Alberta
Alberta’s 2022 Lt. Governor Emerging Artists Named

Alberta’s 2022 Lt. Governor Emerging Artists Named
The Lieutenant Governor of Alberta Arts Awards Foundation announces awards totaling $110,000 to the 11 recipients of its 2022 Emerging Artist Award.
“When economic times are tough, our artists are particularly vulnerable,” says Foundation Chair, Arlene Strom. “We are thrilled to invest $110,000 this year in advancing the careers of these outstanding artists at the early stages of their professional development.”
2022 Emerging Artist Recipients:
Perpetual Atife Saxophone, Calgary
Vicki Chau Filmmaker, Calgary
Arlan Vriens Violin, Edmonton; Toronto
Eden Tremayne Soprano, Calgary
Omar Mouallem Writer, Edmonton
Trina Moyles Writer, Peace River
Kiona Ligtvoet Visual Arts, Edmonton
Tenaj Williams Actor, Calgary
Ally McIntyre Visual Arts, Edmonton
Moni Brar Writer/Poet, Calgary
Nahanni McKay Visual Arts, Banff
The Award’s patron, Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta AOE, B.Sc., LLD (hon) awarded the 2022 Emerging Artists at a celebration hosted by the County of Lac La Biche and Portage College on June 10, 2022. Each awardee receives a $10,000 cash award, a handcrafted medal and a certificate.
The 11 recipients were selected from 140 applications in an adjudication process overseen by The Banff Centre. The adjudication panel included: Darren Fung, renowned composer based out of Los Angeles, originally from Edmonton; Sean Caulfield, artist and Centennial Professor in the Department of Art & Design at the University of Alberta; Patricia Darbasie, Alberta actor, director and educator; Jenna Butler, 2014 LG Emerging Artist, award-winning author and educator; Derek Beaulieu, Jury Facilitator, Director of Literary Arts at the Banff Centre.
For more information on the awardees visit artsawards.ca
Who are the 2022 Emerging Artists?
Perpetual Atife Saxophonist, Calgary: Perpetual Atife is retelling African stories and music through her practice as a jazz saxophonist and songwriter. Her entrepreneurial spirit and energy are as impressive as her skills as a band leader and performer. The aural tapestry she creates combines her Nigerian roots and the realities she exists in today. Her debut album, a collection of her journey through instrumental music, spoken word and vocal music, is due to be released in the Fall of 2022.
Vicki Chau Filmmaker, Calgary: Vicki Chau is a filmmaker and media artist based in Calgary. Her two short films Pulled Strings and Hearth of the Lion capture a slice of her Chinese-Vietnamese heritage in a beautiful lyrical way. Her family and cultural identity have been a core inspiration in her artistic practice and help her to promote the appreciation of both Chinese and Vietnamese culture through a uniquely Canadian perspective. She was selected for the WarnerMedia Access Festivals Program at Toronto’s Reelworld Film Festival in 2021.
Arlan Vriens, Violin, Edmonton/Toronto: Arlan Vriens is an Edmonton-born classical violinist noted for his ability to evoke strong, emotional performances with difficult, contemporary repertoire that pushes the boundaries of what the instrument was designed to do. Equally at home performing newly-written contemporary works or rediscovering long-lost violin techniques, Arlan is committed to nurturing and critiquing classical music as a living, evolving practice. His chamber music and solo violin projects have been supported by the Canada Council for the Arts and the arts councils of Alberta, Ontario, and Newfoundland.
Eden Tremayne Soprano, Calgary: Eden Tremayne delivers an authenticity and emotional strength that is impressive to see in an emerging opera singer. A soprano with both a strong technical facility and range, she is noted for her stirring performances. For the past three seasons, Ms. Tremayne has been a McPhee Artist with Calgary Opera. She had her Calgary Opera mainstage debut In the 2019-2020 season as Clotilde in Bellini’s Norma and covered Musetta in Puccini’s La bohème. Tremayne was previously featured as an Apprentice Artist with the San Diego Opera and a Yulanda M. Faris Young Artist with Vancouver Opera.
Omar Mouallem Writer, Edmonton: Omar Mouallem has established himself as a talented young journalist and filmmaker to watch. With the arrival of his important new book of non-fiction, Praying to the West: How Muslims Shaped the Americas, he’s an important voice in Canadian literature with a long career ahead. A second-generation Canadian born and raised in Northern Alberta’s Muslim Lebanese community, Mouallem has become known for his ability to intertwine human interest stories with world history and broad social issues. Omar co-authored the national bestseller Inside the Inferno: A Firefighter’s Story of the Brotherhood that Saved Fort McMurray and co-directed Digging in the Dirt (with Dylan Rhys Howard), a raw look at the psychological toll of oil and gas labour.
