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Censorship Industrial Complex

Julian Assange laments growing censorship, suppression of truth in the West upon release

Published

2 months ago

7 minute read

Julian Assange, founder of Wikileaks, attends the European council on October 1, 2024, in Strasbourg, France

From LifeSiteNews

By Frank Wright

Speaking after 12 years of confinement, Julian Assange warned of the erosion of free speech in the West, linking his own prosecution to global censorship, political corruption, and attacks on honest journalism.

On October 1, Julian Assange made his first major speech since his release. In it, he delivered a verdict on how we are governed which is as damning as it is revealing.

“I am not free today because the system worked,” Assange said, “I am free today because after years of incarceration I pled guilty to journalism.”

Julian Assange was convicted under the U.S. Espionage Act and spent 12 years in confinement, first taking refuge in the Ecuadorian embassy in London in 2012, followed by five years in Britain’s maximum-security prison in Belmarsh.

Had his plea not been accepted he faced a sentence of 175 years in prison. He was speaking in Strasbourg, France, at a hearing convened by the Parliamentary Assembly of the European Council – which recognized Assange as a “political prisoner.”

Saying how “incarceration has taken its toll,” Assange noted how the world he had rejoined had changed – for the worse:

I regret how much ground has been lost during that time period. How expressing the truth has been undermined, attacked, weakened, and diminished.

Assange gave a chilling account of the state of the Western world today, saying he now sees “more impunity, more secrecy, more retaliation for telling the truth, and more self-censorship.”

He believes that his own treatment was a turning point for the suppression of freedom of speech in the West:

It is hard not to draw a line from the U.S. government’s prosecution of me – its crossing the Rubicon by internationally criminalizing journalism – to the chill climate for freedom of expression that exists now.

During his speech, Assange alleged that former CIA director Mike Pompeo devised a plan to kill him, following Wikileaks’ revelation in 2017 of CIA operations in Europe.

Citing the testimony of “more than 30 former and current U.S. intelligence officials,” Assange said that “it is a matter of public record that under Pompeo’s explicit direction the CIA drew up plans to kidnap and to assassinate me” while he was in the Ecuadorian embassy in London.

Assange was originally pursued for having publicized U.S. actions in Guantanamo Bay, and alleged war crimes in Iraq, which he explains intensified following Wikileaks’ CIA revelations.

Cracks in our system

Assange’s case and his extraordinary testimony reveals one of many fault lines in the Western world.

“Today, the free world is no longer free.” said Salvadorean President Nayib Bukele, describing also how the West is becoming “more pessimistic,” adding that, “[t]ragically, we can see more evidence of this decline every day.” Speaking at the United Nations on September 30, he said:

When the Free World became free it was due to freedom of expression, freedom before the law. But once a nation abandons the principles that make it free it’s only a question of time before it completely loses its freedom.

His observations are echoed by statements from across the political divide in the U.S.

The former Democrat Tulsi Gabbard warned on October 5 that the party she left now seeks to undermine the First Amendment. She said on X, “People like Hillary Clinton and Kamala Harris do not believe in the First Amendment because they see it as an obstacle to achieving their real goal: ‘total control.’”

Her remarks followed those made by Hillary Clinton in a recent video interview, in which Clinton said “whether it’s Facebook or Twitter/X or Instagram or TikTok … if they don’t moderate and monitor the content, we lose total control.”

Clinton’s remarks about losing “total control” come after Sen. John Kerry spoke at the World Economic Forum on September 25, saying “our First Amendment stands as a major block to the ability to be able to just hammer [disinformation] out of existence.”

Kerry argued that opposition to the polices of the WEF was fueled by “disinformation” when critics in fact simply dislike its policies. Populism generally is described as a threat to democracy in the West, when it is also simply the preference for popular policies, against the unpopular ones of the current ruling elite.

“Disinformation,” and “misinformation” are terms invented and used by the language and ideological police to hide their malicious intent.

