Alberta
Alberta’s 2022 Lt. Governor Emerging Artists Named
Alberta’s 2022 Lt. Governor Emerging Artists Named
The Lieutenant Governor of Alberta Arts Awards Foundation announces awards totaling $110,000 to the 11 recipients of its 2022 Emerging Artist Award.
“When economic times are tough, our artists are particularly vulnerable,” says Foundation Chair, Arlene Strom. “We are thrilled to invest $110,000 this year in advancing the careers of these outstanding artists at the early stages of their professional development.”
2022 Emerging Artist Recipients:
Perpetual Atife Saxophone, Calgary
Vicki Chau Filmmaker, Calgary
Arlan Vriens Violin, Edmonton; Toronto
Eden Tremayne Soprano, Calgary
Omar Mouallem Writer, Edmonton
Trina Moyles Writer, Peace River
Kiona Ligtvoet Visual Arts, Edmonton
Tenaj Williams Actor, Calgary
Ally McIntyre Visual Arts, Edmonton
Moni Brar Writer/Poet, Calgary
Nahanni McKay Visual Arts, Banff
The Award’s patron, Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta AOE, B.Sc., LLD (hon) awarded the 2022 Emerging Artists at a celebration hosted by the County of Lac La Biche and Portage College on June 10, 2022. Each awardee receives a $10,000 cash award, a handcrafted medal and a certificate.
The 11 recipients were selected from 140 applications in an adjudication process overseen by The Banff Centre. The adjudication panel included: Darren Fung, renowned composer based out of Los Angeles, originally from Edmonton; Sean Caulfield, artist and Centennial Professor in the Department of Art & Design at the University of Alberta; Patricia Darbasie, Alberta actor, director and educator; Jenna Butler, 2014 LG Emerging Artist, award-winning author and educator; Derek Beaulieu, Jury Facilitator, Director of Literary Arts at the Banff Centre.
For more information on the awardees visit artsawards.ca
Who are the 2022 Emerging Artists?
Perpetual Atife Saxophonist, Calgary: Perpetual Atife is retelling African stories and music through her practice as a jazz saxophonist and songwriter. Her entrepreneurial spirit and energy are as impressive as her skills as a band leader and performer. The aural tapestry she creates combines her Nigerian roots and the realities she exists in today. Her debut album, a collection of her journey through instrumental music, spoken word and vocal music, is due to be released in the Fall of 2022.
Vicki Chau Filmmaker, Calgary: Vicki Chau is a filmmaker and media artist based in Calgary. Her two short films Pulled Strings and Hearth of the Lion capture a slice of her Chinese-Vietnamese heritage in a beautiful lyrical way. Her family and cultural identity have been a core inspiration in her artistic practice and help her to promote the appreciation of both Chinese and Vietnamese culture through a uniquely Canadian perspective. She was selected for the WarnerMedia Access Festivals Program at Toronto’s Reelworld Film Festival in 2021.
Arlan Vriens, Violin, Edmonton/Toronto: Arlan Vriens is an Edmonton-born classical violinist noted for his ability to evoke strong, emotional performances with difficult, contemporary repertoire that pushes the boundaries of what the instrument was designed to do. Equally at home performing newly-written contemporary works or rediscovering long-lost violin techniques, Arlan is committed to nurturing and critiquing classical music as a living, evolving practice. His chamber music and solo violin projects have been supported by the Canada Council for the Arts and the arts councils of Alberta, Ontario, and Newfoundland.
Eden Tremayne Soprano, Calgary: Eden Tremayne delivers an authenticity and emotional strength that is impressive to see in an emerging opera singer. A soprano with both a strong technical facility and range, she is noted for her stirring performances. For the past three seasons, Ms. Tremayne has been a McPhee Artist with Calgary Opera. She had her Calgary Opera mainstage debut In the 2019-2020 season as Clotilde in Bellini’s Norma and covered Musetta in Puccini’s La bohème. Tremayne was previously featured as an Apprentice Artist with the San Diego Opera and a Yulanda M. Faris Young Artist with Vancouver Opera.