Trina Moyles Writer, Peace River: Trina Moyles blends journalistic knowledge with literary expertise and a love for the land. She grew up in the northern community of Peace River, Alberta (Treaty 8), where she spent much of her childhood immersed in the boreal forest. Moyles’s first book, Women Who Dig: Farming, Feminism, and the Fight to Feed the World was published in 2018 by the University of Regina Press. Her second book, a memoir and frontline reportage on the increasing prevalence of wildfire in North America, Lookout: Love, Solitude, and Searching for Wildfire in the Boreal Forest, was published in 2021 by Penguin Random House Canada. Lookout won a National Outdoors Book Award in 2021 and has recently been nominated as a finalist for the 2022 Robert Kroetsch City of Edmonton Book Prize and a finalist for the Memoir Award at the 2022 Alberta Literary Awards.
Kiona Ligtvoet Visual Arts, Edmonton: Kiona Ligtvoet looks to experiences with family and the land they live and work on to create paintings, prints and installations that function as both a personal archive, as well as non-linear storytelling. Kiona grew up west of Edmonton near the hamlet of Calahoo where she lived with her moshom and relatives on scrip land. Her family lines are Cree and Métis descending from Michel First Nation, as well as Dutch/ mixed European. Kiona works in painting, printmaking and drawing, recollecting personal stories of grief and tenderness. Most recent exhibitions have been sahkitok mistahi at Ociciwan Contemporary Art Centre (2021), and her solo show, These Are the Things at Latitude 53 (2021). She is currently writing her debut graphic novel We Were Younger Once (2022).
Tenaj Williams Actor, Calgary: Tenaj Williams has built on his community theatre experiences to create a provincial and national footprint as an actor, professionally performing on stages in Alberta and across the country. He has recently branched out into film and television landing roles on various TV series, most prominently the hit CTV comedy show, JANN. Tenaj hopes to further advance his work in the arts and be instrumental in helping to create and foster safe, and brave spaces for diverse and emerging artists. He plans to develop his skills as a director and learn more about theatre production and management.
Ally McIntyre Visual Arts, Edmonton: Ally McIntyre creates bold, powerful paintings that combine passages of abstraction with naturalistic imagery, and which contain moments of aggressive and expressive mark-making, alongside more introspective, sensitive passages of drawing. This blending of visual languages results in highly compelling imagery that fosters unexpected narratives and poetic associations for viewers. Bold and assertive, her works question the prevailing gendered association of large-scale art and expressionism. In 2015, McIntyre was awarded the HIX Award 2015 presented by Tracey Emin and the Jealous Prize 2015. Exhibits include various galleries in London, UK, The Original Print Fair at the Royal Academy, The London Art Fair, Start Art Fair and Art Toronto. She was a finalist in the RBC national painting competition (2018). Her solo exhibition ‘Dog Day Circus’ was featured at the Saatchi Gallery in London, UK (2022). Her work can be found in private collections in Australia, Asia, Europe, and North America.
Moni Brar Writer/Poet, Calgary: Moni Brar has published in many of the most respected journals in Canada and received a number of the top writing awards. A Punjabi Canadian writer exploring diasporan guilt and intergenerational trauma, she is poised to make major contributions to the literary arts in Canada. She has been nominated for the Pushcart Prize and multiple Best of the Net awards and was the winner of the SAAG Arts Writing Prize, runner-up in PRISM international’s Grouse Grind Prize, honourable mention in Room magazine’s Poetry Prize, and a finalist in the Alberta Magazine Awards and the Subnivean Awards. Her work can be found in Best Canadian Poetry 2022, the Literary Review of Canada, Passages North, Prairie Fire, Hobart, and the League of Canadian Poets’ “Poem in Your Pocket” postcard series.
Nahanni McKay Visual Arts, Banff: McKay’s creative practice utilizes photography, digital media, as well as performances in the landscape to explore pressing questions related to environmental change. The work often considers the ways landscape and animals have been depicted historically, particularly in the context of national parks, in order to investigate the complex interrelationship between colonial power structures, identity and ecological degradation and loss. Nahanni uses her photography to bring awareness of the need to coexist with wildlife to prevent further harm to the land we reside on. Exhibits include Personal Structures Exhibition, European Cultural Centre, Venice, Italy (2022), Loop 14, Alberta Foundation for the Arts Travelling Exhibition (2020), EXPOSURE Photography Festival Emerging Artists Showcase, Contemporary Calgary and more.
About The Awards
Founders Fil Fraser, Tommy Banks, John Poole and Jenny Belzberg established the Lieutenant Governor of Alberta Arts Awards Foundation in 2003 to celebrate and promote excellence in the arts. The endowments they established were created with philanthropic dollars and gifts from the Province of Alberta and the Government of Canada. Since its inception in 2003, the Foundation has awarded $1,430,000 to 23 Distinguished Artists and 74 Emerging Artists, all Alberta affiliated. The Foundation administers two awards programs: The Emerging Artist Awards program, established in 2008, gives up to 10 awards of $10,000 each to support and encourage promising artists early in their professional careers. Emerging Artist Awards are given out in even years. The Distinguished Artist Awards program, begun in 2005, gives up to three awards of $30,000 each in recognition of outstanding achievement in, or contribution to, the arts in Alberta. Distinguished Artist Awards are given in odd years.
