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Stan Lee, creator of a galaxy of Marvel superheroes, dies
LOS ANGELES — Stan Lee, the creative dynamo who revolutionized the comic book and helped make billions for Hollywood by introducing human frailties in Marvel superheroes such as Spider-Man, the Fantastic Four and the Incredible Hulk, died Monday. He was 95.
Lee was declared dead at Cedars-Sinai Medical Center in Los Angeles, according to Kirk Schenck, an attorney for Lee’s daughter, J.C. Lee.
As the top writer at Marvel Comics and later as its publisher, Lee was widely considered the architect of the contemporary comic book. He revived the industry in the 1960s by offering the costumes and action craved by younger readers while insisting on sophisticated plots, college-level dialogue, satire, science fiction, even philosophy.
Millions responded to the unlikely mix of realistic fantasy, and many of his characters, including Spider-Man, the Hulk and X-Men went on to become stars of blockbuster films. He won the National Medal of Arts in 2008.
Recent projects Lee helped make possible range from the films “Avengers: Infinity War,” ”Black Panther” and “Guardians of the Galaxy” to such TV series as “Agents of S.H.I.E.L.D” and “Daredevil.” Lee was recognizable to his fans, having had cameos in many Marvel films and TV projects, often delivering his trademark motto, “Excelsior!”
“Captain America” actor Chris Evans mourned the loss on Twitter: “There will never be another Stan Lee. For decades he provided both young and old with adventure, escape, comfort, confidence, inspiration, strength, friendship and joy. He exuded love and kindness and will leave an indelible mark on so, so, so many lives. Excelsior!!”
Lee considered the comic-book medium an art form and he was prolific: By some accounts, he came up with a new comic book every day for 10 years. “I wrote so many I don’t even know. I wrote either hundreds or thousands of them,” he told The Associated Press in 2006.
He hit his stride in the 1960s when he brought the Fantastic Four, the Hulk, Spider-Man, Iron Man and numerous others to life. “It was like there was something in the air. I couldn’t do anything wrong,” he said.
His heroes, meanwhile, were a far cry from virtuous do-gooders such as rival DC Comics’ Superman.
The Fantastic Four fought with each other. Spider-Man was goaded into superhero work by his alter ego, Peter Parker, who suffered from unrequited crushes, money problems and dandruff. The Silver Surfer, an alien doomed to wander Earth’s atmosphere, waxed about the woeful nature of man. The Hulk was marked by self-loathing. Daredevil was blind and Iron Man had a weak heart.
“The beauty of Stan Lee’s characters is that they were characters first and superheroes next,” Jeff Kline, executive producer of the “Men in Black” animated television series, told The Blade of Toledo, Ohio, in 1998.
Some of Lee’s creations became symbols of social change — the inner turmoil of Spider-Man represented ’60s America, for example, while The Black Panther and The Savage She-Hulk mirrored the travails of minorities and women.
“I think of them as fairy tales for grown-ups,” he told The AP in 2006. “We all grew up with giants and ogres and witches. Well, you get a little bit older and you’re too old to read fairy tales. But I don’t think you ever outgrow your love for those kind of things, things that are bigger than life and magical and very imaginative.”
Lee scripted most of Marvel’s superhero comics himself during the ’60s, including the Avengers and the X-Men, two of the most enduring. In 1972, he became Marvel’s publisher and editorial director; four years later, 72 million copies of Spider-Man were sold.
“He’s become our Mickey Mouse,” he once said of the masked, web-crawling crusader.
Lee also published several books, including “The Superhero Women” in 1977 and “How to Draw Comics the Marvel Way” the following year, when he was named publisher of the year by the Periodical and Book Association of America.
CBS turned the Hulk into a successful TV series, with Bill Bixby and Lou Ferrigno portraying the doomed scientist from 1978-82. A Spider-Man series ran briefly in 1978. Both characters were featured in animated TV series as well.
