want to be trained.”

This UN agency also frames the results as showing that respondents are “struggling” with disinformation and hate speech and are “calling for more training.”

UNESCO is justifying its effort to teach influencers to “rigorously” check facts by referring to its media and information literacy mandate. The report laments that mainstream media has become “only the third most common source (36.9%) for content creators, after their own experience and their own research and interviews.”

It would seem content creators/influencers are driven by common sense, but UNESCO wants them to forge closer ties with journalists (specifically those from legacy, i.e., traditional media – UNESCO appears very eager to stress that multiple times.)

Related: United Nations Development Program Urges Governments to Push Digital ID

Under the guise of concern, the agency also essentially warns creators/influencers that they should be better aware of regulations and “international standards” that pertain to digital media – in order to avoid “legal uncertainty” that exposes them to “prosecution and conviction in some countries.”

And now, UNESCO and US-based Knight Center for Journalism in the Americas have launched a one-month course which is currently involving 9,000 people from 160 countries. The goal is to train them to “address disinformation and hate speech and provide them with a solid grounding in global human rights standards.”

The initiative looks like an attempt to get “traditional” journalists to influence the influencers, and try to prop up their outlets, that are experiencing an erosion in trust among their audiences.

If you’re tired of censorship and surveillance, subscribe to Reclaim The Net.

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