National Entertainment
Canadian nominees dominate Oscars animated short film category
TORONTO — Canadians dominated the best animated short category during Tuesday’s Oscar nominations, with three of the five films done by homegrown talent, who all know of each other and joke that they’ll venture to the Los Angeles celebrations in Canuck attire.
“Two of them are from Toronto originally, as I am, so we can all go down wearing our Toronto Maple Leafs jerseys,” said Vancouver-based David Fine, who is nominated in the category along with Alison Snowden for “Animal Behaviour.”
“Or Toronto Raptors jerseys — I’m more of a basketball fan,” added director Trevor Jimenez, who got a nomination in the category for “Weekends” — on the same day he and his wife were celebrating their wedding anniversary.
Domee Shi is also nominated for best animated short, along with Becky Neiman-Cobb, for the Pixar production “Bao.” Shi is the first female director to helm a Pixar short film. The eight-minute “Bao” is the sweet story of an older Chinese woman in Toronto who gets another chance at motherhood when one of her steamed dumplings comes to life.
The category is rounded out by the Irish title “Late Afternoon” by Louise Bagnall and Nuria Gonzalez Blanco, and the Chinese/American production “One Small Step” by Andrew Chesworth and Bobby Pontillas.
Shi, who lives in California, said she woke up after the Oscar nominations because she’s “paranoid about this type of stuff” and was pleasantly surprised to see more than 20 text messages congratulating her.
Both she and Jimenez studied animation at Ontario’s Sheridan College and now work at the Pixar Animation Studios in Emeryville, Calif.
“We’re always really supportive of each other, because both of us are from Toronto,” said Shi, who was born in Chongqing, China and moved to Toronto when she was two.
“I always looked up to him, because he was four years ahead of me and his student film ‘Key Lime Pie’ was so impressive.
“I remember being a starry-eyed first year like, ‘Oh my gosh, Trevor’s film is so awesome. What if I get to work with him one day?’ So it’s really cool that we’re both nominated today for the same category.”
Jimenez watched the nominations on a live stream in Berkeley, Calif., sitting beside his wife while Skyping his mother.
“I was speechless after,” he said. “I just looked at my mom on Skype who was crying and then looked at my wife. Just a lot of love. One of the most incredible feelings I’ve had.”
“Weekends” is a touching, hand-drawn look at a young boy shuffling between the homes of his recently divorced parents in the 1980s. Like “Bao,” it features many Toronto landmarks, including the CN Tower.
Jimenez, who wrote and directed the 15-minute film, said the story is inspired by his own experiences with his parents’ split — spending weekdays with his mom in Hamilton and weekends with his dad in Toronto.
He devoted more than 10 years to the 2-D project, working with production designer Chris Sasaki, and shared every version with his mother to make sure she was comfortable with it.
“There’s a lot of emotional truth in there and I think that’s why it’s also emotional for me, that my mom was there watching the announcement with me,” said Jimenez, who has been a story artist for over a decade and has also worked at Disney Feature Animation.
“We’ve just been through a lot together … us being around each other all the time and the ups and downs, just her raising me. I was the only kid, so it was just us.”
Jimenez said he’s had email correspondence with Fine and Snowden, a husband-and-wife filmmaking team who won an Oscar in 1994 for best animated short for “Bob’s Birthday.”
“I actually emailed David and told him I that watched ‘Bob’s Birthday’ — I rented it from the library when I was, like, nine,” Jimenez said.
“It was the first time I saw animated nudity. I love that short. I love ‘Animal Behaviour,’ too.”
“Animal Behaviour” was produced at the National Film Board of Canada and gives a comedic look at a group therapy session that includes a leech with separation anxiety and a pig with an eating disorder.
The 14-minute film was made with digital, hand-drawn 2-D animation and was inspired by the idea that “animals have similar issues to people but they don’t get judged by it,” said Snowden.
It’s the fourth animated-short Oscar nomination for Fine and Snowden, who both write, direct and animate. Their first nomination was in 1986 for “Second Class Mail” and their second was in ’88 for “George and Rosemary.”