It appears that unpopular policies such as those of permanent war, Net Zero, deindustrialization, and denationalization can only be pursued with “total control” of the information seen by the public.

The meaningful political debate is not about left and right. It is about the meaning of what is right, and the outrage at what is obviously wrong. Assange says “it is uncertain what we can do” about the “impunity” of our leadership, which as yet has faced no meaningful consequences for its pursuit of deeply unpopular policies at the expense of widespread corruption and defended by censorship.

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Censorship Industrial Complex

UNESCO launches course aimed at ‘training’ social media influencers to ‘report hate speech’

Published on December 13, 2024

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From LifeSiteNews

By Tim Hinchliffe

UNESCO’s bills its new ‘training’ initiative as empowering participants to be more credible and resilient while simply turning independent content creators into talking heads for the establishment.

UNESCO and the Knight Center for Journalism launch training courses, e-books, and surveys on disinformation and hate speech for influencers and content creators, big and small.

Last month, UNESCO published the results of a survey called “Behind the Screens: Insights from Digital Content Creators” that concluded that among 500 content creators in 45 countries that had a minimum of 1,000 followers, 62 percent said they did “not carry out rigorous and systematic fact-checking of information prior to sharing it,” while 73 percent expressed “the wish to be trained to do so.”

And lo and behold! UNESCO and the Knight Center for Journalism in the Americas have launched a re-education course to brainwash independent creators into thinking like unelected globalists and the legacy media, whose credibility are at an all-time low:

The journalism industry is on high alert as news audiences continue to migrate away from legacy media to social media, and many young people place more trust in TikTokers than journalists working at storied news outlets

“Respondents to the survey expressed interest in taking UNESCO’s free online course designed to equip participants with media and information literacy skills and knowledge,” the report states.

To get an idea of the make-up of those 500 content creators that were surveyed in the UNESCO study:

  • 68 percent were nano-influencers – those with 1,000 to 10,000 followers
  • 25 percent were micro-influencers – those with 10,000 to 100,000 followers
  • 4 percent were macro-influencers – those with 100,000 to 1,000,000 followers
  • 6 percent were mega-influencers – those with over 1,000,000 followers

Only 12.2 percent of the 500 people surveyed produced content under the category of “current affairs/politics and economy” while the majority covered “fashion/lifestyle” (39.3 percent), “beauty” (34 percent), “travel and food” (30 percent), and “gaming” (29 percent).

Equip yourself to combat online misinformation, disinformation, hate speech, and harmful AI content. Collaborate with fellow journalists and content creators to promote transparency and accountability on digital platforms, empowering your audience with the media and information literacy skills they need to navigate today’s information landscape.

In addition to the survey and the online course called “Digital Content Creators and Journalists: How to Be a Trusted Voice Online,” UNESCO and the Knight Center also published an e-book in October called “Content Creators and Journalists: Redefining News and Credibility in the Digital Age.”

This pyramid of propaganda is billed as empowering influencers to be more credible and resilient, but these efforts are also aimed at turning independent content creators into talking heads for the establishment.

 

Despite their expanding outreach, many digital content creators who work independently face significant challenges including the lack of institutional support, guidance, and recognition. — UNESCO, Behind the Screens: Insights from Digital Content Creators, November 2024

How can an independent content creator remain independent if he or she needs institutional support, guidance, and recognition?

This is an attempt by the United Nations to take independence away from the equation, so that its messaging becomes indistinguishable from mainstream, establishment narratives.

And between the survey and the e-book, there is not one, single, solitary example of disinformation or hate speech – save perhaps the claim that denying official climate change narratives is considered disinformation, but that’s highly debatable.

Threats to collective climate action are often perpetuated not only by individual creators but by industries, like fossil fuels, that actively shape public discourse to their advantage.

Speaking of climate change, the e-book contains a lengthy chapter called “Content Creators and Climate Change” that is entirely dedicated to pushing climate activism while claiming climate change disinformation is often perpetuated by coordinated campaigns from fossil fuel industries.