The first big-budget movie based on Lee’s characters, “X-Men,” was a smash in 2000, earning more than $130 million at North American
“Black Panther” actor Winston Duke took to Twitter to pay his respects to Lee: “You gave us characters that continue to stand the test of time and evolve with our consciousness. You taught us that there are no limits to our future as long as we have access to our imagination. Rest in power!”
Stanley Martin Lieber was born Dec. 28, 1922, in New York. He grew up a fan of “Hardy Boys” adventure books and Errol Flynn movies, and got a job at Timely Comics after graduating from high school.
Within a few months, the editor and art director quit, leaving the 17-year-old Lee with creative control over the company, which grew and was renamed Atlas Comics and, finally, Marvel. Lieber changed his name, thinking Lee would be used for “silly little comics” and his real name would be reserved for novels.
His early work largely reflected popular movies — westerns, crime dramas, romance, whatever was the rage at the time. He worked for about 50 cents per page.
After a stint in the Army during World War II, writing for training films, he was back at Marvel to begin a long and admittedly boring run of assembly line comic book production.
Comics in the 1950s were the subject of Senate hearings pushed by the Comics Code Authority, which frowned on gore and characters that questioned authority. Major comic book companies adopted the code as a form of self-regulation to avoid sanctions.
Lee said he was also working for a publisher who considered comics as fare only for children.
“One day I said, ‘This is insane,'” Lee told the Guardian in 1979. “I’m just doing the same type of stories as everybody else. I wasn’t taking pride in my work and I wanted to quit. But my wife said, ‘Look, why don’t you do the kind of comics you want for a change?'”
The result was the first issue of “The Fantastic Four,” in 1960, with the characters, plot and text from Lee and the illustrations by famed Marvel artist Jack Kirby.
The characters were normal people changed into reluctant superheroes through no fault of their own.
Writing in “Origins of Marvel Comics,” Lee described the quartet this way: “The characters would be the kind of characters I could personally relate to; they’d be flesh and blood, they’d have their faults and foibles, they’d be fallible and feisty and — most important of all — inside their colorful, costumed booties they’d still have feet of clay.”
“The Amazing Spider-Man” followed in 1962 and before long, Marvel Comics was an industry behemoth.
Lee knew his work was different, proudly noting that stories were drawn out over several issues not to make money but to better develop characters, situations and themes. He didn’t neglect his villains, either. One, the Moleman, went bad when he was ostracized because of his appearance, Lee wrote, adding it was “almost unheard of in a comic book” to explain why a character was what he was.
Lee’s direct influence faded in the 1970s as he gave up some of his editorial duties at Marvel. But with his trademark white
Lee moved to Los Angeles in 1981 to head Marvel Productions, an animation studio that was later purchased, along with Marvel Comics, for $50 million by New World Entertainment.
As sales of comics declined, Marvel was forced into bankruptcy proceedings that meant it had to void a lifetime contract prohibiting Lee from working for anyone else. Lee later sued Marvel for $10 million, saying the company cheated him out of millions in profits from movies based on his characters.
In 2000, Lee agreed to write stories for DC Comics, reinventing Superman, Batman, Wonder Woman and other signature characters for Marvel’s one-time rival. DC
“With his artistic collaborators at Marvel, Stan co-created the richest imaginary universe a single comics writer has ever built,” he said.
The dapper, friendly comic book genius continued to work into his 90s on numerous projects, including comics, films and DVDs.
In the late 1990s, he looked to capitalize on the Internet craze, offering animated “Webisodes” of comic-like action. Stan Lee Media also sought to reach out to Web-savvy youth through deals with pop artists the Backstreet Boys and Mary J. Blige.
The company went bankrupt, and three men were indicted for allegedly defrauding the business in a check kiting scam. Lee wasn’t implicated.
After that initial failure, Lee formed the successful Pow! Entertainment company to launch animated Internet-based projects.
Lee’s wife and partner in nearly everything, Joan Lee, died on July 6, 2017, leaving a void that made her husband, by then in mental and physical decline, vulnerable to hangers-on who began to surround him. Lawsuits, court fights and an elder abuse investigation all emerged in the fight over who spoke for the elderly Lee.