Omar Mouallem Writer, Edmonton: Omar Mouallem has established himself as a talented young journalist and filmmaker to watch. With the arrival of his important new book of non-fiction, Praying to the West: How Muslims Shaped the Americas, he’s an important voice in Canadian literature with a long career ahead. A second-generation Canadian born and raised in Northern Alberta’s Muslim Lebanese community, Mouallem has become known for his ability to intertwine human interest stories with world history and broad social issues. Omar co-authored the national bestseller Inside the Inferno: A Firefighter’s Story of the Brotherhood that Saved Fort McMurray and co-directed Digging in the Dirt (with Dylan Rhys Howard), a raw look at the psychological toll of oil and gas labour.
Trina Moyles Writer, Peace River: Trina Moyles blends journalistic knowledge with literary expertise and a love for the land. She grew up in the northern community of Peace River, Alberta (Treaty 8), where she spent much of her childhood immersed in the boreal forest. Moyles’s first book, Women Who Dig: Farming, Feminism, and the Fight to Feed the World was published in 2018 by the University of Regina Press. Her second book, a memoir and frontline reportage on the increasing prevalence of wildfire in North America, Lookout: Love, Solitude, and Searching for Wildfire in the Boreal Forest, was published in 2021 by Penguin Random House Canada. Lookout won a National Outdoors Book Award in 2021 and has recently been nominated as a finalist for the 2022 Robert Kroetsch City of Edmonton Book Prize and a finalist for the Memoir Award at the 2022 Alberta Literary Awards.
Kiona Ligtvoet Visual Arts, Edmonton: Kiona Ligtvoet looks to experiences with family and the land they live and work on to create paintings, prints and installations that function as both a personal archive, as well as non-linear storytelling. Kiona grew up west of Edmonton near the hamlet of Calahoo where she lived with her moshom and relatives on scrip land. Her family lines are Cree and Métis descending from Michel First Nation, as well as Dutch/ mixed European. Kiona works in painting, printmaking and drawing, recollecting personal stories of grief and tenderness. Most recent exhibitions have been sahkitok mistahi at Ociciwan Contemporary Art Centre (2021), and her solo show, These Are the Things at Latitude 53 (2021). She is currently writing her debut graphic novel We Were Younger Once (2022).
Tenaj Williams Actor, Calgary: Tenaj Williams has built on his community theatre experiences to create a provincial and national footprint as an actor, professionally performing on stages in Alberta and across the country. He has recently branched out into film and television landing roles on various TV series, most prominently the hit CTV comedy show, JANN. Tenaj hopes to further advance his work in the arts and be instrumental in helping to create and foster safe, and brave spaces for diverse and emerging artists. He plans to develop his skills as a director and learn more about theatre production and management.
Ally McIntyre Visual Arts, Edmonton: Ally McIntyre creates bold, powerful paintings that combine passages of abstraction with naturalistic imagery, and which contain moments of aggressive and expressive mark-making, alongside more introspective, sensitive passages of drawing. This blending of visual languages results in highly compelling imagery that fosters unexpected narratives and poetic associations for viewers. Bold and assertive, her works question the prevailing gendered association of large-scale art and expressionism. In 2015, McIntyre was awarded the HIX Award 2015 presented by Tracey Emin and the Jealous Prize 2015. Exhibits include various galleries in London, UK, The Original Print Fair at the Royal Academy, The London Art Fair, Start Art Fair and Art Toronto. She was a finalist in the RBC national painting competition (2018). Her solo exhibition ‘Dog Day Circus’ was featured at the Saatchi Gallery in London, UK (2022). Her work can be found in private collections in Australia, Asia, Europe, and North America.