“Going to the event is incredible,” said Fine. “I remember the first time I was in the washroom at the urinal beside Bob Hope and that was pretty thrilling. I said, ‘Hi, Bob,’ and he went, ‘How ya doin’?'”
Snowden had a more nerve-racking experience at their first Oscars.
“I was terrified,” she said. “I broke out in a rash.”
Snowden and Fine met as students at Britain’s National Film & Television School, where they both graduated in 1984.
“Animal Behaviour” is the couple’s first animated short since they ventured into the TV world after “Bob’s Birthday.”
Watching their Oscar nomination come through on a live stream was a much different experience than last time around, when “a carrier pigeon” told them they were contenders, they joked.
“It was all done by landline and fax machine, so it is a different world,” said Fine.
Other Canadians up for hardware at the Feb. 24 Oscars include sound mixer Paul Massey for “Bohemian Rhapsody” and set decorator Gordon Sim for “Mary Poppins Returns.” The live action short film category also has two finalists from Montreal — Jeremy Comte for “Fauve” and Marianne Farley for “Marguerite.”
Victoria Ahearn, The Canadian Press
Alberta
Province adds $335 million over three years to attract more investment from Hollywood
Action! for Alberta’s film and television industry
Alberta’s screen-based sector has momentum, and Alberta’s government is helping to make the province a magnet for the job-creating film and television industry.
In 2020, Alberta’s government launched the Film and Television Tax Credit, causing the province’s film and television industry to grow in size and reputation. Since then, Alberta has attracted 129 productions with a total production value of $1.7 billion. This growth has resulted in approximately 9,000 direct and indirect jobs for Albertans.
To keep this momentum going, Alberta’s government continues to make changes to the program and increase investment in it. One year after the tax credit was launched, the cap was raised, resulting in a doubling of the province’s film and television sector. Now, Alberta’s government is increasing its investment to a total of $335 million over three years to continue attracting the attention and investment dollars of Hollywood.
“Alberta is experiencing exponential growth in our film and television sector, and we are well on our way to becoming a top Canadian jurisdiction for producers from around the world. Since the introduction of the Film and Television Tax Credit, the film and television sector in Alberta has doubled. Productions reach every part of Alberta – big cities, small towns and rural locations – and use local resources, businesses, accommodations and contractors, supporting thousands of jobs.”
As the province’s film and television industry grows, so does the quality and number of Alberta-made productions. To help grow and promote local talent and productions, Alberta’s government is also doubling the funding to the Alberta Made Screen Industries Program. This funding will support local producers and attract productions from around the world to set up shop in Alberta.
“Alberta-made film and television productions showcase Alberta’s unique culture, breathtaking landscapes and stories to audiences across the globe. We are increasing our support to smaller productions because they provide a unique Alberta-made training ground for emerging talent and create local, highly skilled workers in the sector.”
The Film and Television Tax Credit and Alberta Made Screen Industries Program work together to showcase the beauty and diversity of Alberta, create jobs, diversify the economy and support hospitality, service and tourism in the province. These targeted incentives to the film and television industries are helping to ensure Alberta remains the economic engine of Canada for years to come and the next film and television hub.
“The tax credit is central to the success of the industry. This is a competitive industry globally, and here in Alberta we’re fortunate we had the cap removed. Now we can see productions with budgets from $100,000 to well over $100 million. Now that we have a robust production environment, there are more opportunities for people to have well-paying creative jobs.”
“The Alberta government has provided supports for the film and television industry that provide certainty. It gives us more flexibility in how we’re moving forward in our film and television work and the way that we’re running our businesses.”
“Seeing the increase to the Alberta Made Production Grant in the last budget has been fantastic. It will help grow the local industry, which means so much to local performers because that’s where they build their resumés. It allows them to be a working performer, and not take side jobs or a day job somewhere else, and really focus on their craft.”
Quick facts
- According to Statistics Canada data:
- Every $1 million of production activity in the screen-based production sector creates about 13 Alberta jobs.
