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Censorship Industrial Complex

NPR senior editor admits extreme bias in Russia collusion, Hunter Biden laptop, COVID coverage

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From LifeSiteNews

By Doug Mainwaring

‘There’s an unspoken consensus about the stories we should pursue and how they should be framed. … one story after another about instances of supposed racism, transphobia, signs of the climate apocalypse, Israel doing something bad, and the dire threat of Republican policies … ’

A longtime senior editor at National Public Radio (NPR) published a blistering critique of the government-funded “news” outlet’s extreme liberal bias, citing how NPR willfully “turned a blind eye” to the truth concerning alleged Russian collusion with the Trump campaign, Hunter Biden’s laptop, and the origin of COVID-19.

The Free Press’ explosive 3,500-word op-ed “I’ve Been at NPR for 25 Years. Here’s How We Lost America’s Trust.” by Uri Berliner confirms what many heartland Americans have known for decades: “An open-minded spirit no longer exists within NPR, and now, predictably, we don’t have an audience that reflects America.”

“Our news audience doesn’t come close to reflecting America,” wrote Berliner, who has worked at NPR for 25 years. “It’s overwhelmingly white and progressive, and clustered around coastal cities and college towns.”

Berliner paints a picture of an organization driven by DEI (Diversity, Equity, and Inclusion) that almost always “defaulted to ideological story lines,” and is damaged by “the absence of viewpoint diversity.”

“I looked at voter registration for our newsroom. In D.C., where NPR is headquartered and many of us live, I found 87 registered Democrats working in editorial positions and zero Republicans,” Berliner wrote. “None.”

When he presented his findings at an all-hands editorial staff meeting, suggesting “we had a diversity problem with a score of 87 Democrats and zero Republicans, the response wasn’t hostile. It was worse. It was met with profound indifference.”

Berliner draws attention to three enormous examples of NPR’s blindness regarding enormously important stories, a blindness that likely produced real-world consequences concerning the two most recent U.S. presidential elections and COVID-19 policies.

Russia collusion hoax

“Persistent rumors that the Trump campaign colluded with Russia over the election became the catnip that drove reporting,” Berliner said. “At NPR, we hitched our wagon to Trump’s most visible antagonist, Representative Adam Schiff.”

“But when the Mueller report found no credible evidence of collusion, NPR’s coverage was notably sparse,” Berliner confessed. “Russiagate quietly faded from our programming.”

“It is one thing to swing and miss on a major story,” Berliner allowed. “What’s worse is to pretend it never happened, to move on with no mea culpas, no self-reflection. Especially when you expect high standards of transparency from public figures and institutions but don’t practice those standards yourself. That’s what shatters trust and engenders cynicism about the media.”

Hunter Biden’s laptop ignored ‘because it could help Trump’

After the New York Post published a shocking report about the contents of Hunter Biden’s laptop just weeks before the 2020 election, “NPR turned a blind eye.”

NPR’s managing editor dismissed the important story, saying “we don’t want to waste the listeners’ and readers’ time on stories that are just pure distractions.”

“But it wasn’t a pure distraction, or a product of Russian disinformation, as dozens of former and current intelligence officials suggested,” Berliner wrote. “The laptop did belong to Hunter Biden. Its contents revealed his connection to the corrupt world of multimillion-dollar influence peddling and its possible implications for his father.”

“The laptop was newsworthy. But the timeless journalistic instinct of following a hot story lead was being squelched,” he continued. “During a meeting with colleagues, I listened as one of NPR’s best and most fair-minded journalists said it was good we weren’t following the laptop story because it could help Trump.”

NPR’s COVID-19 pandemic coverage ‘defaulted to ideological story lines’

Berliner described how NPR’s COVID-19 coverage fervently embraced a one-sided political narrative, promoting the notion that the virus came from a wild animal market in Wuhan while totally disregarding the possibility that it might have escaped from a Wuhan lab.

“The lab leak theory came in for rough treatment almost immediately, dismissed as racist or a right-wing conspiracy theory,” Berliner said. “Anthony Fauci and former NIH head Francis Collins, representing the public health establishment, were its most notable critics. And that was enough for NPR. We became fervent members of Team Natural Origin, even declaring that the lab leak had been debunked by scientists.

“Reporting on a possible lab leak soon became radioactive,” Berliner said. “But the lab leak hypothesis wouldn’t die.

“Over the course of the pandemic, a number of investigative journalists made compelling, if not conclusive, cases for the lab leak. But at NPR, we weren’t about to swivel or even tiptoe away from the insistence with which we backed the natural origin story,” Berliner wrote. “We didn’t budge when the Energy Department — the federal agency with the most expertise about laboratories and biological research — concluded, albeit with low confidence, that a lab leak was the most likely explanation for the emergence of the virus.”

“Instead, we introduced our coverage of that development on February 28, 2023, by asserting confidently that ‘the scientific evidence overwhelmingly points to a natural origin for the virus.’”

In all three cases, “politics were blotting out the curiosity and independence that ought to have been driving our work.”

DEI now trumps journalistic principles at NPR

“To truly understand how independent journalism suffered at NPR, you need to step inside the organization,” explained Berliner, who emphasized that the most damaging development at NPR over the last few years has been the absence of viewpoint diversity.

DEI considerations trumped journalistic principles. “Identity” groups within the organization — including Transgender People in Technology Throughout Public Media and NPR Pride (LGBTQIA employees at NPR) are now “given a seat at the table in determining the terms and vocabulary of our news coverage.”

“There’s an unspoken consensus about the stories we should pursue and how they should be framed. It’s frictionless — one story after another about instances of supposed racism, transphobia, signs of the climate apocalypse, Israel doing something bad, and the dire threat of Republican policies,” Berliner said. “It’s almost like an assembly line.”

Berliner concluded:

With declining ratings, sorry levels of trust, and an audience that has become less diverse over time, the trajectory for NPR is not promising. Two paths seem clear. We can keep doing what we’re doing, hoping it will all work out. Or we could start over, with the basic building blocks of journalism. We could face up to where we’ve gone wrong. News organizations don’t go in for that kind of reckoning. But there’s a good reason for NPR to be the first: we’re the ones with the word public in our name.

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Censorship Industrial Complex

UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’

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From LifeSiteNews

By Tim Hinchliffe

UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.

UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.

Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”

And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:

The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets

“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.

To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:

  • 68 percent were nano-influencers – those with 1,000 to 10,000 followers
  • 25 percent were micro-influencers – those with 10,000 to 100,000 followers
  • 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
  • 6 percent were mega-influencers – those with over 1,000,000 followers

Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).

Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.

In addition to the survey and the online course called Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”

This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.

 

Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024

How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?

This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.

And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.

Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.

Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.

The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:

The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”

When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:

One of the biggest ethical questions is knowing from where content creators derive their income.

 

At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.

In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.

Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:

Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.

In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.

Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”

Reprinted with permission from The Sociable.

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TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally

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TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.

In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”

Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons.

TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however.

Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done.

In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.”

And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates.

More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus.

This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada.

And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites.

Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.”

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