Moni Brar Writer/Poet, Calgary: Moni Brar has published in many of the most respected journals in Canada and received a number of the top writing awards. A Punjabi Canadian writer exploring diasporan guilt and intergenerational trauma, she is poised to make major contributions to the literary arts in Canada. She has been nominated for the Pushcart Prize and multiple Best of the Net awards and was the winner of the SAAG Arts Writing Prize, runner-up in PRISM international’s Grouse Grind Prize, honourable mention in Room magazine’s Poetry Prize, and a finalist in the Alberta Magazine Awards and the Subnivean Awards. Her work can be found in Best Canadian Poetry 2022, the Literary Review of Canada, Passages North, Prairie Fire, Hobart, and the League of Canadian Poets’ “Poem in Your Pocket” postcard series.
Nahanni McKay Visual Arts, Banff: McKay’s creative practice utilizes photography, digital media, as well as performances in the landscape to explore pressing questions related to environmental change. The work often considers the ways landscape and animals have been depicted historically, particularly in the context of national parks, in order to investigate the complex interrelationship between colonial power structures, identity and ecological degradation and loss. Nahanni uses her photography to bring awareness of the need to coexist with wildlife to prevent further harm to the land we reside on. Exhibits include Personal Structures Exhibition, European Cultural Centre, Venice, Italy (2022), Loop 14, Alberta Foundation for the Arts Travelling Exhibition (2020), EXPOSURE Photography Festival Emerging Artists Showcase, Contemporary Calgary and more.
About The Awards
Founders Fil Fraser, Tommy Banks, John Poole and Jenny Belzberg established the Lieutenant Governor of Alberta Arts Awards Foundation in 2003 to celebrate and promote excellence in the arts. The endowments they established were created with philanthropic dollars and gifts from the Province of Alberta and the Government of Canada. Since its inception in 2003, the Foundation has awarded $1,430,000 to 23 Distinguished Artists and 74 Emerging Artists, all Alberta affiliated. The Foundation administers two awards programs: The Emerging Artist Awards program, established in 2008, gives up to 10 awards of $10,000 each to support and encourage promising artists early in their professional careers. Emerging Artist Awards are given out in even years. The Distinguished Artist Awards program, begun in 2005, gives up to three awards of $30,000 each in recognition of outstanding achievement in, or contribution to, the arts in Alberta. Distinguished Artist Awards are given in odd years.
Alberta
Free Alberta Strategy trying to force Trudeau to release the pension calculation
Just over a year ago, Alberta Finance Minister Nate Horner unveiled a report exploring the potential risks and benefits of an Alberta Pension Plan.
The report, prepared by pension analytics firm LifeWorks – formerly known as Morneau Shepell, the same firm once headed by former federal Finance Minister Bill Morneau – used the exit formula outlined in the Canada Pension Plan Act to determine that if the province exits, it would be entitled to a large share of CPP assets.
According to LifeWorks, Alberta’s younger, predominantly working-class population, combined with higher-than-average income levels, has resulted in the province contributing disproportionately to the CPP.
The analysis pegged Alberta’s share of the CPP account at $334 billion – 53% of the CPP’s total asset pool.
We’ve explained a few times how, while that number might initially sound farfetched, once you understand that Alberta has contributed more than it’s taken out, almost every single year CPP has existed, while other provinces have consistently taken out more than they put in and technically *owe* money, it starts to make more sense.
But, predictably, the usual suspects were outraged.
Media commentators and policy analysts across the country were quick to dismiss the possibility that Alberta could claim such a significant portion. To them, the idea that Alberta workers had been subsidizing the CPP for decades seemed unthinkable.
The uproar prompted an emergency meeting of Canada’s Finance Ministers, led by now-former federal Finance Minister Chrystia Freeland. Alberta pressed for clarity, with Horner requesting a definitive number from the federal government.
Freeland agreed to have the federal Chief Actuary provide an official calculation.
If you think Trudeau should release the pension calculation, click here.
Four months later, the Chief Actuary announced the formation of a panel to “interpret” the CPP’s asset transfer formula – a formula that remains contentious and could drastically impact Alberta’s entitlement.
