National Entertainment
Effervescent ‘Hello, Dolly!’ icon Carol Channing mourned
NEW YORK — Carol Channing, the lanky, ebullient musical comedy star who delighted American audiences over 5,000 performances as the scheming Dolly Levi in “Hello, Dolly!” on Broadway and beyond, has died. She was 97.
Publicist B. Harlan Boll said Channing died of natural causes at 12:31 a.m. Tuesday in Rancho Mirage, California. Boll says she had twice suffered strokes in the last year.
Besides “Hello, Dolly!,” Channing starred in other Broadway shows, but none with equal magnetism. She often appeared on television and in nightclubs, for a time partnering with George Burns in Las Vegas and a national tour.
Her outsized personality seemed too much for the screen, and she made only a few movies, notably “The First Traveling Saleslady” with Ginger Rogers and “Thoroughly Modern Millie” with Julie Andrews.
Over the years, Channing continued as Dolly in national tours, the last in 1996, when she was in her 70s. Tom Shales of The Washington Post called her “the ninth wonder of the world.”
Messages of love and appreciation lit up Twitter early Tuesday, with the League of Professional Theatre Women saying Channing “was a gift of inspiration to so many.” Fans who saw her work also took to social media, calling her a “firecracker” and saying she was “matchmaking for the angels now.”
Veteran actress Bernadette Peters said Channing “was show business and love personified” and Margaret Cho said “you will forever be missed.” Viola Davis mourned: “You had a great run! Rest well.”
Channing was not the immediate choice to play Dolly, a matchmaker who receives her toughest challenge yet when a rich grump seeks a suitable wife. The show, which features a rousing score by Jerry Herman that’s bursting with joy and tunes like “Put On Your Sunday Clothes,” ”Before the Parade Passes By” and “It Only Takes a Moment,” is a musical version of Thornton Wilder’s play “The Matchmaker.”
Theater producer David Merrick told her: “I don’t want that silly grin with all those teeth that go back to your ears.” Even though director Gower Champion had worked on her first Broadway hit, “Lend an Ear,” he had doubts about Channing’s casting.
She wowed them in an audition and was hired on the spot. At opening night on Jan. 16, 1964, when Channing appeared at the top of the stairs in a red gown with feathers in her hair and walked down the red carpet to the Harmonia Gardens restaurant, the New York audience went crazy. The critics followed suit. “Hello, Dolly!” collected 10 Tony Awards, including one for Channing as best actress in a musical.
Channing was born Jan. 31, 1921, in Seattle, where her father, George Channing, was a newspaper editor. When his only child was 3 months old, he moved to San Francisco and worked as a writer for The Christian Science Monitor and as a lecturer. He later became editor-in-chief of Christian Science publications.
At the age of 7, Channing decided she wanted to become an entertainer. She credited her father with encouraging her: “He told me you can dedicate your life at 7 or 97. And the people who do that are happier people.”
While majoring in drama and dance at Bennington College in Vermont, she was sent off to get experience in her chosen field. She found a job in a New York revue. The show lasted only two weeks, but a New Yorker magazine critic commented, “You will hear more about a satiric chanteuse named Carol Channing.” She said later: “That was it. I said goodbye to trigonometry, zoology and English literature.”
For several years she worked as an understudy, bit player and nightclub impressionist, taking jobs as a model, receptionist and sales clerk during lean times. Landing in Los Angeles, she auditioned for Marge Champion, wife and dance partner of Gower Champion who was putting together a revue, “Lend an Ear.” Marge Champion recalled: “She certainly was awkward and odd-looking, but her warmth and wholesomeness came through.”
Channing was the hit of “Lend an Ear” in a small Hollywood
Over and over again she returned to the surefire “Hello, Dolly!,” which earned her $5 million on one tour. She considered Dolly Levi “a role as deep as Lady Macbeth,” but added that “the essence of her character was her unquenchable thirst for life.” That description fit Carol Channing, who attributed her sunny optimism to her lifelong faith in Christian Science.
Others who have played the role include Pearl Bailey, Phyllis Diller, Betty Grable, Ethel Merman, Martha Raye, Ginger Rogers and Barbra Streisand, who played Dolly in a 1969 film version directed by Gene Kelly. Bette Midler won a Tony Award in the role in 2017 and a current national tour stars Betty Buckley.
