Censorship Industrial Complex
Newly Released Documents Reveal Big Tech Limited Millions of Posts During EU Elections
From Reclaim The Net
Ah, elections—the pinnacle of democracy where the common folk cast their ballots and, ideally, choose their fate. But hold onto your hats, because behind the grandeur of the European Parliament elections this year lurked a very different sort of governance, one executed not in the open streets but in algorithmic backrooms. Welcome to the Age of Censorship-as-a-Service, brought to you by our ever-dependable friends at Meta, Google, and TikTok.
Meta’s Mission: Make the Truth More… Manageable
Let’s begin with Meta. In a move that feels like something out of a dystopian satire, Meta proudly announced they had reduced the reach of tens of millions of posts across Europe. They wielded over 150,000 Facebook fact-checking articles to de-escalate the virality of 30 million pieces of content.
According to Meta, this wasn’t censorship—no, it was a mere “scaling of the work of independent fact-checkers.” The way they tell it, this was all in the name of maintaining “informed and reliable discussions.” Ah, reliable discussions, where only pre-approved, EU-certified opinions are allowed to flow freely.
Of course, official government statements and the edicts from the holy temples of global health organizations were entirely exempt from Meta’s moderating fervor. After all, why impede the credibility of those who are never wrong—except, of course, when they are, but let’s not get hung up on inconvenient details like that.
On Instagram, another Meta product, this brave new moderation mission persisted. The platform used 39,000 fact-checking articles to put the brakes on nearly a million posts. That’s right—one million “potentially hazardous” thoughts and opinions that, for the good of humanity, needed a little algorithmic throttle. And if you were wondering, it wasn’t just the memes of conspiracy theorists—they made sure that you, your grandma, and that neighbor with too many political opinions got the message too: “Play nice, or we’ll see to it no one hears you.”
TikTok: Suppressing, But Make It Fashionable
Meta wasn’t the only digital nanny keeping Europeans in line. Over at TikTok, the playbook got even hazier. The platform took pride in admitting that it restricted misleading posts—though, unlike Meta, TikTok kept the numbers conveniently vague. You see, their strategy was more about “awareness,” guiding content creators with a gentle algorithmic shove away from the tempting edges of disinformation. How thoughtful.
As if to prove their dedication to curated reality, TikTok also pointed Irish users in the direction of fact-checks from TheJournal.ie, an outlet that coincidentally receives EU funding. No conflict of interest there, right? Just an honest effort to “raise awareness.” And while TikTok didn’t offer up the numbers, we can be assured that plenty of thumbs danced across phone screens only to find their intended messages conveniently dulled down or disappeared.
Google: Where Terms of Service Are Optional
And then we have Google, that beacon of a supposedly neutral search engine—except when it isn’t. Reports show that YouTube, under Google’s magnanimous ownership, automatically deboosted videos that complied with their very own terms of service. Yes, you read that right. Even when content passed muster by their own rulebook, some unseen hand deemed it “unworthy.” Google tells us this was to curb the spread of misinformation. A noble aim, except for that pesky issue of who gets to decide what counts as misinformation—and why.
Critics, like Tom Vandendriessche, an MEP for Patriots for Europe, have not been fooled by the big, earnest proclamations of “integrity protection.”
Vandendriessche—whose party has fought and won against Big Tech’s silencing efforts—paints a stark picture of unchecked power: tech companies with unprecedented influence, deciding who gets heard and who doesn’t.
“This could lead to an era of ‘techno-communism,'” Vandendriessche argued to Brussels Signal, where an unelected cabal decides what constitutes reality for the rest of us. A “techno-communism” where, if your thoughts don’t align with the given narrative, they might as well not exist.
It’s not like Vandendriessche is shouting into the void, either. His criticism comes backed by experience, his party having already tasted the bitter fruits of deplatforming. If a democratically elected official can’t even get his voice out there without tech giants intervening, what hope is there for the average citizen with an inconvenient truth?
The EU’s Seal of Approval: Trust Us, We’re Here to Help
But let’s not forget the EU brass, who are, predictably, patting Big Tech on the back. Věra Jourová seems to believe they’ve stumbled onto some grand new way to “protect the integrity of elections.” Their stance on Big Tech’s secretive influence campaign was remarkably sunny—because nothing says “protecting democracy” like a few ultra-rich corporations quietly deciding what can or cannot be said during election season.
What’s fascinating is the conviction with which the EU spins this story. They genuinely believe—or want us to believe—that this centralized control is for our benefit, a way to combat the terrifying specter of “disinformation.” Clearly, the best way to fight misinformation is to silence millions of voices, all while exempting the officials and organizations whose statements are apparently beyond reproach. Trust us, they say: We’re only limiting the information you receive for your own good.
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Censorship Industrial Complex
UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’
From LifeSiteNews
UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.
UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.
Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”
And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:
The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets
“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.
To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:
- 68 percent were nano-influencers – those with 1,000 to 10,000 followers
- 25 percent were micro-influencers – those with 10,000 to 100,000 followers
- 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
- 6 percent were mega-influencers – those with over 1,000,000 followers
Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).
Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.
In addition to the survey and the online course called “Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”
This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.
Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024
How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?
This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.
And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.
Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.
Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.
The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:
The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”
When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:
One of the biggest ethical questions is knowing from where content creators derive their income.
At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.
In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.
Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:
Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.
In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.
Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”
Reprinted with permission from The Sociable.
Business
TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally
If you’re tired of censorship and surveillance, subscribe to Reclaim The Net.
TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.
In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”
Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons. TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however. Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done. In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.” And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates. More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus. This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada. And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites. Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.” |
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