(Readers will remember that how this formula is interpreted has been the matter of much debate, and could have a significant impact on the amount Alberta is entitled to.)
Once the panel completed its work, the Chief Actuary promised to deliver Alberta’s calculated share by the fall. With December 20th marking the last day of fall, Alberta has finally received a response – but not the one it was waiting for:
“We received their interpretation of the legislation, but it did not contain a number or even a formula for calculating a number,” said Justin Brattinga, Horner’s press secretary.
In other words, the Chief Actuary did the complete opposite of what they were supposed to do.
The Chief Actuary’s job is to calculate each province’s entitlement, based on the formula outlined in the CPP Act.
It is not the Chief Actuary’s job to start making up new interpretations of the formula to suit the federal government’s agenda.
In fact, the idea that the Chief Actuary spent all this time working on the issue, and didn’t even calculate a number is preposterous.
There’s just no way that that’s what happened.
Far more likely is that the Chief Actuary did run the numbers, using the formula in the CPP Act, only for them – and the federal government – to realize that Alberta’s LifeWorks calculation is actually about right.
Cue panic, a rushed attempt to “reinterpret” the formula, and a refusal to provide the number they committed to providing.
In short, we simply don’t believe that the Chief Actuary didn’t, you know, “actuarialize” anything.
For decades, Alberta has contributed disproportionately to the CPP, given its higher incomes and younger population.
Despite all the bluster in the media, this is actually common sense.
A calculation reflecting this reality would not sit well with other provinces, which have benefited from these contributions.
By withholding the actual number, Ottawa confirms the validity of Alberta’s position.
The refusal to release the calculation only adds fuel to the financial firestorm already underway in Ottawa.
Albertans deserve to know the truth about their contributions and entitlements.
We want to see that number.
If you agree, and want to see the federal government’s calculation on what Alberta is owed, sign our petition – Tell Trudeau To Release The Pension Calculation:
Once you’ve signed, send this petition to your friends, family, and all Albertans.
Thank you for your support!
Regards,
The Free Alberta Strategy Team
Alberta
Ford and Trudeau are playing checkers. Trump and Smith are playing chess
By Dan McTeague
Ford’s calls for national unity – “We need to stand united as Canadians!” – in context feels like an endorsement of fellow Electric Vehicle fanatic Trudeau. And you do wonder if that issue has something to do with it. After all, the two have worked together to pump billions in taxpayer dollars into the EV industry.
There’s no doubt about it: Donald Trump’s threat of a blanket 25% tariff on Canadian goods (to be established if the Canadian government fails to take sufficient action to combat drug trafficking and illegal crossings over our southern border) would be catastrophic for our nation’s economy. More than $3 billion in goods move between the U.S. and Canada on a daily basis. If enacted, the Trump tariff would likely result in a full-blown recession.
It falls upon Canada’s leaders to prevent that from happening. That’s why Justin Trudeau flew to Florida two weeks ago to point out to the president-elect that the trade relationship between our countries is mutually beneficial.
This is true, but Trudeau isn’t the best person to make that case to Trump, since he has been trashing the once and future president, and his supporters, both in public and private, for years. He did so again at an appearance just the other day, in which he implied that American voters were sexist for once again failing to elect the nation’s first female president, and said that Trump’s election amounted to an assault on women’s rights.
Consequently, the meeting with Trump didn’t go well.
But Trudeau isn’t Canada’s only politician, and in recent days we’ve seen some contrasting approaches to this serious matter from our provincial leaders.
First up was Doug Ford, who followed up a phone call with Trudeau earlier this week by saying that Canadians have to prepare for a trade war. “Folks, this is coming, it’s not ‘if,’ it is — it’s coming… and we need to be prepared.”
Ford said that he’s working with Liberal Finance Minister Chrystia Freeland to put together a retaliatory tariff list. Spokesmen for his government floated the idea of banning the LCBO from buying American alcohol, and restricting the export of critical minerals needed for electric vehicle batteries (I’m sure Trump is terrified about that last one).