The tour of “Hello, Dolly!” said Tuesday it would
Channing had two early marriages that ended in divorce — to novelist Theodore Naidish and pro footballer Alexander Carson, father of her only child, Channing. Her son became a successful political cartoonist.
In 1956 she married a television producer, Charles Lowe, who seemed like the perfect mate for a major star. He adopted Channing’s son and supervised every aspect of her business affairs and appearances. He reportedly viewed every one of her performances from out front, leading the applause.
After 41 years of marriage, she sued for divorce in 1998, alleging that he misappropriated her funds and humiliated her in public. She remarked that they only had sex twice in four decades.
“The only thing about control freak victims is that they don’t know who they are,” she told The Washington Post. “It’s taken me 77 years to figure that out. I was miserable. I was unhappy. And I didn’t realize it wasn’t my fault. But I’m going to survive. I’m going to live. I’m free.”
Lowe died after a stroke in 1999. Channing moved to Rancho Mirage near Palm Springs, California, in 2000 to write her memoirs. She called the book “Just Lucky, I Guess.”
Channing remarried in 2003 to Harry Kullijian, her childhood sweetheart from 70 years before. He died in 2011.
In her book, Channing recounted an early story from her childhood that showed a budding audience-pleasing performer. She wrote that she came home from kindergarten and noted that all the little girls hit the little boys.
Her parents asked: “Do you?”
She responded: “Oh no, I pet them.”
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Associated Press writer Shawn Marsh in Trenton, New Jersey, contributed to this report.
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Follow Mark Kennedy on Twitter at http://twitter.com/KennedyTwits
Mark Kennedy, The Associated Press
Alberta
Province adds $335 million over three years to attract more investment from Hollywood
Action! for Alberta’s film and television industry
Alberta’s screen-based sector has momentum, and Alberta’s government is helping to make the province a magnet for the job-creating film and television industry.
In 2020, Alberta’s government launched the Film and Television Tax Credit, causing the province’s film and television industry to grow in size and reputation. Since then, Alberta has attracted 129 productions with a total production value of $1.7 billion. This growth has resulted in approximately 9,000 direct and indirect jobs for Albertans.
To keep this momentum going, Alberta’s government continues to make changes to the program and increase investment in it. One year after the tax credit was launched, the cap was raised, resulting in a doubling of the province’s film and television sector. Now, Alberta’s government is increasing its investment to a total of $335 million over three years to continue attracting the attention and investment dollars of Hollywood.
“Alberta is experiencing exponential growth in our film and television sector, and we are well on our way to becoming a top Canadian jurisdiction for producers from around the world. Since the introduction of the Film and Television Tax Credit, the film and television sector in Alberta has doubled. Productions reach every part of Alberta – big cities, small towns and rural locations – and use local resources, businesses, accommodations and contractors, supporting thousands of jobs.”
As the province’s film and television industry grows, so does the quality and number of Alberta-made productions. To help grow and promote local talent and productions, Alberta’s government is also doubling the funding to the Alberta Made Screen Industries Program. This funding will support local producers and attract productions from around the world to set up shop in Alberta.
“Alberta-made film and television productions showcase Alberta’s unique culture, breathtaking landscapes and stories to audiences across the globe. We are increasing our support to smaller productions because they provide a unique Alberta-made training ground for emerging talent and create local, highly skilled workers in the sector.”
The Film and Television Tax Credit and Alberta Made Screen Industries Program work together to showcase the beauty and diversity of Alberta, create jobs, diversify the economy and support hospitality, service and tourism in the province. These targeted incentives to the film and television industries are helping to ensure Alberta remains the economic engine of Canada for years to come and the next film and television hub.
“The tax credit is central to the success of the industry. This is a competitive industry globally, and here in Alberta we’re fortunate we had the cap removed. Now we can see productions with budgets from $100,000 to well over $100 million. Now that we have a robust production environment, there are more opportunities for people to have well-paying creative jobs.”
“The Alberta government has provided supports for the film and television industry that provide certainty. It gives us more flexibility in how we’re moving forward in our film and television work and the way that we’re running our businesses.”
“Seeing the increase to the Alberta Made Production Grant in the last budget has been fantastic. It will help grow the local industry, which means so much to local performers because that’s where they build their resumés. It allows them to be a working performer, and not take side jobs or a day job somewhere else, and really focus on their craft.”