The UNESCO documents place heavy emphasis on disclosing who’s funding content creators while ignoring its partner, the Chinese Communist Party’s (CCP), and its alleged influence over UNESCO:

The Chinese Communist Party uses UNESCO to “rewrite history” and to “legitimize the party’s rule over regions with large ethnic minorities.”

When held to a mirror, UNESCO comes off as little more than hypocritical with massive conflicts of interests of its own:

One of the biggest ethical questions is knowing from where content creators derive their income.

 

At the same time, UNESCO points readers towards organizations like factcheck.org, which itself is funded by the likes of the U.S. State Department and the Robert Woods Johnson Foundation, the latter of which holds approximately $2 billion of stock in COVID vaccine manufacturer J&J, according to U.S. Rep. Thomas Massie.

In January 2021, UNESCO, the WHO, UNDP, EU, and the Knight Center for Journalism in the Americas ran a similar type of propaganda campaign for so-called COVID vaccine disinformation training for journalists as they are now doing for so-called climate change disinformation for content creators.

Another goal of UNESCO and the Knight Center is to create an environment where content creators snitch on one another under the guise of “hate speech”:

Among those targeted by hate speech, most chose to ignore it (31.5%). Only one-fifth (20.4%) reported it to social media platforms. This indicates an area where UNESCO and its partners could provide valuable training for digital content creators on how to effectively address and report hate speech.

In other words, the U.N. is partnering with journalists to teach influencers how to become victims that need protection.

Hey! Content creators. Were you aware that any criticism against the propaganda that we’ve planted within you means that you were a victim of hate speech? No? Well, climb on board and let’s “effectively address and report hate speech!”

Reprinted with permission from The Sociable.

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Business

TikTok Battles Canada’s Crackdown, Pitching Itself as a “Misinformation” Censorship Ally

Published on December 11, 2024

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If you’re tired of censorship and surveillance, subscribe to Reclaim The Net.

By Didi Rankovic

TikTok challenges Canada’s decision to shut down its operations, citing its role in combating “misinformation” as a reason the government should let it stay in the country.

In Canada, TikTok is attempting to get the authorities to reverse the decision to shut down its business operations by going to court – but also by recommending itself as a proven and reliable ally in combating “harmful content” and “misinformation.”

Canada last month moved to shut down TikTok’s operations, without banning the app itself. All this is happening ahead of federal elections amid the government’s efforts to control social media narratives, always citing fears of “misinformation” and “foreign interference” as the reasons.

TikTok, owned by China’s ByteDance, was accused of – via its parent company – representing “specific national security risks” when the decision regarding its corporate presence was made in November; no details have been made public regarding those alleged risks, however.

Now the TikTok Canada director of public policy and government affairs, Steve de Eyre, is telling the local press that the newly created circumstances are making it difficult for the company to work with election regulators and “civil society” to ensure election integrity – something Eyre said was previously successfully done.

In 2021, he noted, TikTok initiated collaboration with Elections Canada (the agency that organizes elections and has the power to flag social media content) which included TikTok adding links to all election-related videos that directed users toward “verified information.”

And the following year, TikTok was invested in monitoring its platform for “potentially violent” content, during the Freedom Convoy protests against Covid mandates.

More recently, TikTok was also on its toes for “foreign interference and hateful content” related to Brampton clashes between Sikhs and Hindus.

This approach, Eyre argues, is now jeopardized because TikTok employees are not present in Canada, who would be able to inform the platform’s decisions in terms of the political and cultural “context” in Canada.

And the political context is that of the Trudeau government playing the election misinformation card indirectly and directly, to put pressure on social sites.

Even though the decision regarding the company’s business operations has been described by Foreign Minister Melanie Joly as “a message to China” – it’s really a message to TikTok, since the app remains available, but has been “put on notice.”
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