But Ford’s most dramatic threat was his announcement that Ontario is prepared to shut down energy exports to the U.S., specifically to Michigan, New York, Wisconsin, and Minnesota, if Trump follows through with his plan. “We’re sending a message to the U.S. You come and attack Ontario, you attack the livelihoods of Ontario and Canadians, we’re going to use every tool in our toolbox to defend Ontarians and Canadians across the border,” Ford said.
Now, unfortunately, all of this chest-thumping rings hollow. Ontario does almost $500 billion per year in trade with the U.S., and the province’s supply chains are highly integrated with America’s. The idea of just cutting off the power, as if you could just flip a switch, is actually impossible. It’s a bluff, and Trump has already called him on it. When told about Ford’s threat by a reporter this week, Trump replied “That’s okay if he does that. That’s fine.”
And Ford’s calls for national unity – “We need to stand united as Canadians!” – in context feels like an endorsement of fellow Electric Vehicle fanatic Trudeau. And you do wonder if that issue has something to do with it. After all, the two have worked together to pump billions in taxpayer dollars into the EV industry. Just over the past year Ford and Trudeau have been seen side by side announcing their $5 billion commitment to Honda, or their $28.2 billion in subsidies for new Stellantis and Volkswagen electric vehicle battery plants.
Their assumption was that the U.S. would be a major market for Canadian EVs. Remember that “vehicles are the second largest Canadian export by value, at $51 billion in 2023 of which 93% was exported to the U.S.,”according to the Canadian Vehicle Manufacturers Association, and “Auto is Ontario’s top export at 28.9% of all exports (2023).”
But Trump ran on abolishing the Biden administration’s de facto EV mandate. Now that he’s back in the White House, the market for those EVs that Trudeau and Ford invested in so heavily is going to be much softer. Perhaps they’d like to be able to blame Trump’s tariffs for the coming downturn rather than their own misjudgment.
In any event, Ford’s tactic stands in stark contrast to the response from Alberta, Canada’s true energy superpower. Premier Danielle Smith made it clear that her province “will not support cutting off our Alberta energy exports to the U.S., nor will we support a tariff war with our largest trading partner and closest ally.”
Smith spoke about this topic at length at an event announcing a new $29-million border patrol team charged with combatting drug trafficking, at which said that Trudeau’s criticisms of the president-elect were, “not helpful.” Her deputy premier Mike Ellis was quoted as saying, “The concerns that president-elect Trump has expressed regarding fentanyl are, quite frankly, the same concerns that I and the premier have had.” Smith and Ellis also criticized Ottawa’s progressively lenient approach to drug crimes.
(For what it’s worth, a recent Léger poll found that “Just 29 per cent of [Canadians] believe Trump’s concerns about illegal immigration and drug trafficking from Canada to the U.S. are unwarranted.” Perhaps that’s why some recent polls have found that Trudeau is currently less popular in Canada than Trump at the moment.)
Smith said that Trudeau’s criticisms of the president-elect were, “not helpful.” And on X/Twitter she said, “Now is the time to… reach out to our friends and allies in the U.S. to remind them just how much Americans and Canadians mutually benefit from our trade relationship – and what we can do to grow that partnership further,” adding, “Tariffs just hurt Americans and Canadians on both sides of the border. Let’s make sure they don’t happen.”
This is exactly the right approach. Smith knows there is a lot at stake in this fight, and is not willing to step into the ring in a fight that Canada simply can’t win, and will cause a great deal of hardship for all involved along the way.
While Trudeau indulges in virtue signaling and Ford in sabre rattling, Danielle Smith is engaging in true statesmanship. That’s something that is in short supply in our country these days.
As I’ve written before, Trump is playing chess while Justin Trudeau and Doug Ford are playing checkers. They should take note of Smith’s strategy. Honey will attract more than vinegar, and if the long history of our two countries tell us anything, it’s that diplomacy is more effective than idle threats.
Dan McTeague is President of Canadians for Affordable Energy.
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