Lee is survived by his daughter, Joanie, and a younger brother who also worked in comics, Larry Lieber.
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Associated Press writer John Rogers contributed to this story
Andrew Dalton And Dave Zelio, The Associated Press
From the Fraser Institute
Earlier this year, a senior Bank of Canada official caused a stir by describing Canada’s pattern of declining productivity as an “emergency,” confirming that the issue of productivity is now in the spotlight. That’s encouraging. Boosting productivity is the only way to improve living standards, particularly in the long term. Today, Canada ranks 18th globally on the most common measure of productivity, with our position dropping steadily over the last several years.
Productivity is the amount of gross domestic product (GDP) or “output” the economy produces using a given quantity and mix of “inputs.” Labour is a key input in the production process, and most discussions of productivity focus on labour productivity. Productivity can be estimated for the entire economy or for individual industries.
In 2023, labour productivity in Canada was $63.60 per hour (in 2017 dollars). Industries with above average productivity include mining, oil and gas, pipelines, utilities, most parts of manufacturing, and telecommunications. Those with comparatively low productivity levels include accommodation and food services, construction, retail trade, personal and household services, and much of the government sector. Due to the lack of market-determined prices, it’s difficult to gauge productivity in the government and non-profit sectors. Instead, analysts often estimate productivity in these parts of the economy by valuing the inputs they use, of which labour is the most important one.
Within the private sector, there’s a positive linkage between productivity and employee wages and benefits. The most productive industries (on average) pay their workers more. As noted in a February 2024 RBC Economics report, productivity growth is “essentially the only way that business profits and worker wages can sustainably rise at the same time.”
Since the early 2000s, Canada has been losing ground vis-à-vis the United States and other advanced economies on productivity. By 2022, our labour productivity stood at just 70 per cent of the U.S. benchmark. What does this mean for Canadians?
Chronically lagging productivity acts as a drag on the growth of inflation-adjusted wages and incomes. According to a recent study, after adjusting for differences in the purchasing power of a dollar of income in the two countries, GDP per person (an indicator of incomes and living standards) in Canada was only 72 per cent of the U.S. level in 2022, down from 80 per cent a decade earlier. Our performance has continued to deteriorate since 2022. Mainly because of the widening cross-border productivity gap, GDP per person in the U.S. is now $22,000 higher than in Canada.
Addressing Canada’s “productivity crisis” should be a top priority for policymakers and business leaders. While there’s no short-term fix, the following steps can help to put the country on a better productivity growth path.
- Increase business investment in productive assets and activities. Canada scores poorly compared to peer economies in investment in machinery, equipment, advanced technology products and intellectual property. We also must invest more in trade-enabling infrastructure such as ports, highways and other transportation assets that link Canada with global markets and facilitate the movement of goods and services within the country.
- Overhaul federal and provincial tax policies to strengthen incentives for capital formation, innovation, entrepreneurship and business growth.
- Streamline and reduce the cost and complexity of government regulation affecting all sectors of the economy.
- Foster greater competition in local markets and scale back government monopolies and government-sanctioned oligopolies.
- Eliminate interprovincial barriers to trade, investment and labour mobility to bolster Canada’s common market.
From Canadians For Affordable Energy
The twenty-ninth edition of the U.N. Climate Change Committee’s annual “Conference of the Parties,” also known as COP29, wrapped up recently, and I must say, it seemed a much gloomier affair than the previous twenty-eight. It’s hard to imagine a more downcast gathering of elitists and activists. You almost felt sorry for them.
Oh, there was all the usual nutty Net-Zero-by-2050 proposals, which would make life harder and more expensive in developed countries, and be absolutely disastrous for developing countries, if they were even partially implemented. But a lot of the roughly 65,000 attendees seemed to realize they were just spewing hot air.