- Every $1 million of government investment under the Film and Television Tax Credit program is expected to support about 85 Alberta jobs.
- The film and television industry is experiencing significant growth nationally and globally.
- Every year, Alberta graduates more than 3,000 creative industry professionals from its post-secondary institutions.
- The production workforce has grown 71 per cent from 2017, or by about 4,000 workers across all positions.
- Alberta’s Film and Television Tax Credit supports medium- and large-scale productions with costs over $499,999 through a refundable tax credit on eligible Alberta production and labour costs to corporations that produce films, television series and other eligible screen-based productions.
- The Alberta Made Production Grant supports productions with a budget of up to $499,999.
- The Alberta Made Screen Industries Program, through the Alberta Made Production Grant, supports smaller productions that do not qualify for the tax credit, covering 25 per cent of eligible Alberta production costs to a maximum of $125,000.
- Every $1 investment in the Alberta Made Production Grant program generates an additional $4 in economic return.
Alberta
Edmonton to host “Road to the JUNOS Concert Series” leading up to Juno Awards week
From Explore Edmonton
Road to The JUNOS Concert Series Builds Excitement to JUNO Week.
Access and Diversity Key for Fans and Artists.
The JUNOS 2023 Host Committee is excited to announce an Edmonton-based concert series, titled Road to The JUNOS, as a lead-up to The 52nd Annual JUNO Awards Broadcast and JUNO Week from March 9-13.
The concert series will be set in small, intimate venues around Edmonton and feature local and regional artists who one day may end up on the JUNOS stage. Road to The JUNOS is a collaboration between the JUNOS 2023 Edmonton Host Committee, CBC Music and Explore Edmonton. It aims to provide excitement and create momentum leading into Canada’s biggest celebration of music.
The 10-show concert series will run from Monday, February 6 through Tuesday, February 28 at local venues in Edmonton. Of note, the artists playing these events come from a wide variety of backgrounds and genres and offer an opportunity to see some of Canada’s newest and most exciting talent. Fans can be a part of an intimate JUNOS concert with an affordable advance ticket price of only $10.
Road to The JUNOS is possible thanks in part to federal funding through PrairiesCan’s Tourism Relief Fund. This Fund is positioning Canada as a destination of choice for domestic and international travel. PrairiesCan administers the Fund in Alberta.
“Edmonton is a vibrant and dynamic cultural hub and our government’s support for Road to The JUNOS will bring that experience to visitors from across Canada and around the globe. Through the Tourism Relief Fund and our partnership with organizations such as Explore Edmonton, communities across Canada will capitalize on the jobs and economic activity generated through Edmonton’s growing tourism industry.”
– The Honourable Dan Vandal, Minister for PrairiesCan
“Road to The JUNOS is an important step in positioning Edmonton as an all-season destination and celebrating our community’s business and arts districts. I’m proud to see our government supporting Edmonton to build on its leadership in arts and culture while strengthening local tourism activity that benefits businesses in our city.”
– The Honourable Randy Boissonnault, Minister of Tourism and Associate Minister of Finance
“Road to The JUNOS is an exciting opportunity to grow Alberta’s music industry, showcasing local talent to visitors from all parts of Canada. The Alberta government is proud to support this series of concerts that features Alberta’s talent on stage as well as the venues, promoters and other music professionals.”
– The Honourable Jason Luan, Alberta Minister of Culture
“Canada has a long history of producing exceptionally talented musicians. The Road to The JUNOS concert series hopes to help give a platform to some of our up-and-coming artists and audiences a chance to say ‘we saw them when’.”
– Aimée Hill, co-chair, 2023 Host Committee
“Explore Edmonton is proud to support The JUNO Awards in March and we are delighted to be a part of this grassroots concert series. Promoting our local music venues, supporting talented Canadian musicians, and giving Edmontonians quality music experiences at an affordable price is such an important piece to the whole JUNOS experience. And we get to show off a little for the rest of Canada!”
– Traci Bednard, CEO of Explore Edmonton
The JUNOS Experience starts here. For more information and to buy tickets, visit: https://edmonton.junoawards.
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