Quick facts
- According to Statistics Canada data:
- Every $1 million of production activity in the screen-based production sector creates about 13 Alberta jobs.
- Every $1 million of government investment under the Film and Television Tax Credit program is expected to support about 85 Alberta jobs.
- The film and television industry is experiencing significant growth nationally and globally.
- Every year, Alberta graduates more than 3,000 creative industry professionals from its post-secondary institutions.
- The production workforce has grown 71 per cent from 2017, or by about 4,000 workers across all positions.
- Alberta’s Film and Television Tax Credit supports medium- and large-scale productions with costs over $499,999 through a refundable tax credit on eligible Alberta production and labour costs to corporations that produce films, television series and other eligible screen-based productions.
- The Alberta Made Production Grant supports productions with a budget of up to $499,999.
- The Alberta Made Screen Industries Program, through the Alberta Made Production Grant, supports smaller productions that do not qualify for the tax credit, covering 25 per cent of eligible Alberta production costs to a maximum of $125,000.
- Every $1 investment in the Alberta Made Production Grant program generates an additional $4 in economic return.
Alberta
Edmonton to host “Road to the JUNOS Concert Series” leading up to Juno Awards week
From Explore Edmonton
Road to The JUNOS Concert Series Builds Excitement to JUNO Week.
Access and Diversity Key for Fans and Artists.
The JUNOS 2023 Host Committee is excited to announce an Edmonton-based concert series, titled Road to The JUNOS, as a lead-up to The 52nd Annual JUNO Awards Broadcast and JUNO Week from March 9-13.
The concert series will be set in small, intimate venues around Edmonton and feature local and regional artists who one day may end up on the JUNOS stage. Road to The JUNOS is a collaboration between the JUNOS 2023 Edmonton Host Committee, CBC Music and Explore Edmonton. It aims to provide excitement and create momentum leading into Canada’s biggest celebration of music.
The 10-show concert series will run from Monday, February 6 through Tuesday, February 28 at local venues in Edmonton. Of note, the artists playing these events come from a wide variety of backgrounds and genres and offer an opportunity to see some of Canada’s newest and most exciting talent. Fans can be a part of an intimate JUNOS concert with an affordable advance ticket price of only $10.
Road to The JUNOS is possible thanks in part to federal funding through PrairiesCan’s Tourism Relief Fund. This Fund is positioning Canada as a destination of choice for domestic and international travel. PrairiesCan administers the Fund in Alberta.
“Edmonton is a vibrant and dynamic cultural hub and our government’s support for Road to The JUNOS will bring that experience to visitors from across Canada and around the globe. Through the Tourism Relief Fund and our partnership with organizations such as Explore Edmonton, communities across Canada will capitalize on the jobs and economic activity generated through Edmonton’s growing tourism industry.”
– The Honourable Dan Vandal, Minister for PrairiesCan
“Road to The JUNOS is an important step in positioning Edmonton as an all-season destination and celebrating our community’s business and arts districts. I’m proud to see our government supporting Edmonton to build on its leadership in arts and culture while strengthening local tourism activity that benefits businesses in our city.”
– The Honourable Randy Boissonnault, Minister of Tourism and Associate Minister of Finance
“Road to The JUNOS is an exciting opportunity to grow Alberta’s music industry, showcasing local talent to visitors from all parts of Canada. The Alberta government is proud to support this series of concerts that features Alberta’s talent on stage as well as the venues, promoters and other music professionals.”
– The Honourable Jason Luan, Alberta Minister of Culture
“Canada has a long history of producing exceptionally talented musicians. The Road to The JUNOS concert series hopes to help give a platform to some of our up-and-coming artists and audiences a chance to say ‘we saw them when’.”
– Aimée Hill, co-chair, 2023 Host Committee
“Explore Edmonton is proud to support The JUNO Awards in March and we are delighted to be a part of this grassroots concert series. Promoting our local music venues, supporting talented Canadian musicians, and giving Edmontonians quality music experiences at an affordable price is such an important piece to the whole JUNOS experience. And we get to show off a little for the rest of Canada!”
– Traci Bednard, CEO of Explore Edmonton
The JUNOS Experience starts here. For more information and to buy tickets, visit: https://edmonton.junoawards.
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