Censorship Industrial Complex
Lockdowns Codified a World of Violence
From the Brownstone Institute
During the misnamed and mostly preposterous debate between Kamala Harris and Donald Trump, a moderator fact-checked Trump’s claim that crime is up. In contrast to his claim, he said that the FBI reports that crime is down, a claim that likely struck every viewer as obviously wrong.
Shoplifting was not a way of life before lockdowns. Most cities were not demographic minefields of danger around every corner. There was no such thing as a drug store with nearly all products behind locked Plexiglas. We weren’t warned of spots in cities, even medium-sized ones, where carjacking was a real risk.
It is wildly obvious that high crime in the US is endemic, with ever less respect for person and property. As for the FBI’s statistics, they are worth about as much as most data coming from federal agencies these days. They are there for purposes of propaganda, manipulated to present the most favorable picture possible to help the regime.
This is certainly true of the Bureau of Labor Statistics and the Commerce Department, which have been shoveling out obvious nonsense for years. Professionals in the field know it but go along for reasons of professional survival. In truth, we’ve never had a real economic recovery since lockdowns.
Crime is up. Literacy is down. Trust has collapsed. Societies were shattered and remain so.
Only a few weeks following the officious fact check at the debate, we now have new data from the National Crime Victimization Survey. The Wall Street Journal reports: “The urban violent-crime rate increased 40% from 2019 to 2023. Excluding simple assault, the urban violent-crime rate rose 54% over that span. From 2022 to 2023, the urban violent-crime rate didn’t change to a statistically significant degree, so these higher crime rates appear to be the new norm in America’s cities.”
The report isolates the “post-George Floyd protests” because no media source wants to mention the lockdowns. It is still a taboo subject. We somehow cannot say, even now, that the worst abuses of rights in US history in terms of scale and depth were a disaster, simply because saying so implicates the whole of the media, both parties, all government agencies, academia, and all the upper reaches of the social and political order.
The problem of political division is getting alarmingly serious. It’s no longer just about competing yard signs and loud rallies. We now have regular assassination attempts, plus even an extremely strange appearance of a bounty put on a candidate’s head by an official agency.
Surveys have shown that 26 million people in the US believe that violence is fine to keep Trump from regaining the presidency. Where might people have gotten that idea? Probably from many Hollywood movies that fantasize about having killed Hitler before he accomplished his evil plus the nonstop likening of Trump to Hitler, and hence one follows from another.
Liken Trump to Hitler and that is the result you produce. Just as the lockdowns and pandemic response acted out the Hollywood production of the movie Contagion – a perfect example of life imitating art – many activists today want to play a role in a real-life version of Valkyrie.
What’s next, the real-life version of “Civil War?”
There is private violence, public violence, and many forms in between including vigilante violence. Rights violations against person and property are the desiderata of our times. This springs from the culture of our times which has been heavily informed and even defined by the deployment of state violence in service of policy goals, at a scale, scope, and depth never before seen.
There were moments following March 12, 2020, and for the next two years, when there was no way to know for sure what was allowed and what was not, who was enforcing the orders (much less why), and what would be the consequences of noncompliance. We seem to have been subject to a range of coercive edicts but no one was sure of their source or the penalties for noncompliance. We were all introduced into the real-world workings of martial-law totalitarianism, which took forms we somehow did not expect.
There is probably not a living soul without some bizarre story. I was thrown out of several stores for issues of mask compliance even though it was unclear whether there were mandates. It all depended on the day. There was one store where the proprietor was laughing about masks one day and enforcing them the next, following a threat from an angry customer that he would call the police.
Businesses that tried to reopen were closed by force. Violence was threatened against beachgoers. Churches gathered in secret. House parties were extremely risky. Later, refusing the shot meant being barred from the office, though once more it was not clear who precisely was enforcing the order and what the consequences would be for noncompliance.
When CISA – about which no one knew anything because it had been created only in 2018 – sent out its sheet about which industries were essential and which were nonessential, it was not clear precisely who would make the determination or what would happen if the judgment was wrong. Where was the enforcement arm? Sometimes it would appear – threatening visits from inspectors or checks by police – and other times not so much.
On that day, I was riding back from New York City on the Amtrak and suddenly found myself overwhelmed with the possibility that the train could be stopped and all passengers thrown into a quarantine camp. I sheepishly asked an employee about the possibility. He said “It’s possible but, in my view, unlikely.”
That’s what it was like for years ongoing. Even now the rules are unclear, and this is especially true when it comes to speech. We are merely feeling our way around a dark room. We are shocked when a vaccine-critical post stays up on Facebook. A video on YouTube that mentions censorship might stay up or be taken down. Most dissidents today have been demonetized from YouTube, which is nothing but an effort to financially ruin our best creators.
Censorship is the deployment of force in service of state power, and other institutions connected to state power, for purposes of culture planning. It is exercised by the shallow state, in response to the middle state, and on behalf of the deep state. It is a form of violence that interrupts the free flow of information: the ability to speak, and the ability to learn.
Censorship trains the population to be quiet, afraid, and constantly stressed, and it sorts people by the compliant vs the dissidents. Censorship is designed to shape the public mind toward the end of shoring up regime stability. Once it starts, there is no limit to it.
I’ve mentioned to people that Substack, Rumble, and X could be banned by the spring of next year, and people respond with incredulity. Why? Four years ago, we were locked in our homes and locked out of churches, and the schools for which people pay all year were shut down by government force. If they can do that, they can do anything.
Censorship has been so effective that it has changed the way we engage with each other even in private. Brownstone Institute just held a private retreat for scholars, fellows, and special guests. One very special guest wrote me that she was completely shocked at the freedom of thought and speech that was present in the room. As a mover in the highest circles, she had forgotten what that was like.
This censorship coincides with a strange valorization of violence that we are presented with from all over the world: Ukraine, the Middle East, London, Paris, and many American cities. Never have so many held video cameras in their pockets and never have there been so many platforms on which to post the results. One does wonder how all these relentless presentations of destruction and killing affect public culture.
What purpose are all these soft, hard, public, and private exercises of violence serving? The standard of living is suffering, lives are shortening, despair and ill-health are main features of the population, and illiteracy has swept through an entire generation. The decision to deploy violence to master the microbial kingdom did not turn out well. Worse, it unleashed violence as a way of life.
“When plunder becomes a way of life for a group of men in a society,” wrote Frédéric Bastiat, “over the course of time they create for themselves a legal system that authorizes it and a moral code that glorifies it.”
That is precisely where we are. It’s time we talk about it and name the culprit. Liberty, privacy, and property were already unsafe before 2020 but it was the lockdowns that unleashed Pandora’s box of evils. We cannot live this way. The only arguments worth having are those that name the reason for the suffering and offer a viable path back to civilized living.
Censorship Industrial Complex
UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’
From LifeSiteNews
UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.
UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.
Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”
And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:
The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets
“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.
To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:
- 68 percent were nano-influencers – those with 1,000 to 10,000 followers
- 25 percent were micro-influencers – those with 10,000 to 100,000 followers
- 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
- 6 percent were mega-influencers – those with over 1,000,000 followers
Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).
Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.
In addition to the survey and the online course called “Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”
This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.
Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024
How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?
This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.
And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.
Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.
Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.
The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:
The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”
When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:
One of the biggest ethical questions is knowing from where content creators derive their income.
At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.
In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.
Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:
Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.
In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.
Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”
Reprinted with permission from The Sociable.
Business
TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally
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TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.
In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”
Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons. TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however. Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done. In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.” And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates. More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus. This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada. And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites. Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.” |
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