Why were they so down? It couldn’t be that they were feeling guilty about their own hypocrisy, since they had flown in, many aboard private jets, to the Middle Eastern petrostate of Azerbaijan, where fossil fuels count for two-thirds of national GDP and 90% of export revenues, to lecture the world on the evils of flying in planes and prospering from the extraction of oil and natural gas. Afterall, they did the same last year in Dubai and there was no noticeable pang of guilt there.
It’s likely that Donald Trump’s recent reelection had a lot to do with it. Living as they do in a media bubble, our governing class was completely blindsided by the American people’s decision to return their 45th president to the White House. And the fact that he won the popular vote this time made it harder to deny his legitimacy. (Note that they’ve never questioned the legitimacy of Justin Trudeau, even though his party has lost the popular vote in the past two federal elections. What’s the saying about the modern Left? “If they didn’t have double standards, they’d have no standards at all.”)
Come January, Trump is committed to (once again) pulling the U.S. out of the Paris Climate Accords, to rolling back the Biden Administration’s anti-fracking and pro-EV regulations, and to giving oil companies the green light to extract as much “liquid gold” (his phrase) as possible, with an eye towards making energy more affordable for American consumers and businesses alike. The chance that they’ll be able to leech billions in taxpayer dollars from the U.S. Treasury while he’s running the show is basically zero.
But it wasn’t just the return of Trump which has gotten the climate brigade down. After a few years on top, environmentalists have been having one setback after another. Green parties saw a huge drop off in support in the E.U. parliament’s elections this past June, losing one-third of their seats in Brussels.
And wherever they’ve actually been in government, in Germany and Ireland for instance, the Greens have dragged down the popularity of the coalitions they were part of. That’s largely because their policies have been like an arrow to the heart of those nations’ economies – see the former industrial titan Germany, where major companies like Volkswagen, Siemens, and the chemical giant BASF are frantically shifting production to China and the U.S. to escape high energy costs.
But while voters around the world are kicking climate ideologues to the curb, there are still a few places where they’re managing to cling to power for dear life.
Here in Canada, for instance, Justin Trudeau and Steven Guilbeault steadfastly refuse to consider revisiting their ruinous Net Zero policies, from their ever-increasing Carbon Tax, to their huge investments in Electric Vehicles and the mandates which will force all of us to buy pricey, unreliable EVs in just over a decade, and to the emissions caps which seek to strangle the natural resource sector on which our economy depends.
Minister Guilbeault was all-in on COP29, heading the Canadian delegation, which “hosted 65 events showcasing Canada’s leadership on climate action, nature-based solutions, sustainable finance, and Canadian clean technologies—while discussing gender equality, youth perspectives, and the critical role of Indigenous knowledge and climate leadership” and stood up for Canadian values such as “2SLGBTQI+” and “gender inclusivity.” Once again, in Azerbaijan, which has been denounced for its human rights abuses.
And no word yet on the cost of all of this – for last year’s COP28 the government – or should I say the taxpayers – spent $1.4M on travel and accommodations alone for the 633 member delegation. That number, not counting the above mentioned events, are sure to be higher, as Azerbaijan is much less of a travel destination than Dubai, and so has fewer flights in and available hotel rooms.
At the same time all of this was going on, Trudeau was 12,000 kms away in Rio de Janeiro, Brazil, telling an audience that carbon taxation is a “moral obligation” which is more important than the cost of living: “It’s really, really easy when you’re in a short-term survive, [to say] I gotta be able to pay the rent this month, I’ve gotta be able to buy groceries for my kids, to say, OK, let’s put climate change as a slightly lower priority.”
This is madness, and it underscores how tone-deaf the prime minister is, and also why current polling looks so good for the Conservatives that Pierre Poilievre might as well start measuring the drapes at the PMO.
He has the Trudeau Liberals’ obsessive pursuit of Net Zero policies in large part to thank for that.
The world is waking up to the true cost of the Net Zero ideology, and leaving it behind. That doesn’t mean the fight is over – the activists and their allies in government are going to squeeze as many tax dollars out of this as they possibly can. But the writing is on the wall, and their window is rapidly closing.
Dan McTeague is President of Canadians for Affordable Energy.
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