Alberta
Low oil prices could have big consequences for Alberta’s finances

From the Fraser Institute
By Tegan Hill
Amid the tariff war, the price of West Texas Intermediate oil—a common benchmark—recently dropped below US$60 per barrel. Given every $1 drop in oil prices is an estimated $750 million hit to provincial revenues, if oil prices remain low for long, there could be big implications for Alberta’s budget.
The Smith government already projects a $5.2 billion budget deficit in 2025/26 with continued deficits over the following two years. This year’s deficit is based on oil prices averaging US$68.00 per barrel. While the budget does include a $4 billion “contingency” for unforeseen events, given the economic and fiscal impact of Trump’s tariffs, it could quickly be eaten up.
Budget deficits come with costs for Albertans, who will already pay a projected $600 each in provincial government debt interest in 2025/26. That’s money that could have gone towards health care and education, or even tax relief.
Unfortunately, this is all part of the resource revenue rollercoaster that’s are all too familiar to Albertans.
Resource revenue (including oil and gas royalties) is inherently volatile. In the last 10 years alone, it has been as high as $25.2 billion in 2022/23 and as low as $2.8 billion in 2015/16. The provincial government typically enjoys budget surpluses—and increases government spending—when oil prices and resource revenue is relatively high, but is thrown into deficits when resource revenues inevitably fall.
Fortunately, the Smith government can mitigate this volatility.
The key is limiting the level of resource revenue included in the budget to a set stable amount. Any resource revenue above that stable amount is automatically saved in a rainy-day fund to be withdrawn to maintain that stable amount in the budget during years of relatively low resource revenue. The logic is simple: save during the good times so you can weather the storm during bad times.
Indeed, if the Smith government had created a rainy-day account in 2023, for example, it could have already built up a sizeable fund to help stabilize the budget when resource revenue declines. While the Smith government has deposited some money in the Heritage Fund in recent years, it has not created a dedicated rainy-day account or introduced a similar mechanism to help stabilize provincial finances.
Limiting the amount of resource revenue in the budget, particularly during times of relatively high resource revenue, also tempers demand for higher spending, which is only fiscally sustainable with permanently high resource revenues. In other words, if the government creates a rainy-day account, spending would become more closely align with stable ongoing levels of revenue.
And it’s not too late. To end the boom-bust cycle and finally help stabilize provincial finances, the Smith government should create a rainy-day account.
Alberta
Governments in Alberta should spur homebuilding amid population explosion

From the Fraser Institute
By Tegan Hill and Austin Thompson
In 2024, construction started on 47,827 housing units—the most since 48,336 units in 2007 when population growth was less than half of what it was in 2024.
Alberta has long been viewed as an oasis in Canada’s overheated housing market—a refuge for Canadians priced out of high-cost centres such as Vancouver and Toronto. But the oasis is starting to dry up. House prices and rents in the province have spiked by about one-third since the start of the pandemic. According to a recent Maru poll, more than 70 per cent of Calgarians and Edmontonians doubt they will ever be able to afford a home in their city. Which raises the question: how much longer can this go on?
Alberta’s housing affordability problem reflects a simple reality—not enough homes have been built to accommodate the province’s growing population. The result? More Albertans competing for the same homes and rental units, pushing prices higher.
Population growth has always been volatile in Alberta, but the recent surge, fuelled by record levels of immigration, is unprecedented. Alberta has set new population growth records every year since 2022, culminating in the largest-ever increase of 186,704 new residents in 2024—nearly 70 per cent more than the largest pre-pandemic increase in 2013.
Homebuilding has increased, but not enough to keep pace with the rise in population. In 2024, construction started on 47,827 housing units—the most since 48,336 units in 2007 when population growth was less than half of what it was in 2024.
Moreover, from 1972 to 2019, Alberta added 2.1 new residents (on average) for every housing unit started compared to 3.9 new residents for every housing unit started in 2024. Put differently, today nearly twice as many new residents are potentially competing for each new home compared to historical norms.
While Alberta attracts more Canadians from other provinces than any other province, federal immigration and residency policies drive Alberta’s population growth. So while the provincial government has little control over its population growth, provincial and municipal governments can affect the pace of homebuilding.
For example, recent provincial amendments to the city charters in Calgary and Edmonton have helped standardize building codes, which should minimize cost and complexity for builders who operate across different jurisdictions. Municipal zoning reforms in Calgary, Edmonton and Red Deer have made it easier to build higher-density housing, and Lethbridge and Medicine Hat may soon follow suit. These changes should make it easier and faster to build homes, helping Alberta maintain some of the least restrictive building rules and quickest approval timelines in Canada.
There is, however, room for improvement. Policymakers at both the provincial and municipal level should streamline rules for building, reduce regulatory uncertainty and development costs, and shorten timelines for permit approvals. Calgary, for instance, imposes fees on developers to fund a wide array of public infrastructure—including roads, sewers, libraries, even buses—while Edmonton currently only imposes fees to fund the construction of new firehalls.
It’s difficult to say how long Alberta’s housing affordability woes will endure, but the situation is unlikely to improve unless homebuilding increases, spurred by government policies that facilitate more development.
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